User Reviews

I saw this advert on the BBC, and was instantly attracted to it as it was a period drama with wonderful fashion and one with plenty of passion. This programme follows the life of Mrs Beeton who wrote a handbook for women in the Victorian age and married Sam, a poor publisher. All actors do a wonderful job and show real emotion. The story is thoroughly enjoyable with some beautiful country locations and a good supporting cast. Mrs Beeton's life, is however, is one that is tainted with tragedy, but nonetheless you can really see the love between her and her husband. Brilliant casting, and not bad at all for one and a half hours.

Just goes to show how silly the BBC really are. they play all their usual silly sitcommy crap on their main channels BBCs 1 + 2 but any decent dramas like the Secret Life of Mrs Beeton get shunted off to BBC4 - a dead cert as only about 3million people at most have these channels, let alone watch it regularly.

The Secret Life of Mrs Beeton is a helluva drama managing to be both a hilarious and touching period drama. Bravo to Anna Madley for a stellar performance in bringing a multifaceted character back to life. Track this down...somehow! I dunno if its on DVD or maybe someone cool videoed it, who knows, maybe the BBC will come to its senses and broadcast it on its terrestial channels, it certainly deserves to be!

Watch this, you'll love it, I did + I'm a 17 yr old boy!

At age 28 it is time for the funeral of Isabella Beeton (nee Mayson). Leaving behind her husband and small group of friends, Isabella takes the opportunity to look back at her life, commencing the story with her first adult meeting with publisher (and future husband) Samuel, the trials of her children, the publishing of her famous book of household management and, full circle, her death from puerperal fever.

I'm not sure why I taped this film, because "Mrs Beeton's" life was so secret to me that I had never heard about her or her famous cookery book. So I did a little bit of reading before watching it and came into the film with a slim sliver of knowledge to see where it would go. I assume that the makers knew that at most, a large portion of viewers would only know of Beeton for her book and not her life. So to help make it accessible the film is delivered to-camera and with a lively sense of pace and humour. This helped me to get into it and be engaged by the characters but I must confess that it did rather affect how convinced I was by the sense of place and period. The modern delivery did make it all feel quite modern and, although I accept it made it accessible, it did come at a price.

Luckily the price is worth paying simply because it was quite interesting and light. Madeley's key role is light and likable. As with the delivery of the film, her performance is mostly light and friendly which does work in helping us like the character. She deals very well with the individual tragic moments but her character didn't really change to the degree one would expect, which again was a slight weakness to it. Feild is similar in this regard and his light, bawdy husband is all a bit too "new man" for my liking; makes it easy to watch but perhaps has a wider impact on the film. The support cast mostly fit around these two well. Jones directs and continues the modern fell with his camera work, although the sets and costumes mostly do a good job of giving an understanding of "when" we are.

Overall then a light and accessible film that is interesting and quite entertaining. It probably does at least help to know who Mrs Beeton was (if only in terms of her book) but is still worth a look. One thing though, is that the light and slightly cheery tone doesn't ultimately sit well alongside the rather tragic and sad content of the story. The mix doesn't quite work unfortunately but the film is still pretty good.

This is one of those strange movies where you can tell that someone who wanted to put in the effort could have done a much better job. Instead, the filmmakers went ahead with a really awful script and decided not to bother themselves with too many historic details. The dialogue is clearly meant to inform the ignorant about the era, but reveals very little about the inner lives of the characters. Further, despite much hand wringing about the proper roles of women at the time, we are treated to situations such as 1. open-mouthed kissing between an unmarried, upper-class couple 2. an obviously pregnant matron traveling in the city and 3. a lady repeatedly walking the streets of London at night unescorted. Finally, this film has far too little information about the actual domestic life of women that Mrs. Beeton sought to address, chamber-pots, hand-washed laundry, and all. A real disappointment to anyone interested in Mrs. Beeton's book.