If Sundance is the "Super Bowl" event for burgeoning local filmmakers hoping to first get noticed, then imagine how it must feel to be presenting your first feature at the "World Cup" of film festivals. If you're a regular reader on the site, then you might remember us profiling Alistair Banks Griffin prior to him premiering his directorial debut Two Gates of Sleep at the Cannes Film Festival. Little did I know that the shoestring budgeted film that played in the Director's Fortnight section would announce the arrival of one of the talented new voices in the U.S independent film scene. Malickian in appearance and Bressonian in design, Griffin demonstrates his prowess and a meticulous command of the frame, using image, sound and the healing and wrath-like qualities found in nature for an exploration on the fragility of man. What is most impressive about this Brit born, New Orleans...
- 7/16/2010
- IONCINEMA.com
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