DEBUTING in its initial run as the first episode of PETER GUNN's third season, "The Passenger" proves to be among the best of the series' weekly installments. Neatly constructed as a mini-noir movie, from beginning to end of the half-hour, there is nary a wasted moment.
CREATIVE use of off-beat camera angles and the varying of shots from tight to very tight at the proper moments add a high measure of tension and suspense to what could have otherwise in lesser hands just an also- rant of a story. Surprisingly, this episode was done under the auspices of some young upstart of a Director named Robert Altman.
ADHERING to the series' unwritten penchant for dark, moody scenes; the lighting is properly sparse and placed in strategically advantageous positions so as to magnify the effect and atmosphere of the scenes on a particular set.
OUR STORY ..A passenger on a public conveyance bus (Hal Smith)* just happens to be looking up at the second floor of a flea-bag hotel being passed, when he witnesses a man shooting a woman dead. The killer looks down and sees the passenger has witnessed the brutal killing. In a panic, the rider tries to report the felony; but the Police cannot find any evidence of such an occurrence at that location.
WITH the killer now stalking him, the witness goes to Mr. Peter Gunn for help. Making use of a band of friendly Hobos (now known as "Homeless Persons"), Mr. Gunn and Lt. Jacoby (Hershel Brnardi) manage to apprehend the culprit just in the nick of time.
WHILE it isn't anything to hold up as a comparison to Classic Hollywood Movie Noir, such as DOUBLE INDEMNITY or OUT OF THE PAST; it isn't really supposed to have such potency. As we said earlier, it's only a Television series episode of a half-hour; but a very good one, indeed.
NOTE: * That's right Schultz, it's the very same Hal Smith who later immortalized his place in Television History as Town Drunk, Otis on THE ANDY GRIFFITH SHOW.
POODLE SCHNITZ!!
CREATIVE use of off-beat camera angles and the varying of shots from tight to very tight at the proper moments add a high measure of tension and suspense to what could have otherwise in lesser hands just an also- rant of a story. Surprisingly, this episode was done under the auspices of some young upstart of a Director named Robert Altman.
ADHERING to the series' unwritten penchant for dark, moody scenes; the lighting is properly sparse and placed in strategically advantageous positions so as to magnify the effect and atmosphere of the scenes on a particular set.
OUR STORY ..A passenger on a public conveyance bus (Hal Smith)* just happens to be looking up at the second floor of a flea-bag hotel being passed, when he witnesses a man shooting a woman dead. The killer looks down and sees the passenger has witnessed the brutal killing. In a panic, the rider tries to report the felony; but the Police cannot find any evidence of such an occurrence at that location.
WITH the killer now stalking him, the witness goes to Mr. Peter Gunn for help. Making use of a band of friendly Hobos (now known as "Homeless Persons"), Mr. Gunn and Lt. Jacoby (Hershel Brnardi) manage to apprehend the culprit just in the nick of time.
WHILE it isn't anything to hold up as a comparison to Classic Hollywood Movie Noir, such as DOUBLE INDEMNITY or OUT OF THE PAST; it isn't really supposed to have such potency. As we said earlier, it's only a Television series episode of a half-hour; but a very good one, indeed.
NOTE: * That's right Schultz, it's the very same Hal Smith who later immortalized his place in Television History as Town Drunk, Otis on THE ANDY GRIFFITH SHOW.
POODLE SCHNITZ!!