El niño de barro (2007) Poster

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6/10
Murder mystery co-produced by Spain/Argentina with good actors and nice production design
ma-cortes25 July 2018
Argentina , Spain Production inspired by actual deeds , dealing with a series of cruel kiddies killings spreading throughout 1912 Buenos Aires . It stars a 10-year-old little boy called Mateo who has murder visions , as his mind takes him eerie records and becomes the main witness to the grisly killings ; he is well cared by his mummy Stella : Maribel Verdu .Meanwhile , his mother tries to demonstrate his innocence , and the Police Inspector , Commissario Petrie : Daniel Freire and the skeptic forensic Doctor Soria : Chete Lera attempt to hunt down the series killer who is executing a criminal spree and hopefully find out clear explanations about the supernatural conduct of the weird little boy .

Acceptable suspense movie with an interesting script based on actual events and about "Murder Visions" , a common issue treated on Hollywood pictures . At the end takes place a surprising and violent climax in which Mateo's secret is unrevealed , then the people go bersek and the total chaos taking over the streets with unexpected and tragic consequences . It stars Maribel Verdu who gives a good acting as the suffering mother who attempts to defend his son Mateo , Juan Ciancio , as the boy who hides a dark secret and turns as a witness for prosecution, as well as the prime suspect . And awesome performance by Daniel Freire as persistent investigator and Chete Lera as stubborn doctor .

Well produced by Carlos Fernandez and Julio Fernandez from Filmax and Castelao Films . They have financed a lot of successes of all kinds of genres , such as Terror : Rec saga , Mientras duermes , Retornados , La posesion Emma Evans , Paintball , El monstruo del pozo , Quarantine , Los sin nombre ; Cartoon and kiddies films : Copito de Nieve , El Cid , Donkey Xote , Manolito Gafotas , Mola ser Jefe , Perez ratoncito de sueños , Los Dalton contra Lucky Luke and Dramas/Thrillers as Cobardes , Transsiberian , Machinist , Transssiberian , Bullying , 13 Campanadas , Muertos comunes , Morir en San Hilario, Tierra de Fuego , Sexo por compasion, Fotos , Heroes sin patria , among others . The motion picture was well directed by Jorge Algora , a good filmmaker who has made a few films .As he directed Inevitable 2013 , Mintiendo la vida , and and some documentary as Camino de Santiago , Emigrantes and Tierra de naufragios. This "Mudboy" won several prizes , such as : Silver Condor : best costume design , Best art direction; Goya nominated best original song ; Mestre Mateo winner : Best actor Chete Lera , best music , and best screenplay.
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7/10
Argentinian child murderer
jayjasejason8 February 2008
This film tells the story of a series of murders based on the real case of "el Petiso Orejudo" in Argentina in the early part of the 20th century. It's filmed from the point of view of another child, who has the visions of the murders. Or is he the real killer? Maribel Verdu is understated in her portrayal of a poor woman in a chauvinistic society trying to cope with a jealous lover and son who's claims are suspicious to say the least. Abel Ayala is excellent in his role as a pathetic kid born into misery and poverty.

On the whole a fine film, good actors and an interesting story, well directed make for a good watch as the story develops to it's tragic end.
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5/10
As grim and unpleasant as it possibly gets.
Coventry21 January 2024
"El Niño de Barro" (a.k.a. "The Mudboy") is based on a sinister true story. It takes place in the dark year 1912. It's set in one of the poorest and most pauperized suburbs of Buenos Aires. The plot revolves around a sadist serial killer who exclusively targets innocent and defenseless little children. Wow... how depressing can the description of a film possibly be?

Life isn't kind to young Mateo. He lives alone with his mother, in poverty, and then his (sort of) stepfather Octavio - a local policeman - still thinks he's spoiled and lazy. Mateo suffers from grim nightmares and hallucinations in which he sees children from his neighborhood getting murdered and their dead bodies put on display on a creepy carrousel. When children then also do turn up murdered in the area, Mateo becomes a suspect to the police and a subject of hatred among the villagers.

This is normally my favorite type of horror/thriller concept; - grim and disturbing serial killer stories that are so unbelievable they must be true. The script, inspired by the bizarre case of Cayetano Santos Godino, is compelling and astounding for sure, but for some reason writer/director Jorge Algora only managed to make a mediocre movie out of it. "El Niño de Barro" starts off frustratingly slow, and sadly remains slow-paced until far over halfway. Even though the story clearly wants us to sympathize with Mateo and his mother Estela, I didn't feel much empathy for them. In fact, none of the characters are memorable or even surpass the level of being one-dimensional, and that includes the supposedly good-hearted cop Petrie or police psychologist Dr. Soria. The performances are weak, and the recreation of early 20th century Buenos Aires also doesn't leave much of an impression.

When it's already far too late, "El Niño de Barro" does turn into a nail-bitingly tense thriller and a harrowing drama. The last 10-15 minutes are very powerful, and especially the bleak climax is likely to haunt your thoughts for a long time. The recurring images of the merry-go-round with children's corpses is also authentically creepy, so thanks to that the film still ends up with a 5/10.
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Children can also be evil...
nicolasito20 May 2007
An eight year old Argentinian shook his country in 1904 after trying to murder a 21 month old out of pure cruelty. He would eventually murder four other children after trying to kill seven more. This movie is his story, a story of marginalization, abject poverty, abuse, diseases and neglect about a retarded boy who was systematically abused by the society he lived in and who lost any capacity to feel or judge his own acts. Still, the director chose a different viewpoint to tell his story, by telling about one of his victims, another boy, who feels a special domination link to his attacker.

OK, this is the summary. Now, can anybody tell me how can it have a 5.3 and several votes, from 1! to 10!, if it has not been released by now (May 20th 2007)??? Let's be serious, if we intend to keep this forum as a guide for other moviegoers...
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5/10
The carousel
jotix10028 December 2009
Warning: Spoilers
A traumatized 10 year old poor boy, Mateo, living in the Buenos Aires of 1912, has supernatural powers. He was abused at an early age. Living in precarious condition with her mother, Estela, and her policeman lover, Octavio, he gets visions about crimes being committed by an unknown serial killer. The police suspects Mateo to know much more than he reveals. After several horrendous murders involving children start happening in a poor neighborhood, the police is puzzled as to the motive and the identity of the assassin.

There is a photographer who is involved in child pornography at the root of some of the killings. This man even comes to Mateo asking him to pose for him with another young girl. Mateo is horrified, and walks away from the man. Mateo who loves to run tends to play with a group of poor kids from his neighborhood. Mateo is the only positive link the police has to get to the serial killer.

Director Jorge Algora, a Spaniard document maker, makes his regular feature debut with a tale of horror, based on a real case that occurred in Buenos Aires in the first part of the twentieth century. Mr. Algora also help in the adaptation of the original material. The movie is too somber for its own good. The gloomy atmosphere, made even darker by Suso Bello's cinematography, did not help the overall effect of doom from the start of the story.

Maribel Verdu plays Estela. She is a good actress that tends to go for roles that don't do much for her. Daniel Freire is a puzzle. He is an Argentine actor based in Spain, plays the police commissioner Petrie. Chete Lera doesn't have much to do with his forensic doctor. Abel Ayala and Juan Cianco, that appear as Cayetano and Mateo, have some good moments.
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1/10
-SPOILERS- Worst kind of stupid film-making... -SPOILERS-
liviomaynard14 June 2008
Warning: Spoilers
I'll try to review this the best I can and that is by revealing exactly what I was thinking as I watched this movie, meaning that as the movie progressed I couldn't stop imagining the following situation: The producers and the director got together and the director went like: "-Hey, I got this idea for a movie..." "-What is it?" "-It's, like, a thriller... a supernatural thriller!" "-Ok don't tell me it's about a boy who sees dead people!" "-Ahmmmm, no... it's about... a... boy who... sees people before they die?!" "-Oh! So it's like one of those Japanese horror movies? I like that" "-Yes!" "-And this is because something that happened to him when he was only a baby" "-Yes!!!" "-And all this could take place in early 20th century Buenos Aires!" "-Ahm... yeah..." "-And let's call that super-hot Spanish actress Maribel Verdu to play his mother, but listen: her ass gotta show at least once! Remember 'Y Tu Mama Tambien'? That was a hit!" "-O...K..." "-Any other ideas?" "-Yes, I was thinking of this ultra cool inspector that recently lost his wife, but that doesn't REALLY matter, you know... and an abusive stepfather that will have to do something disgusting so that no one will like him... and also we could add some 'disturbing' images like dead children or something to compensate for the lack of atmosphere..." "-What about the killer?" "-Oh that doesn't matter! We'll just think of something... you know." "-OK, so the police will use the boy?" "-Yeah! And you know what's super-cool? THEY ALL BELIEVE HIM!" "-All right. Sounds great! Let's do it!" "-Wait! I still got other ideas like, a flying saucer will pass by the boy one time, and the killer will turn into a demon, and there will be a huge explosion, and..." "-No, no, no, well have to do it some other time, man. I don't think there will be enough money left for hairdressing anyway..." That says it all...
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In Spanish, M is pronounced "eh-meh"
t_atzmueller8 September 2011
Warning: Spoilers
The film is loosely based on the times and crimes of Cayetano Santos Godino, nicknamed "big-eared midget", who killed numerous children in Buenos Aires in the 1920's. Because of his young age and bizarre appearance, the case remains in Argentinean folklore, similar to Jack the Ripper in England or Jesse Pomeroy in Massachusetts, albeit rather unknown outside South-America.

The camera work is often beautiful and the acting ranges from fair to good, whereby the kid actors often convince more than the adults (which might stem from the form of Hispanic soap-opera acting that the Western audience is often not familiar with).

However, all the films weaknesses (strange, often uneven pace and the vain attempt to make the film look grander than it actually is) stem from the director, Jorge Algora, or rather his inexperience. We can almost feel the stress to prove himself and his work, the effort not to make any cinematographic mistakes, to be up there with the great directors. A more relaxed approach would have benefited. In fact, it might have benefited with the director had watched Ulli Lommels "Tenderness of the Wolves" rather than studying Fritz Langs "M" to a tit.

Young directors often feel compelled to pay tribute, even emulate their idols. The problem with those 'tributes': they are often painfully obvious. Was there really a need to have the killer whistle Grieg's "In the Hall of the Mountain King"? Wouldn't the screaming newspaper sale boys been sufficient to show that Algora is a great admirer of Fritz Lang? There are further hints at Volker Schlöndorff, Alfred Hitchcock even M.Night Shamalayans (Algora merges the basic psychic-storyline of the"Sixth Sense" with the real murders committed by Godino). All this may flatter the director but it certainly doesn't flatter his film.

A professor at a film-school once said "music is cheating". Nowhere is that more true than in this case. The soundtrack is incessant, constantly 'reminding' us of the atmosphere we're supposed to conceive. At one point you just want it to stop! We wish for a sombre moment, perhaps a tranquil scene which allows us to reflect on what we're seeing – unfortunately, this moment never comes, the soundtrack keeps booming on as if wanting to outdo Francis Ford Coppola's "Dracula".

Still, I could not call this a bad movie, only a little overambitious. I'd give it a solid 6.5 out of 10.
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