Great in-ring work; live, there wasn't a single bad match. The crowd perhaps did tire a bit throughout, but this was a "something for (almost) everyone" card: Gibson/Gallagher was a wonderful technical masterpiece, whilst the shenanigans leading to the Sexsmith & Johnson vs. Cooper/Banks tag match underlined what makes this company great: improvisation. The booking of the first and last match was somewhat puzzling, and left a heck of a sour taste in my mouth, but on reflection it does seem to be leading somewhere, rather than screwy finishes for the sake of it.