Directed by
Wanda Nolan |
Writing Credits (in alphabetical order)
Wanda Nolan |
Cast (in credits order)
Mary-Colin Chisholm | ... | Ailish | |
Rhiannon Morgan | ... | Banshee | |
Allison Moira Kelly | ... | Kari | |
George Robertson | ... | Interviewer |
Produced by
Wanda Nolan | ... | executive producer |
Kerri Oakey | ... | producer (as Kerri Mattie) |
Music by
Sarah Harris |
Cinematography by
Duncan De Young | ... | director of photography |
Editing by
Justin Simms |
Production Design by
Ane Christensen |
Art Direction by
Ane Christensen | ||
John McClusky | ... | assistant art director |
Set Decoration by
Joann Greenly |
Costume Design by
Christine Kenny |
Makeup Department
Kendra Loder | ... | key hair |
Skye Tostowaryk | ... | key make-up |
Production Management
Lynn Andrews | ... | production manager |
Second Unit Director or Assistant Director
Rachel Deal | ... | third assistant director |
Andrea Dunne | ... | second assistant director |
Erin French | ... | first assistant director |
Art Department
Santiago Guzman | ... | props master |
Sound Department
Julian Cameron | ... | voice over recordist |
Harvey Hyslop | ... | re-recording mixer |
Mike Simms | ... | boom operator |
Paul Steffler | ... | dialogue editor / sound editor |
Hilary Thomson | ... | foley artist |
Josh White | ... | foley recordist |
Scott Yates | ... | sound recordist |
Camera and Electrical Department
Jason Andrews | ... | dolly grip |
Jeff Baggs | ... | gaffer |
Duncan De Young | ... | camera operator |
Sean Doran | ... | key grip |
Aaron Elliott | ... | digital imaging technician |
Nick Jackson | ... | first assistant camera |
Greg Locke | ... | stills photographer |
Nick Noseworthy | ... | camera trainee (as Nicholas Noseworthy) |
Ben Price | ... | second assistant camera |
Editorial Department
Steve Cook | ... | on-line editor |
Aaron Elliott | ... | colorist |
Location Management
Myles Reichel | ... | location production assistant |
Andrew Strickland | ... | location manager |
Music Department
Nora Barker | ... | vocal performance |
Sarah Harris | ... | original score performed by |
Liam Wight | ... | double bass |
Script and Continuity Department
Amanda Foote | ... | script supervisor |
Additional Crew
Lori Van Thiel | ... | accounting |
Thanks
Lynn Andrews | ... | special thank you's |
Angela Antle | ... | special thank you's |
Ruth Atkinson | ... | special thank you's |
Rob Ball | ... | special thank you's |
Doug Boland | ... | special thank you's |
Molly Boland | ... | special thank you's |
Elisabeth de Mariaffi | ... | special thank you's |
Aaron Elliott | ... | special thank you's |
Colleen Field | ... | special thank you's |
Deanne Foley | ... | special thank you's |
Leonard Hearn | ... | special thank you's |
Mike Hearn | ... | special thank you's |
Mike Hickey | ... | special thank you's |
Nick Jackson | ... | special thank you's |
Willow Kean | ... | special thank you's |
Carol Keane | ... | special thank you's |
Carsten Knox | ... | special thank you's |
Ruth Lawrence | ... | special thank you's |
Justin Oakey | ... | special thank you's |
Kimberly Orren | ... | special thank you's |
Anna Petras | ... | special thank you's |
Colleen Quigley | ... | special thank you's |
Darren Randell | ... | special thank you's |
Jennice Ripley | ... | special thank you's |
Mark Royle | ... | special thank you's |
Gerald Thomas | ... | with kind permission for the use of audio from (as Dr. Gerald Thomas) |
Jocelyne Thomas | ... | special thank you's |
Dana Warren | ... | special thank you's |