"Doctor Who" Pyramids of Mars: Part Four (TV Episode 1975) Poster

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9/10
The final showdown.
Sleepin_Dragon8 October 2019
It's a race to the finish, as The Doctor and Sarah, take on Sutekh's servants to reach the eye of Horus, thus freeing Sutekh from his ancient binds.

There is a bit of a feel of Death to the Daleks, as The Doctor battles challenging puzzles. It all works together so incredibly well. The production values are immaculate throughout, one little slip up being the visible hand, when Sutekh famously stands up from his chair.

I love the comedy walk the duo do, so well rehearsed. Baker and Sladen are immaculate on screen together, and here the pair are at the height of their brilliance. It's a wonderful story, no wonder it's loved by many fans. Pure class. 9/10
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7/10
"It can't have vanished, it's just not visible."
poolandrews12 July 2007
Warning: Spoilers
Doctor Who: Pyramids of Mars: Part 4 starts as the evil Sutekh (Gabriel Woolf) realises his only hope of destroying the Eye of Horus in the pyramid of Mars is to use the Doctor's (Tom Baker) TARDIS to travel there. Sutekh controls Professor Scarman (Bernard Archard) to navigate the trap filled pyramid & to the eye, Scarman destroys it & Sutekh is released. Has the Doctor failed? Is it too late or does he have one last trick left up his sleeve?

Episode 12 from season 13 this Doctor Who adventure was originally aired here in the UK during November 1975, directed by Paddy Russell Pyramids of Mars has been a great story. The script written under the pseudonym Stephen Harris by Lewis Griefer & Robert Holmes has run it's course in a satisfactory manner & this final part felt like an episode of The Crystal Maze (1990 - 1995) at times with it's puzzled filled rooms! That's not necessarily a criticism though so don't take it as one. Pyramids of Mars has moved along at a nice pace, it hasn't been boring, it's had some trademark Tom Baker humour, a good chemistry between the Doctor & Sarah Jane along with some memorable villains & a nice period setting. There's even a little nod towards the fire that Peter Davison's Doctor started in 1666 during The Visiation (1982) even though that was 7 years down the line! Freaky time travel paradox's eh? It's enough to scramble your mind...

The acting has been pretty good during Pyramids of Mars although there has been a lack of human character's, the special effects have been alright although hardly what one would call impressive. The Mummies have looked OK & the model work has been efficient, the optical effects have been kept to a minimum so they don't distract from the story much. Overall this has been a fairly scary episode with some creepy moments & sinister villains.

Pyramids of Mars: Part 4 is the last part in a great Tom Baker story, what more can I say? Across it's four parts I'll give Pyramids of Mars a solidly entertaining 7 stars out of 10, definitely worth a watch.
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8/10
The Sutekh Pit...
Xstal30 June 2022
Journey to the Pyramids of Mars, solve a few puzzles, and you can reclaim all the stars, then take a journey through the vortex, it will irritate your cortex, have no illusion that the pleasure, has been all ours.
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S13: Pyramids of Mars: Nicely contained yet expansive at the same time
bob the moo18 December 2015
Despite what the title suggests, this serial is actually set on Earth, not Mars. Indeed the focus is even tighter since it mostly plays out in and around a stately home, where the Doctor works to prevent the god Sutekh following his servants to Earth and leading to its total destruction. As a narrative it manages to be reasonably straightforward and do what most of these serials do, but yet at the same time have plenty in there if you are willing to go with it.

The limited location means that the serial does build a good sense of tension, with the lumbering mummies providing the standard slow moving monster to be an immediate and creepy threat, but yet at the same time the bigger picture plays out. The threat to the world is contained by choice here, so the serial doesn't feel like it is doing world destruction on the cheap simply by playing it out in this one place (more or less). The bigger themes and villains work well, whether it is the changing of timelines, the idea of the Doctor perhaps struggling against a much stronger force (rather than doing a comedy bit and defeating him with ease, as has been the modern way at times). There was certainly enough to keep me interested, while the standard horror/chase stuff worked too.

The cast are solid. Baker of course is very good; playing a sense of nervousness and obligation well as part of his usual turn. Sladen continues to be well-used as a companion, and she does well as a result. The supporting cast is generally pretty good; with some nice twists and turns in their playing, and generally good presence from the villains (Woolf, Archard). The production budget is not particularly stretched, and the mummies are not the most imposing design even if they are a solid device in a lumbering way; but generally it looks good enough and uses the places well. Generally speaking, a good serial which does the standards well enough, but offers a bit more to engage with if you want it.
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10/10
Contender for best Doctor Who story ever - dark, thrilling and astonishingly high quality in all aspects!
A_Kind_Of_CineMagic25 November 2014
Review of all 4 episodes:

One of the finest Doctor Who stories of all time without doubt, this is pure genius throughout.

An Egyptologist, Marcus Scarman, enters an Egyptian tomb in 1911 and is taken over by a powerful being. This being, Sutekh was a God to the ancient Egyptians but it is later revealed that the Egyptian Gods including Sutekh and his brother Horus were actually ultra-powerful alien beings called Osirans. Sutekh is evil and exceptionally powerful. He wants to destroy all intelligent life because he considers any such life a potential threat. He was imprisoned thousands of years before by Horus and the over 170 other 'Egyptian Gods' (actually Osirans) who united their powers to defeat him. Sutekh now begins to use Scarman to enable him to finally escape. The Doctor and Sarah arrive in 1911 England where Scarman is returning to his home. They must stop Sutekh or the Earth and every other world faces destruction.

Sutekh is one of the best villains in Doctor Who. The power and evil shown by him is scarily impressive, The Doctor appears genuinely in fear of him saying he is the most powerful, dangerous foe he has faced. This menace helps create tension and excitement for the audience. The sinister realisation of Sutekh himself is brilliant and Gabriel Woolf plays the part incredibly effectively. Those in his power also carry out some tremendously scary and effective scenes of evil. There are so many magnificent scenes in this story and the effects are extremely well done, adding to the impact of many scenes.

One great example of the impressive effects is the smoke emitting from boots and gloves of the creepy black-clad servant of Sutekh as he kills another servant no longer considered useful. The Mummy robots are effective. Explosions and even reverse explosions are brilliantly done as is a fire at the end.

The story itself is genius and the dialogue is marvelous, with so much intelligence and interest imbued in every scene. This is mostly down to the great Robert Holmes, script editor for this greatest era and writer of many great stories. The script was originally submitted by Lewis Greifer but was considered unworkable. We clearly have Greifer to thank for some of the great ideas but Holmes did extensive rewrites of the script and has created a work of genius. He adopted the pseudonym of Stephen Harris, not wanting to take credit for a story he had adapted from someone else's idea.

The acting matches the quality of the material with every main part being played perfectly. Bernard Archard is perfect as Marcus Scarman and every other supporting part is played to the best standard. Michael Sheard as Laurence Scarman is a particularly interesting, endearing and wonderfully acted part whilst that character is also used to bring out some great insight into The Doctor himself. The dark side of The Doctor is explored fully in this story and light is shed on how he balances care for individuals with an ability to weigh up the 'bigger picture' of what is at stake. There are superb character based scenes across all 4 episodes.

There is also a chilling, imagination capturing scene when The Doctor goes forward to 1980 to show Sarah what the Earth will be like if they left without stopping Sutekh. This scene is to prove that Sarah's knowledge (and the audience's mindset) that the world was not destroyed in 1911 does not mean Sutekh cannot succeed. The Doctor shows Sarah, and us, that history can change depending on the actions or lack of action of The Doctor and/or Sutekh. This is a scene of massive importance in bedding the whole series in some logical context.

Another incredibly good aspect in this story is the exposition. Never in any TV show have motives, actions and events been so effectively and intelligently explained whilst still keeping you entirely captured within the drama. Writers of every show, including modern Doctor Who should take note of the clever and subtle methods of keeping the audience informed and up to speed without clumsy or unrealistic explanations.

Tom Baker and Elisabeth Sladen are perfection. The mixture of darkness and sparkling personality demonstrated by Baker as The Doctor is majestic. Lis Sladen is strong, independent, brave and never a weak, screaming damsel in distress. Her interaction with The Doctor and with Laurence Scarman is fabulous.

The whole adventure is enthralling in every way. This is a real front-runner to be the best story of all time and it is set within season 13, which for me is one of the best seasons ever. This is very top standard 10/10 classic from start to finish.
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10/10
Tom Baker/ Elisabeth Sladen early Doctor Who episode 'Pyramids of Mars' might have been the Best Ever! (but only authentic Time-Lords know for certain).
Ed-from-HI21 October 2023
Warning: Spoilers
It's fascinating how 'Dr. Who' has become arguably one of the overall finest science fiction television series of both the 20th + 21st Centuries (going toe-to-toe with the immortal Star Trek) mainly due to Doctor Who's exceedingly imaginative Story-telling + Witty dialog and highly-charismatic thespian performances. Amazingly, Doctor WHO is soon to celebrate its 60th Anniversary during 2023!

But before I ever saw a single Doctor Who episode for myself - when I was a kid in Hawaii in the Late-1970's and early 1980's, I distinctly remember reading from afar (in the fantastic science fiction media magazine called 'Starlog') about this Great show from Britain called 'Dr. Who' starring a disheveled but eccentrically charismatic master thespian named Tom Baker.

Starlog did a number of articles on 'Dr Who' featuring photo-stills of the many colorfully oddball and intriguing aliens like 'Zygons' 'Daleks' Cybermen' 'Sontarans,' and 'Sea Devils' et al.

Unfortunately, our Local Public-Broadcasting station here in Hawaii, USA sadly never aired 'Dr. Who' during the Tom Baker years (thru 1981) although they did thankfully show reruns of 'Monty Python'!

I finally got to see these Classic Doctor WHO episodes sometime in the late1990s and forward (thru a combination of VHS then later DVD). Tom Baker's 'Doctor Who' was eccentrically Witty and endearingly 'Other-Worldly' embodying the perfect 'benevolent absent-minded Alien persona' reflecting a unique characterization-cross between Sherlock Holmes + Albert Einstein + David Bowie especially when he was Ziggy Stardust (plus more than a bit of the zany and irreverent Monty Python style atmospherics & attitude thrown in for good measure!) Also featuring the dynamically-charismatic, exceedingly charming + intelligently-intrepid Elisabeth Sladen as 'Sarah Jane Smith' = Tom Baker's first human companion who made these early outings extra-enthralling and irresistibly captivating!

Most of the early Tom Baker/Sarah Jane episodes represented superlative science-fiction stories including the "Ark in Space" ,"Terror of the Zygons" (featuring the 'Loch-Ness' monster as looney instrument of alien invasion!), "Genesis of the Daleks" (showcasing ultra frightening Davros = deranged creator of those incessantly exterminating Daleks), "The Brain of Morbius" (futuristic-Frankenstein insectoid monster constructed from bits & pieces) these episodes are all-authentically timeless-Classics = more intriguing than many theatrical science fiction Movies of the era circa mid1970s and are amazingly thought-provoking and ingeniously effective entertainments especially considering their very low BBC budget-constraints and technical special-effects Limitations of the middle 1970s .

The episode I found most fascinating was "Pyramids of Mars" I think because it perfectly blends Gothic horror with intelligent science fiction reflecting richly layered storytelling that touches on a number of intriguing hyper-imaginative aspects of extra-terrestrial machinations impacting ancient-mythology, replete with Egyptian sarcophagus + powerful amorphous Alien beings posing as Demi-gods + robotic-Mummy storm-troopers as instruments of domination. Controlled by the powerfully Evil Osirin 'Sutekh' who had been imprisoned by his 'good' brother 'Horus' five millennia ago.

Sutekh possesses a terrifying destructive omniscience akin to Thanos himself (and even has an eerily similar Death fetish/worship).

An intensely horrific tale ensues as our good Doctor finds himself momentarily under the spell of Sutekh's manipulative hypnotic mental prowess.

I don't want to give away any more of this fascinating hyper-imaginative Story, suffice to say that there is a Big Cosmic throwdown between Sutekh and Tom Baker at finale that requires our good Doctor to harness the full-extent of his 'Wit & brains + significant degree of genuine Heart' to match Sutekh's nearly insurmountable Cosmic challenge with the fate of humanity tenuously in the balance......an Epic struggle that only a First-Rate 'Time-Lord' would even stand a chance at overcoming!

Good stuff indeed! Of course there are equally Great Dr. WHO episodes in the more modern David Tennant and Matt Smith Eras including absolutely amazing fellow-travelers Rose Tyler and Amy Pond....... but there is still something authentically special and endearingly unique about the earlier Tom Baker/Elisabeth Sladen adventures which seem to nearly burst with hyper-Creativity and eccentric Charisma, miraculously generating astonishing levels of fantastic entertainment even with miniscule production budgets and the very limited FX technology of their Time & Space!
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