"The Saint" The Queen's Ransom (TV Episode 1966) Poster

(TV Series)

(1966)

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7/10
Colorful Saint
aramis-112-80488029 August 2022
The transition from b&w to color hurt some shows. It was a draw with "The Avengers" (but those were the Diana Rigg years!) The transition helped "The Saint" by largely abandoning the premise they were bringing the Charteris stories to life (actually, in the next series they would bring to the small screen the Charteris yarn of giant ants, one of his worst).

The Simon Templar dialogue at the beginning of each episode from now on becomes a voice-over.

Roger Moore, winsome as ever, sparkles in color. With the wholesale abandonment of Charteris the tales become more humorous (not all of them) and enter a Saintly la-la land. In fact, some of the stories (notably the sixth series "the Fiction Makers" might have been written for "The Avengers."

"Queen's Ransome" was a good place to start the color scheme. It's both daring and adventurous (with guest star Dawn Addams, for one, brief, shining moment a hot property in Hollywood, like Moore himself once was before getting stuck on the small screen) and conservative. With most everything still being shot in the studio.

I enjoy many of the b&w Saints but the color episodes feel more fun. Beginning with this tale of Simon Templar as a bodyguard with a queen with whom he had a prior relationship. Some nice twists; but sixty years after "The Saint" we've seen it all since.
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10/10
A Candidate for best Saint episode
zpzjones18 December 2006
This episode will have you watching it over & over again on DVD. Tautly directed by Roy Baker("A Night to Remember" about the Titanic) this episode could've easily been turned into a feature film. Beautiful Dawn Addams is the female guest star this time as Queen Adana. She & Simon(Roger Moore) are on the run escorting valuable jewels back to her husband, a deposed king. She & Simon have a visual & verbal dual of wits as they fly, rail & steal cars around France all while trying to elude Arab despots. They make a comically interesting pair while repeatedly avoiding attempts on their lives. My absolute favorite line in the episode and perhaps in all television, comes from veteran actress Nora Nickelson who masquerades as a sweet old lady while actually being part of the Arab gang. She beautifully upstages Moore & Addams with her old lady sweetness. After nearly poisoning Simon & the Queen she is caught and Addams playfully asks Nora if she does crime often and Nora responds by saying: "My talent for intrigue almost exactly matches my contempt for politicians." Priceless bit of dialogue. All of the Saint episodes are decent, the ones that have been put on discs. One might ask why didn't A&E market the whole library from 1962-69 going in chronological order year by year. Makes sense to me. But this particular episode, Queen's Ransom, is a gem. You can't go wrong watching it.
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10/10
Diamonds are a Saint's best friend
ShadeGrenade8 May 2013
Warning: Spoilers
In the summer of 1982, I.T.V. found itself in big trouble - their planned coverage of the Olympics had fallen through, leaving it with massive holes in the schedules. To fill these, they put on repeats of vintage programmes, under the collective title 'Best Of British'. For enthusiasts like myself, it was a golden opportunity to see again series such as 'Upstairs, Downstairs', 'Please Sir!', 'Man About The House', 'The Persuaders!', 'Doctor At Large', and 'The Prisoner'. 'Queen's Ransom' was selected to represent 'The Saint'. For some strange reason, they screened a black and white print. It was repeated a few years later as part of a Lew Grade tribute on Channel 4 - this time, in colour.

Written by Leigh Vance and directed by the talented Roy Baker, the story begins in Monte Carlo when 'Simon Templar' ( Roger Moore ) saves 'Fallouda' ( George Pastell ) from a murder attempt. Fallouda is planning to return to his home country of Fedyra - to raise money he plans on selling his wife's ( Dawn Addams ) priceless jewellery. He hires Simon to accompany 'Adana' to Switzerland to collect the jewels from a bank. This the Saint does, but there are subversive elements in the country who do not want Fallouda back. Having failed to kill him once, they try again. Losing their car, Simon and Adrana have to make their way across France, with numerous killers on their tail...

This was the first colour episode, and also the first not to be based on a Leslie Charteris story. Vance captures the style of the original very well. Moore and Addams are good together; her character is the daughter of a London bus driver who feels the Saint is not showing her the respect she thinks she deserves. Its hard not to be reminded of Hitchcock's 'The 39 Steps' at times, with all the bickering they get up to. There's no hanky-panky between their characters. Familiar faces such as Peter Madden and John Woodvine pop up, and there's an amusing sequence in which Nora Nicholson plays a sweet old lady named 'Hortense' who tries to poison the fugitives. Naturally, that stock shot of a white Jaguar going over cliffs is brought into play. You can see why this was chosen to represent the series - it has all the ingredients that made it so popular.

As I write this, a new 'Saint' is waiting in the wings. Let's hope they get it right this time - the last two revivals were unmitigated disasters.
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6/10
Well made
Leofwine_draca24 June 2021
Warning: Spoilers
A good Saint episode in the hands of Hammer director Roy Ward Baker. Dawn Addams, whom you may remember from THE VAMPIRE LOVERS, stars in support as a queen who needs Templar's protection from the hands of those attempting a coup. George Purcell co-stars. The usual Continental action plays out here alongside plenty of high drama and intrigue.
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