The Saint gets involved in a convoluted plot by two Americans to sell guns to revolutionaries in a vaguely South American country. But is all as it seems? C'mon, it's "The Saint." This road is full of twists.
Whether it's "The Saint" or "Danger Man/Secret Agent" or whatever, I despise episodes set in this milieu due to bad South American accents. This episode is no exception. I'm not one of those people guilty of ageism, insisting people are "too old" for a part; all I want are good performances. I don't think an actor needs to chain-saw his legs off to get a role in a wheelchair. I don't think an actor has to come from a region he's pretending to be to give a worthy performance. But in the 1960s Brit shows the South American accents are painful.
Co-star (and frequent guest) Suzanne Lloyd is indisputably beautiful, but she can't act. I dread to see her coming.
Peter Arne, on the other hand, us always welcome. He's usually Mr. Sleaze and he's great at it. But his accent is dreadful.
A nice, twisty script, but low marks.