The Edge of Love (2008)
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- R
- 1h 50min
- Biography, Drama
- 20 Jun 2008 (UK)
- Movie
- 1 win & 2 nominations.
- See more »
Photos and Videos
Cast verified as complete
Simon Armstrong | ... |
Wilfred Hosgood
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Ben Batt | ... |
Sergeant
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Geoffrey Beevers | ... |
Registrar
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Rachel Bell | ... |
Midwife
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Paul Brooke | ... |
Mr. Justice Singleton
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Huw Ceredig | ... |
John Patrick
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Richard Clifford | ... |
Alistair Graham
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Richard Dillane | ... |
Lt Col David Talbot Rice
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Joel Dommett | ... |
Train Soldier
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Rachel Essex | ... |
Mel
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Craig Gallivan | ... |
Sailor Beating Dylan
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Callum Godfrey | ... |
Boy on Train
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Simon Kassianides | ... |
Partisan
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Keira Knightley | ... |
Vera Phillips
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Anne Lambton | ... |
Anita Shenkin
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Raymond Llewellyn | ... |
Dewi Ianthe
(as Ray Llewellyn)
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Alastair Mackenzie | ... |
Anthony Devas
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Neville Malcolm | ... |
Big Joe
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Sienna Miller | ... |
Caitlin Thomas
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Cillian Murphy | ... |
William Killick
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Acacia Pattison Biggs | ... |
Rowatt Aged 1 Month
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Bethany Towell | ... |
Rowatt Aged 1 Month
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Jonny Phillips | ... |
John Eldridge
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Kyle Redmond-Jones | ... |
Boy Soldier
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Matthew Rhys | ... |
Dylan Thomas
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Leo Robertson | ... |
Rowatt Aged 8 Months
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Olivia Robertson | ... |
Rowatt Aged 8 Months
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Jenny Runacre | ... |
Woman in Yellow Dress
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Camilla Rutherford | ... |
Nicolette
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Lisa Stansfield | ... |
Ruth Williams
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Diego Stephens | ... |
Llewellyn
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Lanark Stephens | ... |
Llewellyn
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Nick Stringer | ... |
PC Williams
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Suggs | ... |
The Crooner
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Rest of cast listed alphabetically: | |||
Karl Johnson | ... |
Dai Fred (uncredited)
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Roarke Mackey | ... |
Bit Role (uncredited)
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Anthony O'Donnell | ... |
Jack Lloyd (uncredited)
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Kent Olesen | ... |
Soldier (uncredited)
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Matthew Radway | ... |
Soldier (uncredited)
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Simon John Wilson | ... |
US G.I. / English Soldier (uncredited)
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Directed by
John Maybury |
Written by
Sharman Macdonald | ... | (written by) |
Rebekah Gilbertson | ... | (idea by) |
Produced by
David Bergstein | ... | executive producer |
Paul Brett | ... | executive producer |
Mark Brooke | ... | executive producer (uncredited) |
Rebekah Gilbertson | ... | producer |
Bill Godfrey | ... | co-producer |
Nick Hill | ... | executive producer |
Linda James | ... | executive producer |
Huw Penallt Jones | ... | co-producer (as Huw Penallt-Jones) |
Hannah Leader | ... | executive producer |
Joe Oppenheimer | ... | executive producer |
Sarah Radclyffe | ... | producer |
Tim Smith | ... | executive producer |
Lesley Stewart | ... | line producer |
David M. Thompson | ... | executive producer |
Anna Webster | ... | associate producer |
Music by
Angelo Badalamenti |
Cinematography by
Jonathan Freeman |
Editing by
Emma E. Hickox |
Editorial Department
Chris Andrews | ... | negative cutter |
Kerri Aungle | ... | negative cutter |
Anna Dick | ... | second assistant editor |
Andrew Jadavji | ... | associate editor |
Lea Morement | ... | first assistant editor |
Sabine Smith | ... | negative cutter (as Sabine McDonald) |
Casting By
Nina Gold |
Production Design by
Alan Macdonald | ... | (as Alan MacDonald) |
Art Direction by
Grant Armstrong | ||
Mark Raggett |
Set Decoration by
Tina Jones |
Costume Design by
April Ferry |
Makeup Department
Catherine Davies | ... | crowd hair / crowd makeup supervisor: Wales |
Louise Fisher | ... | makeup artist |
Joe Hopker | ... | hair stylist / makeup artist |
Kristyan Mallett | ... | special makeup effects designer |
Laura Morse | ... | daily crowd hair and makeup artist |
Daniel Phillips | ... | hair designer / makeup designer |
Tapio Salmi | ... | hair supervisor / makeup supervisor |
Lizzi Lawson Zeiss | ... | crowd makeup supervisor: London |
Production Management
Mark Davies | ... | unit manager |
Clare Maclean | ... | post-production supervisor |
Jacqueline Thorogood | ... | production manager |
Second Unit Director or Assistant Director
Joey Coughlin | ... | third assistant director |
Carlos Fidel | ... | second assistant director |
Henry Forsyth | ... | assistant director: second unit |
Clare Glass | ... | crowd second assistant director |
Richard Styles | ... | first assistant director |
Art Department
Mat Campbell | ... | key greensman |
Graham Caulfield | ... | drapesmaster / upholstery |
Sophia Chowdhury | ... | assistant set decorator |
Kelvin Cook | ... | dressing props |
Gary Dawson | ... | dressing props |
Katie Driscoll | ... | graphic designer |
John Greaves | ... | storyboard artist |
Bryan Griffiths | ... | rigger |
Josh Jones | ... | stand-by carpenter |
Tina Jones | ... | set dresser |
Tim Lanning | ... | head greensman |
Hannah Moseley | ... | draughtsman |
Allen J. Polley | ... | property master |
Mark Reynolds | ... | chargehand dressing prop |
Emma Saunders | ... | art department assistant |
Leo Anna Thomas | ... | art department assistant (as Anna Thomas) |
Jenny Tobin | ... | set florist |
Greg Winter | ... | scenic artist |
Paul Couch | ... | stand-by painter (uncredited) |
Thomas Jones | ... | mold maker (uncredited) |
Sound Department
Dafydd Archard | ... | sound studio assistant |
Paul Botham | ... | boom operator |
Jeremy Brown | ... | sound assistant |
Chris Burdon | ... | re-recording mixer |
Doug Cooper | ... | re-recording mixer |
Simon Fraser | ... | sound mixer |
Phil Freudenfeld | ... | assistant dialogue editor / foley editor / foley recordist |
Peter Gleaves | ... | adr mixer |
Rick Gould | ... | foley artist |
Tim Hands | ... | supervising sound editor |
Sam Jones | ... | sound assistant engineer |
Nick Kray | ... | foley recordist |
Iván Mayoral | ... | sound mixer: Spanish dialogue |
Michael Miller | ... | adr mixer |
Ruth Sullivan | ... | foley artist |
Rachael Tate | ... | adr recordist |
Jack Whittaker | ... | sound effects editor |
Special Effects by
Stuart Brisdon | ... | special effects supervisor |
Mark Haddenham | ... | special effects senior technician |
Graham Hills | ... | senior special effects technician |
Tez Palmer | ... | special effects technician (as Terry Palmer) |
Nigel Wilkinson | ... | special effects technician |
Visual Effects by
Louie Alexander | ... | digital compositor: Framestore-CFC |
Simon Allmark | ... | visual effects editor: Double Negative |
Christopher Anciaume | ... | matchmove artist: Double Negative |
Bacsó Anna | ... | roto/prep artist: Cube Effects |
Szvák Antal | ... | visual effects coordinator: Cube Effects |
Jaume Arteman | ... | digital compositor: double negative |
Ben Baker | ... | head of digital lab: Framestore CFC |
Matthew Baker | ... | retouch and restoration: Framestore-CFC |
Adrian Banton | ... | senior compositor: Double Negative |
Zoltán Benyó | ... | visual effects producer: Cube Effects |
Rodrigo Bernardo | ... | systems engineer |
Zachary Bloom | ... | scanning and recording: Framestore CFC |
Turea Blyth | ... | visual effects editorial: Framestore |
Clare Brody | ... | digital intermediate: data operator |
Nik Brownlee | ... | digital compositor: Double Negative |
Paul Burke | ... | scanning and recording: Framestore |
Andy Burrow | ... | scanning & recording manager |
Vajda Bálint | ... | roto/prep artist: Cube Effects |
Francesca Canducci | ... | retouch and restoration: Framestore-CFC |
Jerome Dewhurst | ... | engineer: Framestore CFC |
Richard Edwards | ... | data operator: Framestore CFC |
Péter Farkas | ... | lead digital compositor: Cube Effects |
Tamás Fiedler | ... | digital artist: Cube Effects |
Zoltán Fiedler | ... | digital artist: Cube Effects |
Julian Foddy | ... | digital artist: Double Negative |
André Gabriella | ... | roto/prep artist: Cube Effects |
Papp Gabriella | ... | roto/prep artist: Cube Effects |
Joe Godfrey | ... | conform editor: Framestore CFC |
Azzard Gordon | ... | digital matchmove artist: Double Negative |
Pete Hanson | ... | studio manager: double negative |
Jeremy Hardin | ... | digital artist: Double Negative |
Adam Hawkes | ... | title compositor |
Karsten Hecker | ... | film mastering engineer: Framestore CFC |
Bence Hegybíró | ... | digital artist: Cube Effects |
Jan Hogevold | ... | executive producer: Framestore CFC |
Lee Ifans | ... | visual effects editor: Double Negative |
Karászi Ildikó | ... | visual effects coordinator: Cube Effects |
Horváth Gál István | ... | roto/prep artist: Cube Effects |
Vajda István | ... | compositor: Cube Effects |
Yan Jennings | ... | film mastering engineer |
Pál Klemm | ... | 2D supervisor: Cube Effects |
Éva Korda | ... | roto/prep artist: Cube Effects |
Dávid Kozma | ... | compositor: Cube Effects |
Brian Krijgsman | ... | digital intermediate colourist: Framestore |
Katalin Kriskó | ... | digital artist: Cube Effects |
Károly Körmöczi | ... | roto/prep artist: Cube Effects |
Edina Laboncz | ... | roto/prep artist: Cube Effects |
Matthew Leach | ... | studio assistant |
Esme Long | ... | production assistant: Framestore CFC |
James Long | ... | data operator: Framestore CFC |
Kevin Lowery | ... | color management supervisor |
Veronica Marcano | ... | scanning and recording operator: Framestore |
Jan Maroske | ... | digital compositor: Double Negative |
Gurel Mehmet | ... | digital matte painter: Double Negative |
Miklós Mesterházy | ... | digital artist: Cube Effects |
John Moffatt | ... | visual effects supervisor |
Mike Morrison | ... | digital intermediate producer: Framestore CFC |
Erzsébet Nemes | ... | roto/prep artist: Cube Effects |
Fábry Olivia | ... | roto/prep artist: Cube Effects |
Nikolett Papp | ... | digital artist: Cube Effects |
Ana Sofia Mestre de Almeida Pereira | ... | roto/prep artist: Double Negative (as Ana Mestre) |
Kate Phillips | ... | visual effects producer |
David Preece | ... | film mastering engineer |
Lee Rankin | ... | scanning and recording: Framestore CFC |
Tamás Ravasz | ... | digital artist: Cube Effects |
James Reed | ... | scanning and recording |
Jimmy Saul | ... | scanning and recording operator |
Dan Snape | ... | digital compositor: Double Negative |
Nick Stanley | ... | retouch and restoration: Framestore CFC |
Attila Szapek | ... | compositor: Cube Effects |
Zoltán Szegedi | ... | senior digital compositor: Cube Effects |
Gábor Székely | ... | technical director: Cube Effects |
Ria Tamok | ... | senior digital compositor: Cube Effects |
Pál Tauszig | ... | digital compositor: Cube Effects |
Melissa Taylor | ... | visual effects executive producer |
Odean Thompson | ... | digital paint artist: restoration: Framestore |
Jenõ Udvardi | ... | visual effects producer: Cube Effects |
Simon Wessely | ... | data operator: Framestore CFC |
Péter Závorszky | ... | visual effects production manager: Cube Effects |
Németh Ádám | ... | digital artist: Cube Effects |
Taz Lodder | ... | technical support: Double Negative (uncredited) |
Stunts
Belinda McGinley | ... | stunt double |
Camera and Electrical Department
Nick Beeks-Sanders | ... | camera operator |
John Clarke | ... | electrician |
Andy Cole | ... | rigging gaffer |
Johnny Colley | ... | gaffer (as John Colley) |
Liam Daniel | ... | still photographer |
Jason Dully | ... | additional second assistant camera: "b" camera |
Dan Garlick | ... | second grip |
Lee Godfrey | ... | b camera grip |
Stuart Godfrey | ... | key grip |
Alex Howe | ... | first assistant camera: "a" camera |
Martin Hume | ... | assistant camera operator |
Adrian Mackay | ... | lighting technician |
Vince Madden | ... | rigging gaffer |
Glen Milner | ... | video assist operator |
Barney Piercy | ... | assistant camera |
Chris Plevin | ... | camera operator |
Paul Snell | ... | central loader |
Matt Wilson | ... | practical electrician |
James Foster | ... | second assistant camera: "b" camera (uncredited) |
Casting Department
Vanessa Baker | ... | adr voice casting |
Brendan Donnison | ... | adr voice casting |
Robert Sterne | ... | casting assistant |
Rose Wicksteed | ... | casting assistant |
Costume and Wardrobe Department
Kathryn Blight | ... | wardrobe assistant |
Christopher Bradshaw | ... | wardrobe master |
Nigel Egerton | ... | costume supervisor |
Ashwin Makan | ... | costume assistant |
Rosanna Normanton | ... | costume trainee |
Uliva Pizzetti | ... | assistant costume designer |
Anna Kovacevic | ... | costume assistant (uncredited) |
Location Management
Tom Crooke | ... | assistant location manager |
Alex Gladstone | ... | location manager |
Asha Sharma | ... | location assistant |
Charlotte Wright | ... | assistant location manager |
Darren Helman | ... | location support (uncredited) |
Michael Stapleton | ... | location security (uncredited) |
Music Department
Paul Archibald | ... | musician: trumpet |
Becky Bentham | ... | music supervisor |
Thomas Bowes | ... | orchestra leader |
Jim Bruening | ... | soundtrack coordinator |
Daniel Coe | ... | music assistant |
Sophie Cornet | ... | music editor |
Scott Davidson | ... | music engineer |
Chris Garrick | ... | musician: violin solos |
Helen Gavriel | ... | assistant music supervisor |
Dave Hartley | ... | musician: piano solos |
Joseph LoDuca | ... | musical associate |
Joshua Mathews | ... | assistant music engineer |
John-Paul Palescandolo | ... | assistant engineer |
Steve Price | ... | score mixer / score recording engineer |
Simon Rhodes | ... | song recordist |
Polly Taylor | ... | assistant music supervisor |
Claire Underwood | ... | singing coach |
Oscar Zambrano | ... | song recording engineer |
Warren Zielinski | ... | musician: violin |
Rachel Bolt | ... | musician: viola (uncredited) |
Joseph LoDuca | ... | conductor (uncredited) / orchestrator (uncredited) |
Bruce White | ... | musician: viola (uncredited) |
Script and Continuity Department
Sarah Golding | ... | script consultant |
Caroline O'Reilly | ... | script supervisor |
Transportation Department
Paul Revill | ... | facilities driver |
John Smith | ... | transportation captain |
Bohdan Stoklasa | ... | facilities captain |
Marcus Ward | ... | driver: cast |
Additional Crew
Jessica Adams | ... | assistant: John Maybury |
Pip Ayers | ... | electronic press kit |
Jennine Baker | ... | first assistant accountant |
Michael Barnes | ... | financial legal services |
Mal Barter | ... | security: Sienna Miller |
Simon J. Brooks | ... | production runner |
Henry Camilleri | ... | military advisor |
Ed Clarke | ... | head of development: Capitol Films |
Jessica Cole | ... | assistant: Keira Knightley and Sienna Miller |
Emma Davie | ... | unit publicist |
Allison Dowzell | ... | liaison: film commission |
Penny Dyer | ... | dialect coach |
Owain Gillard | ... | liaison: film commission |
Siân Eve Goldsmith | ... | key floor runner |
Erin Graham | ... | second assistant production accountant |
James Greenslade | ... | production legal |
Alice Lusher | ... | production coordinator |
Satesh Mathura | ... | head of legal & business affairs: Prescience Film Fund |
Damian Mitchell | ... | armorer |
Sophie Ménard | ... | runner |
Simon Neville | ... | set armorer |
Craig Pinney | ... | production assistant |
Sam Radclyffe | ... | runner: londond office |
Bill Ridealgh | ... | unit medic |
Alisha Smith | ... | stand in: Sienna Miller |
Maxine Stanley | ... | post-production accountant |
Trevor Stanley | ... | production accountant |
Bohdan Stoklasa | ... | facilities |
Yu-Fai Suen | ... | investors representative |
Ann Summerhayes | ... | production secretary |
Kate Therrien | ... | assistant: Huw Penallt Jones |
Marcus Ward | ... | security: Keira Knightley |
Steve Wentworth | ... | floor runner |
Andrew Woodyatt | ... | marketing |
Gareth Lewis | ... | floor runner: dailies (uncredited) |
Richard Woolford | ... | banking services provided by (uncredited) |
Thanks
Jonathon Burford | ... | the producers wish to thank |
Natalie Hume | ... | thanks (as Natalie Howe) |
Jack Lechner | ... | special thanks |
Satesh Mathura | ... | thanks |
James Purefoy | ... | thanks: John Maybury |
Production Companies
- BBC Film
- Capitol Films
- Hindsight Media
- Hindsight Media
- Rainy Day Films
- Sarah Radclyffe Productions Limited
- Wales Creative IP Fund
Distributors
- Belga Films (2008) (Belgium) (theatrical)
- Capitol Films (2009) (United States) (theatrical)
- Hoyts Distribution (2008) (New Zealand) (theatrical)
- Imagem Filmes (2009) (Brazil) (theatrical)
- Independent Films (2008) (Netherlands) (theatrical)
- Lionsgate Australia (2008) (Australia) (theatrical)
- Lionsgate UK (2008) (United Kingdom) (theatrical)
- MEED Films (2008) (Lithuania) (theatrical) (Baltic states)
- Neue Visionen Filmverleih (2009) (Germany) (theatrical)
- Top Film (2009) (Russia) (theatrical)
- Village Films (2008) (Greece) (theatrical)
- Adso Films (2010) (Spain)
- Amazing D.C. (2012) (Japan) (DVD)
- Image Entertainment (2009) (United States) (DVD)
- Image Entertainment (2009) (United States) (Blu-ray) (DVD)
- Koch Media (2010) (Germany) (DVD)
- Lionsgate Home Entertainment (2008) (United Kingdom) (DVD)
- Prorom Media-Trade (2008) (Romania)
- Rai Movie (2016) (Italy) (tv)
- Warner Home Video (2009) (Netherlands) (DVD)
Special Effects
- Double Negative (DNEG) (visual effects)
- Kristyan Mallett Fx (makeup effects)
Other Companies
- Warner Bros. De Lane Lea (post-production facilities)
- ARRI Lighting Rental (lighting)
- Abacus Consult (accounting)
- Aramid Capital Partners (funding)
- Casting Collective (extras casting)
- Hothouse Music (music supervisor)
- Kodak (motion picture film supplied by)
- PMA Production (behind the scenes provided by)
- Pinewood Studios (movie studio)
- Pivotal Post (editing equipment: Avid HD)
- Sapex Scripts (post-production services)
- Snowdonia Adventures (location crew safety)
- TLO Film Services (action vehicles)
- The Digital Film Partnership (development partners)
- The Movie Lot (security)
- UCJ (soundtrack)
- UK Computamatch (negative cutting)
Storyline
Plot Summary |
Two feisty, free-spirited women are connected by the brilliant, charismatic poet who loves them both. The passion and pathos of legendary poet Dylan Thomas is told through the lives of two extraordinary women. Vera Phillips and Dylan were teenage loves; fast forward ten years and the two reconnect in London. She's working as a singer whilst he's churning out scripts for government propaganda films and living off the last in a long line of infatuated women. The two former lovers feel the thunderbolt once more, but Thomas is now married to the adventurous Caitlin. Despite their love-rival status, the women form a surprising friendship. Caitlin indulges in her own infidelities, and recognises a similar adventurous spirit in her husband. But she knows his connection with Vera is something different, not to mention dangerous. Romantic turmoil continues in Vera's life. She marries her devoted admirer William Killick, but she can't deny the chemistry between herself and Dylan, nor does she want to - even if this means betraying Caitlin. When William is posted abroad, and a pregnant Vera returns to Wales with her married friends, the battle between her heart and head becomes more intense. William returns a changed man, but neither is Vera the carefree cabaret girl he married. Neighbourhood gossip fuels her husband's jealousy towards his rival. Enraged, William stages a violent attack on Dylan - an attack that forces Vera to choose between the men in her life and the friend that she loves. Desire and guilt are complicated by love and friendship in this real-life tale set in beautiful London and the majestic Welsh countryside. Written by paul@keiraweb.com |
Plot Keywords | |
Taglines | The only thing more dangerous than war... is love. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
Additional Details
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Box Office
Opening Weekend United Kingdom | GBP180,837, 20 Jun 2008 |
Did You Know?
Trivia | Keira Knightley does all of her own singing in the film. She worked with vocal coach Claire Underwood to prepare for the film. See more » |
Goofs | There isn't, nor ever was, a railway station at New Quay, Wales. See more » |
Movie Connections | Featured in Top 10 Cillian Murphy Performances (2018). See more » |
Soundtracks | Careless Talk See more » |
Quotes |
William Killick:
No harm will ever come to you. Not from me, not from anyone else. And while I'm here, no word of mine will ever hurt you. Vera Phillips: Sounds like a vow. See more » |