A jealous husband and his friends plot the kidnapping of his wife's lover with the intention of restoring his wounded ego.
Director:
Writers:
Stars:
Awards:
- 2 wins & 2 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
| Ray Winstone | ... |
Colin Diamond
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| Ian McShane | ... |
Meredith
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| John Hurt | ... |
Old Man Peanut
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| Tom Wilkinson | ... |
Archie
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| Stephen Dillane | ... |
Mal
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| Joanne Whalley | ... |
Liz Diamond
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| Melvil Poupaud | ... |
Loverboy
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| Steven Berkoff | ... |
Tippi Gordon
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Edna Doré | ... |
Archie's Mum
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| Andy de la Tour | ... |
Biggy Walpole
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| Derek Lea | ... |
Bumface
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Ramon Christian | ... |
Boy on Sofa
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| Rest of cast listed alphabetically: | |||
| Dave Legeno | ... |
Brighton Billy (uncredited)
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Directed by
| Malcolm Venville | ||
Written by
| Louis Mellis | ... | (written by) & |
| David Scinto | ... | (written by) |
Produced by
| Paul Brett | ... | executive producer |
| Glenn Brown | ... | executive producer |
| Richard Brown | ... | producer |
| Stuart Ford | ... | executive producer |
| Steve Golin | ... | producer |
| Paul Green | ... | executive producer |
| Peter Heslop | ... | co-producer / line producer |
| Ian McShane | ... | executive producer |
| Louis Mellis | ... | executive producer |
| Dave Morrison | ... | executive producer |
| David Scinto | ... | executive producer |
| Tim Smith | ... | executive producer |
| Ray Winstone | ... | executive producer |
Music by
| Angelo Badalamenti | ||
Cinematography by
| Daniel Landin | ... | director of photography |
Editing by
| Rick Russell | ||
Editorial Department
| Rob Farris | ... | digital intermediate producer |
| Rob Gordon | ... | digital film editor |
| Emily Greenwood | ... | digital film editor |
| Stephen Haren | ... | additional editor / first assistant editor |
| Katura Jensen | ... | post-production coordinator |
| Angus Munro | ... | avid engineer |
| Laurent Treherne | ... | digital intermediate technical director |
Casting By
| Gary Davy | ||
Production Design by
| John Stevenson | ||
Art Direction by
| Nick Gottschalk | ||
Set Decoration by
| Gemma Ryan | ||
Costume Design by
| Caroline Harris | ||
Makeup Department
| Louise Coles | ... | hair / makeup assistant |
| Nathaniel De'Lineadeus | ... | dental effects designer |
| Richard Glass | ... | contact lens optician |
| Frances Hannon | ... | hair designer / makeup designer |
| Belinda Parish | ... | key hair & makeup |
| Jemma Scott-Knox-Gore | ... | contact lens technician |
| Chris Lyons | ... | dental prosthetics (uncredited) |
Production Management
| Mark Harris | ... | post-production supervisor |
| Bobby Prince | ... | unit manager |
Second Unit Director or Assistant Director
| Heidi Gower | ... | third assistant director |
| Martin Harrison | ... | first assistant director |
| Chris Stoaling | ... | second assistant director |
Art Department
| Grace Brook | ... | stand-by art director |
| Tristan Carlisle-Kitz | ... | chargehand stand-by props |
| Sophia Chowdhury | ... | production buyer |
| Peter Fentem | ... | property master |
| Claire Fleming | ... | art department assistant |
| Pip Fox | ... | stand-by propman |
| Berkan Halil | ... | artist |
| Justin Hayzelden | ... | dressing props |
| Loretta Lipworth | ... | art department trainee |
| Daryn McLaughlan | ... | assistant art director |
| Steven Morris | ... | props |
| Nick Pelham | ... | storyboard artist |
| Scott Rogers | ... | props |
| Tom Walker | ... | carpenter |
| Paul Couch | ... | stand-by painter (uncredited) |
Sound Department
| Antony Bayman | ... | assistant sound re-recording mixer |
| Orin Beaton | ... | boom operator |
| Ed Colyer | ... | adr recordist |
| Michael Fentum | ... | sound effects editor |
| Samir Foco | ... | dialogue editor |
| Dominic Gibbs | ... | sound effects editor |
| Nick Gillett | ... | sound assistant |
| Ishmael Harris | ... | trainee sound assistant |
| Alistair Hawkins | ... | assistant sound editor |
| James Mather | ... | supervising sound editor |
| Ian Sands | ... | sound mixer: second unit |
| Chris Sturmer | ... | dolby sound consultant |
| Kevin Tayler | ... | adr recordist |
| Mark Taylor | ... | re-recording mixer |
| Glen Gathard | ... | assistant adr recordist (uncredited) |
Special Effects by
| Ben Broadbridge | ... | special effects technician |
| Anne Marie Walters | ... | senior special effects technician |
| Alistair Williams | ... | special effects technician |
| Bryan Stanislas | ... | special effects crew (uncredited) |
Visual Effects by
| Alex Bicknell | ... | visual effects consultant |
| Paddy Eason | ... | visual effects supervisor |
| David Emeny | ... | digital compositor |
| Marie Fernandes | ... | digital intermediate producer |
| Björn Fredriksson | ... | compositor |
| Timothy P. Jones | ... | digital film bureau |
| Alex Llewellyn | ... | digital compositor |
| Hugh Macdonald | ... | digital compositor: Stranger |
| John Palmer | ... | digital film bureau manager |
| Rob Pizzey | ... | digital colourist |
| Becky Roberts | ... | visual effects producer |
| Aurora Shannon | ... | digital intermediate assistant |
| Sally Spencer | ... | visual effects producer |
Stunts
| Paul Heasman | ... | stunt supervisor |
| Derek Lea | ... | stunt coordinator |
Camera and Electrical Department
| Sam Barnes | ... | additional focus puller |
| Tim Battersby | ... | first assistant camera: "a" camera |
| Kerry Brown | ... | still photographer |
| John Clarke | ... | electrician |
| Andy Cole | ... | rigging gaffer |
| Johnny Colley | ... | gaffer (as John Colley) |
| Sam Goldie | ... | first assistant camera: second unit |
| Demetri Jagger | ... | video assist operator: second unit |
| Lizzie Kelly | ... | video assist operator |
| Dash Lilley | ... | camera trainee |
| Gavin MacArthur | ... | second assistant camera: second unit |
| Tobias Marshall | ... | additional clapper loader |
| David McAnulty | ... | key grip |
| Paul Molloy | ... | electrician |
| Simon Muir | ... | grip trainee |
| Mike Parsons | ... | electrician |
| Sophie Wilson | ... | second assistant camera: "a" camera |
Casting Department
| Victor Jenkins | ... | casting associate |
Costume and Wardrobe Department
| Linda O'Reilly | ... | set costumer |
| Marco Scotti | ... | costume supervisor |
Location Management
| David Broder | ... | location manager |
| Benjamin Carter | ... | location scout |
| Richard George | ... | assistant location manager |
| Hannah Lamb | ... | location assistant |
Music Department
| Jim Bruening | ... | score recordist |
| Daniel James Chan | ... | composer: additional music |
| Rupert Coulson | ... | score mixer |
| Phil Marshall | ... | composer: additional music |
| Gerard McCann | ... | music editor |
| William Pearson | ... | music recordist (as Bill Pearson) |
| Susan Stone | ... | music supervisor |
Script and Continuity Department
| Diana Dill | ... | script supervisor |
Transportation Department
| Malcolm Cooper | ... | camera car driver |
| Mark Dilliway | ... | unit driver |
| Jerry Hamshar | ... | unit driver |
| Tony Jayes | ... | driver: John Hurt |
| Simon Jones | ... | transportation captain |
| Graeme Main | ... | driver |
| Stuart Morgan | ... | picture vehicle co-ordinator |
| David O'Connor | ... | transportation |
| Brendan O'Gorman | ... | unit driver |
Additional Crew
| Lesley Broderick | ... | production accountant |
| Ethan Carter | ... | production staff |
| Sean Desmond | ... | security |
| Wayne Docksey | ... | animal consultant |
| Stephanie Dölker | ... | production coordinator |
| Catherine Golding | ... | assistant production coordinator |
| Jenny Hargreaves | ... | assistant to director |
| Charles Heaphy | ... | production financing |
| Natasha Hook | ... | unit nurse |
| Adrian Hubbard | ... | runner/stand in |
| Matthew Jenkins | ... | assistant coordinator |
| Ruzanna Kegeyan | ... | international sales |
| Marie-Louise Khondji | ... | assistant to producer |
| Hakan Kousetta | ... | production legal advisor |
| Tristan Law | ... | runner/stand in |
| Gareth Lewis | ... | floor runner |
| Gareth Lewis | ... | stand-in/floor runner |
| Liam Lock | ... | additional floor runner |
| Nicoletta Mani | ... | script supervisor: second unit dailies |
| Stacy Mann | ... | unit publicist |
| Nick Miller | ... | production legal services |
| Max Murphy | ... | stand-in/floor runner |
| Gabriel Olson | ... | assistant: director |
| Jeremy Pelzer | ... | managing director: Elstree Studios |
| Nicola Roberts | ... | stand-in/floor runner |
| Peter Sinfh | ... | stand-in/floor runner |
| Eve Swannell | ... | production coordinator |
| James Swarbrick | ... | Commercial Director |
| Catherine Tyler | ... | assistant to producer |
| Piotr Walczak | ... | facilities manager (2009) |
| Laura Windows | ... | floor runner / stand-in |
| Ryon Lane | ... | business affairs coordinator (uncredited) |
Thanks
| John Hillcoat | ... | special thanks |
Production Companies
- Prescience Media (presents)
- Omni Films (presents)
- Twilight Production & Entertainment (presents)
- IM Global (in association with)
- Anonymous Content
- Passenger
- Goldcrest Post Production London (post-production)
- Hindsight Media
Distributors
- GEM Entertainment (2009) (Non-US) (multi-territory)
- Icon Film Distribution (2010) (Australia) (theatrical)
- Image Entertainment (2010) (United States) (theatrical)
- Momentum Pictures (2010) (United Kingdom) (theatrical)
- A-Film Home Entertainment (2010) (Netherlands) (DVD)
- A-Film Home Entertainment (2010) (Netherlands) (Blu-ray) (DVD)
- Ascot Elite Entertainment Group (2010) (Switzerland)
- Ascot Elite Home Entertainment (2010) (Germany)
- HBO Hungary (2012) (Hungary) (tv)
- Image Entertainment (2010) (United States) (Blu-ray) (DVD)
- Leone Film Group (2009) (Italy)
- Noori Pictures (2013) (South Korea)
- Television (2009) (Romania)
Special Effects
Other Companies
- ARRI Media (camera equipment provided by)
- Arion Facilities (telecine dailies)
- Bonded Services (film storage)
- Casting Collective (extras casting)
- Eastside Communications (publicity: Germany)
- Elstree Film & Television Studios (movie studio)
- Fatts (post-production script services)
- Film Finances (completion guarantor)
- Fintage CAM (collection account management)
- Goldcrest Post Production London (sound post-production)
- Hyperactive Broadcast (editing equipment)
- Kodak (motion picture film supplied by)
- NVIZ (visual effects)
- PMA Production (making of/electronic press kit)
- Production Copier Company (production equipment and services)
- Translux (facilities)
- Universal Extras (extras casting)
- Varèse Sarabande (soundtrack)
Storyline
| Plot Summary |
Colin (Ray Winstone) is in agony, shattered by his wife's infidelity. However, he has friends who do more than stand by. They kidnap the wife's French lover and hold him prisoner so that Colin can restore his manhood with revenge. A kangaroo court takes place, and as the situation escalates, loverboy's life hangs in the balance as Colin wrestles with revenge, remorse, grief, and self pity, all the while egged on by his motley crew of friends who just want him to get on with it so they can get down to the pub. |
| Plot Keywords | |
| Taglines | The Measure of Revenge See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Opening Weekend United Kingdom | GBP152,171, 17 Jan 2010 |
Did You Know?
| Trivia | The word "cu-nt" is used forty-eight times. See more » |
| Movie Connections | Featured in Episode #1.39 (2010). See more » |
| Soundtracks | Without You See more » |
| Quotes |
Colin Diamond:
I bet she's never farted in front of you, has she? Has she? No- I thought not. I mean, that's not romantic, is it? You just want the perfume clouds, the romance, the magicalness of it all- the false crap. Well, I've got news for you, Sonny Jim- that's not love. Love's hard work, hard graft. Love can be murder. Love is watching what she wants to watch on the tely, taking her the papers and a cup of tea on a Sunday morning in bed and inquiring to how she might be feeling, "You all right, Liz?" whilst plumping up her pillows. And she might get irritated by that, but you gotta take it on the chin and broad shoulders, because she's the queen, and you're the bee- the Dad. And so what if you cook the dinner and you get no thanks for it? Don't do it if you expect thanks. That's not why you do it. And yes, you forgot the dripping tap for ten years, and then one day- for whatever reason, fuck knows why- you get off your fat ass and you find yourself under the sink with a spanner in your hand and you're smiling like fuck- because you know it's gonna please her. And if she don't notice it, she don't notice it- it don't matter. It's fixed. It's plumbed. It's the maintenance of a marriage, the nuts and bolts, the nitty gritty, the reality- that's life, that's love, it ain't easy- nobody ever said it was gonna be easy. It's fucking hard work. But, you know, love can be... lovely. One day, you'll be in the bathroom, having a shave in front of the mirror, all soap on your face, and you feel her approaching you. She's hung a pair of tights, hanging on the radiator. And as she leaves, she pats you on the bum and gives you a tiny smile- almost not a smile- but a smile nevertheless. And it will mean the world to you- the whole. incredible world- the fucking universe. See more » |