"The Outer Limits" The Bellero Shield (TV Episode 1964) Poster

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9/10
People suck!
planktonrules24 July 2012
Sally Kellerman, Martin Landau, Chita Rivera, Neil Hamilton and John Hoyt (as the alien) star in this episode. As other reviewers have mentioned, there is a strong similarity of the theme in "The Bellero Shield" to Shakespeare's "Macbeth", as both stories are about weak men who are dominated by evil and conniving women.

Landau plays a researcher who is desperately trying to win his father's love and attention. After all, the father (Hamilton) is a rich man who is planning on retiring--and Landau would love to be his successor. But Hamilton is a hard man and has other plans. Much of this seems to be because Hamilton hates his son's wife (Kellerman). He sees here as conniving--and he's sure right there. Just how conniving and evil you'll find out if you see this excellent episode about greed and a space alien! I'd say more, but I don't want to spoil the suspense.

All in all, a great episode--mostly because the script is so good. In other words, they took a kernel of another story and built upon it so much that the story is still very original and it's an excellent tale about human nature and the worst aspects of it. And, interestingly, it's not just about Kellerman's weaknesses but that of all the characters. Well worth seeing.
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8/10
Macbeth Ripoff....But That's OK
Hitchcoc12 January 2015
A creature from outside our galaxy (actually composed of a type of energy) come to earth. Martin Landau is a scientist who is sending laser beams into space, much to the chagrin of his overbearing, rich father. Landau's character, Bellero, Jr., wants so badly to get dad's approval. Dad is retiring soon and has decided that the younger man is not capable of surviving as his business heir, seeing him as a foolish practicer in unimportant things. Landau is married to Sally Kellerman, an ambitious, self centered virago who is after the empire as well, but she doe not see value in her husband's work either, wishing to get Dad's approval to line her pockets and increase her self importance. The creature is on a time limitation and could be trapped on earth if he waits too long. With the help of her housekeeper, who has a gun, Kellerman decides to shoot him to keep him there, even though she will have to rethink everything later. The creature has a button that, if pushed, puts a shield around it. The shield is impenetrable and would be a boon to the military. Kellerman steals the button device from the corpse of the alien, demonstrates its power to Dad, but finds herself caught inside the claustrophobic shield. The button doesn't work because the life blood has drained out of the alien. She becomes hysterical inside the shield. The conclusion is masterful and terrifying. One of the spookiest of "The Outer Limits" offerings.
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8/10
Angelic Alien
AaronCapenBanner12 March 2016
Martin Landau stars as Richard Bellaro, a kind-hearted but put-upon researcher disrespected by his wealthy father(played by Neil Hamilton) who plans on passing him over as heir to his business empire, which infuriates Richard's conniving wife Judith(played by Sally Kellerman). One day while conducting his laser beam experiments in outer space, a peaceful, angelic-like alien(played by John Hoyt) is intercepted and captured, though protected by a palm controlled impenetrable shield that Judith is desperate to control and possess, though the cost of doing so will prove quite high indeed... Superb episode with a multi-layered, intelligent script and fine acting. A bit slow and stagy at times, but builds to a stunning twist ending that Rod Serling would be proud of.
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10/10
This one would make THE BARD proud
garrard1 January 2008
"The Outer Limits" was a show, though considered science fiction, was more like little Shakespearean dramas with an other-worldly touch. "The Bellero Shield," from the show's stellar first season, is a one for the ages. Martin Landau plays a milquetoast scientist saddled with a tyrant for a father (Neil Hamilton) and a power-hungry wife (Sally Kellerman). The latter is assisted by Mrs. Dane, an enigmatic housekeeper played by Chita Rivera. Rounding out the cast is veteran heavy John Hoyt, this time heavily disguised as a kind-hearted alien.

The episode features some of the best dialog in show's history, fine performance from all involved, and a riveting score from Dominic Frontiere. Landau, by the way, is featured in another classic from the first season, "The Man Who Was Never Born."

Joseph Stefano and Lou Morheim wrote a captivating tale that encompasses a wide spectrum of behavior: wonder, betrayal, innocence, deception, and poetic justice.
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10/10
Some Literary and Christian Echoes in "The Bellero Shield"
daybeausweeper12 January 2010
Warning: Spoilers
Spoilers! Spoilers! Spoilers!

If you have not seen this episode and do not want to know how things turn out ahead of time, please do not read the following comments.

Spoilers! Spoilers! Spoilers!

Sometimes, repeated viewing of a masterpiece really does lead to new insights (or at least allows an observation or two to finally sink in). Granted, when I first saw this episode, circa age seven, there may have been several details and themes that went right over my head. After all, no matter how obviously Sally Kellerman portrayed the unrepentantly guilt ridden wife, how was I to recognize Lady Macbeth's "spot" in Judith Bellero's hand before having read or seen Macbeth?

A recent revisit to this episode had me backing up the DVD several times to verify what I thought I was hearing or seeing with the result that the more overtly Christian themes of this morality play finally hit home.

Some for instances:

• A being (of light?) from a realm of light that is above our universe (and other universes, as it turns out) descends to Earth. (Hmmm, that sounded a bit familiar even when I was seven.)

• Mrs. Dame, exquisitely enigmatically played by Chita Rivera, always barefoot, exudes human earthiness even to the point of being murderous, repeatedly so. (To her credit, Mrs. Dame does seem to be a bit surprised, maybe somewhat horrified, when she sees what she has done to Bellero, Sr.)

• Mrs. Dame receives salvation because she is willing to ask for it and accept it for the freely offered gift that it is, even though she knows she has no claim to it. "I expected it to kill me. But, it looked into my eyes, and I heard myself say, 'Can you help?' And it said, 'Can I not?'"

• The traveler's fluid/blood breaks down the barrier, and provides salvation (okay, this part was pretty obvious to a church-going seven year old), if the guilty will be willing to accept it.

• Like Judas, the self-willed Mrs. Bellero somehow believes she is the best, or at least most appropriate, master of her fate. Such an attitude easily leads her to initially regard her actions as, if not good and right, at least necessary. Her claim to be willing to face the executioner shows she is unwilling to seek any but a human means of escape for what is really her self-condemned soul, which, as the episode ends, is no longer imprisoned by an invisible shield, but by her inability to comprehend and accept mercy, forgiveness, and that "ingredient" which she lacked, love. Just like those ambitious angels mentioned by the Control Voice.

Great episode.

The Outer Limits team really knew a winning combination: The Man Who Was Never Born, another classic episode, also featured Martin Landau and the same Dominic Frontiere music cues.
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10/10
One of the show's best episodes.
Sleepin_Dragon19 June 2023
Scientist Richard Bellero's wife Judith accidentally brings an alien being to Earth, an alien with a very unique defensive mechanism, a tool that Judith sees great potential in.

This definitely ranks in my top three episodes, this is an out and out classic. It has so many great elements, a well realised and intelligent alien, an imaginative plot, a true sense of claustrophobia, and some very good characters. This time the aliens are used as an opportunity.

As others have pointed out, there are shades of Macbeth, only this time our hero has two Lady Macbeth characters to deal with, Judith and Mrs Dame, they really are one as bad as the other.

Judith Bellero is without a shadow of a doubt one of the most fascinating characters this show has produced, her devious antics and cut throat nature make her a real force to be reckoned with, forget Alien beings, they're no match for her.

This is a great episode.

10/10.
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10/10
Stefano's Bellero
ferbs549 June 2017
Warning: Spoilers
Although episode #19 of the landmark TV program "The Outer Limits," the one entitled "The Invisibles," had been one of the scariest--and surely one of the creepiest--hours ever offered to the viewing public, the series' follow-up episode, "The Bellero Shield," was anything but. Rather than going for outright horror here, this episode, one of the more literate for the series, and first broadcast on 2/10/64, instead seemed to try to be "merely" an absolutely gripping and suspenseful sci-fi entertainment, and one featuring some of the best ensemble acting of all 49 "OL" outings.

In this outstanding and intelligent hour, one of my personal Top 10 favorite "Outer Limits" episodes, we meet Richard Bellero, Jr. (played by Martin Landau, who had also appeared in another of this viewer's personal favorite episodes, #6, "The Man Who Was Never Born"), who has invented a new type of laser device with which he is combing the heavens. His laser has the inadvertent effect of bringing down an alien being (John Hoyt), who seems to be composed of light itself. Bellero's wife Judith (Sally Kellerman, whose first TV appearance had been in episode #8, "The Human Factor"), eager for her husband to make a name for himself and prove himself worthy of inheriting his father's (Neil Hamilton, who had just appeared in the previous week's "Invisibles") business empire, shoots the alien with a gun in an attempt to prevent its departure, and then steals the mushy push-button device that controls its impenetrable shield. She sends her house servant, the barefooted Mrs. Dame (Chita Rivera), to hide the alien's body in the wine cellar, while she demonstrates the device--which she dubs the Bellero shield, claiming it was the product of her husband's labors--to Bellero Sr., who is suitably impressed. Only one problem arises: Judith is now trapped inside the shield, with no means of effecting a release....

It is hard to know where to begin in enumerating the things to love about this episode, but let's start with the acting jobs turned in by all five players. They are all absolutely superb, Emmy-worthy performances, most particularly Kellerman's. Check out how convincingly horrified she looks by the alien's initial advent (the episode's only scary moment, it is actually more startling than frightening), right before and after shooting it with a laser pistol! And her prolonged scream after first being trapped inside that alien shield is surely (for me, anyway) one of the most chilling moments in "Outer Limits" history. Kellerman is simply tremendous here. And then there is Chita Rivera, an actress more commonly identified with the stage, but whose work alongside Shirley MacLaine in 1969's "Sweet Charity" will surely linger long in the memory. Here, Rivera (a personal friend of "OL" producer Joseph Stefano, as revealed in David Schow's "Outer Limits Companion" volume) offers us a performance of laserlike focus itself, and indeed, the way she utters the words "It's got a bullet in the base of its skull" might very well be one of the most intense line readings in the history of this series. Landau and Hamilton are both as good as you might expect, and as for Hoyt, he is absolutely unrecognizable beneath his makeup but does a fine job at portraying this most gentle of space creatures. (Coincidentally, Hoyt would cowrite and costar in a murder-mystery film that same year entitled..."The Glass Cage"!) Other things to love in this episode include that wonderfully literate script by Stefano, rife with literary allusions; very well-done special FX (I love the luminescent look of the alien itself, and the way a fired-off laser impacts with the Bellero shield); the way the alien's voice hums electrically whenever it begins to speak; and the wonderful use of extreme close-ups from German director John Brahm. Brahm had not only directed the earlier "OL" episode "ZZZZZ," but also 13 episodes of "Thriller" (including two of my favorites, "The Cheaters" and "Well of Doom") and 12 "Twilight Zone"s, including such fan favorites as "Time Enough At Last" and (my pick for creepiest "TZ" ep) "Mirror Image," as well. Finally, the look of this episode is absolutely marvelous, with DOP Conrad Hall supplying outstanding effects and a most impressive use of light and shadow (just look at those shimmering lights in the wine cellar!). The net effect of all these talents both behind and in front of the camera is an hour of television that almost looks more like a short theatrical art film. To be sure, "The Outer Limits" did not get very much better than this; in other words, 1960s TV at its very finest....
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Macbeth Meets Sci-Fi
StuOz5 July 2014
Contact with alien beings is wrecked by a trouble making Sally Kellerman.

I first saw this hour in my 1980s youth and at that age this episode just seemed silly as it was a 1964 Macbeth in sci-fi land. But repeat viewings do wonders for The Outer Limits and here I am in my 40s saying that The Bellero Shield is knockout hour with some of the most colourful acting/dialogue you will see in this series!

As always the music is well matched to the hour.

Sally Kellerman would continue to do great sci-fi guest roles in Star Trek and QM's The Invaders.
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7/10
"Who do you call..., when you're trapped alive in your own tomb?"
classicsoncall19 May 2022
Warning: Spoilers
Almost every reviewer for this episode here on IMDb gives it a rating of '8' or higher, but I have an issue with that. Watching the series in order, I found 'The Ballero Shield' to have the most inconsistent story line of the first twenty programs. For example, early in the story the Alien being (John Hoyt) states that he must return to his planet-like amplification of light within an hour from Earth and Richard Bellero's (Martin Landau) lab. But shortly after, he asks Judith Landau (Sally Kellerman) how long a minute is. He didn't really get an answer, so how would he know when he had to go? Along the same lines, the Alien explained that he couldn't be destroyed by Earthly means after Judith shot him with the ray gun. Later on however, he's knocked out and presumably dead when Judith shoots him with an ordinary pistol. Granted, it turned out that the Alien survived, but it didn't say much for the Being's invulnerability given the original premise of the story. Ultimately, the episode makes its point about how a very human lust for power and control can turn aspiration into ambition of a most inhumane kind. Ultimately, Judith's entrapment by the invisible shield was symbolic of how one's greed and desire for wealth and notoriety can make a person a prisoner of their own making.
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10/10
THIS EPISODE IS IN THE TOP FIVE OF THE WHOLE SERIES
asalerno1030 May 2022
What can go wrong when you have a solid story, a smart script, tremendous performances from Sally Kelerman, Martin Landau and Chita Rivera, and impeccable direction? Here we have a great episode. A scientist who experiments with a device that produces strange rays, accidentally catches a being from another world, he has a device to create an invisible force field that protects him. The ambitious and cynical wife of the scientist together with her intriguing housekeeper hatch a plan to assassinate the visitor from space and appropriate the unpublished artifact. An episode without waste and with an outstanding cast.
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7/10
The Bellero Shield
Prismark1015 August 2023
The real monsters are the humans in this story. The alien had no chance here.

Inspired by MacBeth. Scientist Richard Bellero Jr (Martin Landau) is caught between a rock and a hard place. In this case his powerful and rich father's lust for everlasting glory and his wife's desire for power.

Richard always sought approval from his father Bellero Sr (Neil Hamilton) and never got it. When Richard sends some lasers into space, he snares a Bifrost alien.

The alien is friendly enough and is protected by a powerful shield but it wants to go back to its home world.

Richard's ambitious wife Judith (Sally Kellerman) wants control of the shield device. With the help of her maid Mrs Dame (Chita Rivera) she manages to shoot the alien in order to steal the device.

Kellerman and Rivera very much steal the story, they really understood the subtext of the plot.
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9/10
Superior tech
nickenchuggets18 January 2022
Warning: Spoilers
In the booklet my Outer Limits blu-ray set came with, it says how this episode is a reimagining of Macbeth, which doesn't make a lot of sense to me. There aren't many similarities between these two stories, and with Outer Limits being the science fiction show that it is, it's hard to imagine something more different. Maybe it's on account of the fact that this story involves a male character who is easily persuaded by his sinister wife, but I digress. The Bellero Shield is a highly original and creepy episode, and its ending lulls you into thinking everyone lives happily ever after, but this isn't the case. The episode follows the scientific ambitions of a certain Richard Bellero (Martin Landau), who has invented a laser projector that fires beams far into the sky. While Richard is proud of his invention, his father isn't and decides to transfer ownership of his son's company to someone who's not a member of the Bellero family. Richard's wife Judith (Sally Kellerman) later comes upon an alien being in the house, who was able to come down to earth by way of Richard's laser projector. Judith tries killing the alien with a gun before Richard discovers him, but the alien activates a strange forcefield which is impervious to absolutely anything. Judith knows that an otherworldly device like this which humanity can't reproduce will prove useful to Richard's scientific career, so she gets her husband to leave the house. After deceiving the alien into lowering the shield and then killing him, Judith is now in possession of the handheld device that controls its activation. The alien's corpse is thrown in the basement, unbeknownst to Richard. Later, Judith confidently shows off the shield to him, but gets stuck inside it after she realizes she doesn't know how to turn it off. Mrs. Dame (Judith's maid) goes down to the basement in a fright to try and find out how to deactivate it, and finds the alien is still alive somehow. Just before dying, he disables the shield using his blood, which is what powers the controlling device. The shield may be gone, but whatever it did to Judith's mind doesn't seem to have stopped. She is now haunted forever knowing that she willingly killed a creature that was only trying to assist her. This is a great episode. While the alien's appearance doesn't look very convincing by modern standards, the producers of the show did their best with what was at hand, and honestly, how the alien looks doesn't really matter. The main focus of the episode is on the tragedy of what ends up happening to the alien. Upon arriving at earth, he's unwanted, at least by Judith, and has to defend himself somehow. Judith is selfish and only thinks in terms of money, intending to kill the alien and steal his technology for her husband's benefit. Martin Landau is always delivering a good performance no matter what he's featured in, and the same is true for this. His character Richard may be highly intelligent when it comes to science, but he lacks common sense and is unable to see through his wife's deception. Episodes like the Bellero Shield encapsulate what this show is all about, and it remains a tragic story (both for the alien and Judith) over half a century later.
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6/10
The Bellero Laser Warning: Spoilers
"The Bellero Shield" was first aired on television February 10, 1964.

Anyway - As the story goes - An ambitious scientist, with hopes of taking over hi father's corporation, creates a laser that inadvertently brings a gentle alien to Earth.
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10/10
The Outer Limits--the Bellero Shield
Scarecrow-882 May 2013
Warning: Spoilers
A scientist (Martin Landau) creates a laser that affords a lifeform the chance to travel to his laboratory from "beyond the universe" and the two spend the limited time it has together explaining human history (the lifeform must travel back to where it came from at the deadline or risk being forever stranded on Earth). The scientist's power-hungry wife (Sally Kellerman) wants him to gain control of his father's (Neil Hamilton) far-reaching company (mentioned by all as an "empire"). With the married couple's maid (Chita Rivera) all in on helping Kellerman attain total control (this is really about Kellerman wanting the empire, Landau just wanting to secure his father's respect and good will), the being from another dimension is shot when trying to return back from where it came...Rivera had a gun, giving it to Kellerman. Kellerman and Rivera plan to bury the lifeform while Landau is away to fetch his father (Kellerman convinces Landau that seeing is believing and that Hamilton's words would not be met with "smirking faces" if he told others about the lifeform). Kellerman had a brief conversation with the lifeform; there's an attempt from Kellerman to gain its trust so she can possibly manipulate it into staying for her husband's sake. It can read her eyes and sense possible impropriety on her part. The lifeform is equipped with a shield of protection, a button in its hand that can be pressed when it feels threatened. With Landau the being isn't under such fear because he's a scientist with no ambition besides recognition for his work on the laser and communication with it. Kellerman wants to exploit the being's existence for fame and importance (and to get her claws on the Bellero empire). Rivera wants her to reach that position because Kellerman is a woman of considerable strength and passion (Rivera mentions that she was the victim of "someone" she once used a gun to get rid of, giving the gun to Kellerman to keep the being from retreating once its window to leave was almost up), the real figure of authority in the marriage. Landau doesn't seek to gain a position as his father's. In fact, Landau is repulsed by Hamilton's quest for a weapon's defense invention so that the company would gain supreme acknowledgment in the annals of history. Landau is a scientist first. Sure Hamilton's money funds his lab and work, but Landau doesn't particularly care about reaping the rewards of fame as much as earning his father's approval. What is ultimately tragic is how the lifeform (uniformly righteous) is used by everyone seeking to fulfill their own avarice, and how Landau is left to look at his wife behind a shield no human can rescue her from.
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10/10
Superlative - how did I miss it?
midbrowcontrarian27 December 2020
When OL was on TV in the 80s I taped half a dozen episodes I liked. At about the same time I recorded dozens of Twilight Zones, of course one could squeeze twice as many onto a three hour tape. And I do prefer TZ, as a broad generalization it boasts a multitude of interesting personalities whereas OL tends to get by on a menagerie of rather humdrum aliens. The most boring and incomprehensible, such as Production and Decay of Strange Particles, even lacked a proper alien.

But, as I say, it's a generalization. Apart from the taped six I recently revisited them all and this episode, with some keen competition, is my favourite. For one thing the unconventional alien as victim rather than aggressor, having been brought to Earth by accident. The story and acting are excellent. Reviewers have noted a similarity to Macbeth, on which I'm out of my depth - as someone once said Shakespeare tried to cram too many famous phrases into his plays.

Also memorable is The Sixth Finger, rather the opposite of The Time Machine. Instead of going into the future to see how humanity evolved, evolve yourself in the present, which incidentally must have saved a fortune on costumes and special effects. The Hundred Days of the Dragon, as several reviewers noted, is more political thriller than science fiction, but extremely good nevertheless.
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A story so full of logic holes, I couldn't fit the entire review...
fedor822 April 2021
Warning: Spoilers
Very competent direction and a top cast (aside for the actor playing Mr Righteous), but a total and utter mess in every other way.

Yet again we have the superior alien that can't stop boasting about its moral superiority, which it of course does by putting down humans. No sooner has it appeared, does it already start giving righteous speeches, admonishing humans ever-so-subtly about being violent savages. The alien is made up of light (or whatever) hence has the privilege of not having to fight for survival - which allows it to take the high moral ground vis-a-vis humans. Doesn't it realize how pompous this attitude makes it sound?

"I already see another of your weapons... distrust."

How is distrust a weapon though? Not the only silly line though...

The alien isn't the only one giving political speeches. The wealthy Mr Bellero gives an impassioned Serling-like soliloquy about how much he hates war, and then pathetically tells Kellerman that people like her are even worse than war. She doesn't seem too phased by this lame insult though, because she clearly enjoys that open war had finally broken out between her and the benign, Gandhian capitalist. (Just imagine if all of post-war America's capitalists were this pacifistic... We'd all be speaking Russian!)

So even though Mr Righteous Bellero is supposed to be the good guy and Kellerman the heavy, to me the family war isn't such a black-and-white issue. I detest pacifists even more than they (allegedly) detest war, and Mr Bellero did after all try to interfere in his son's marriage by trying to separate him from his evil wife. She may be evil, but it's his (dumb) choice of wife.

A really dumb scene - very obviously a cheese plot-device from the moment it occurs - is when Sally's barefoot(!) maid hands her a gun. What for?! This isn't the Wild West, nor is she planning to kill anyone - and even if she did she'd rather use the laser which disintegrates its target into atoms. Yet, the alien had proved itself immune to lasers, and Kellerman anyway didn't initially forge plans to kill it. This plot-device was thrown in literally just so Kellerman could become a killer. Sally even smiles as she receives the gun. Her character is a bit too over-the-top. But hey: dumb thriller.

She goes inside, planning to kill the alien! She'd already failed to kill it with a laser, so why would she assume that lead would work? I can't imagine any halfway acceptable quasi-scientific explanation to rationalize a creature made out of light being hurt by a damn little lady pistol, not even in a dumb sci-fi pulp thriller. Hence Kellerman isn't just evil and greedy, but an idiot. Dumb villains are no good though, narratively speaking... unless you're doing a comedy. Villains are supposed to be cunning, in order to be effective. Kellerman isn't a calculating mastermind at all; she and her evil sidekick just keep winging it, guessing and improvising, without the use of any common sense. That this allegedly "superior" alien allows itself to be duped and then even destroyed by such nincompoops speaks of its inferiority, if anything.

Kellerman's stupidity is underlined also in her refusal to let Mr Bellero inside the house. There was a clear opportunity to get Bellero's money by showing the alien to him - as Landau later very logically suggests. Wasn't this bloody obvious? Not to the women. So in fact Kellerman and her evil maid do everything stupidly, their strategy being that of 11 year-olds.

"How long is a minute?" The alien stupidly asks. Well, Mr Noble Flash-of-Light Alien, since you are able to speak English you should know what a minute is. Right?

After Landau fails in getting Mr Virtuous Capitalist to come back, we do have to wonder how this phone conversation played out... because it is never shown.

"But there's an alien in my lab! Won't you at least come to see it?!" "No no and no! I hate that wife of yours!" "But... This is the scientific breakthrough of the century!" "I don't care. I hate her!"

Something like the above? Yes, his refusal to come over is idiotic - unless Landau omitted to tell him WHY he needed him to come back. But in that case Landau is the idiot. (We later find out that Landau didn't tell him about the alien over the phone i.e. Landau is an imbecile too - which is hilariously ironic because Landau later says that he is glad he told him nothing because he'd be considered "an imbecile" if he did!) I.e. Idiocy runs a bit too rampant among all these characters, who are supposed to be devious villains (the two women) a brilliant scientist, and a successful capitalist. Yet none of them act very intelligently. Most of them act like children.

Half the episode is humans begging the alien: ¨ "Don't go, please! Wait a little longer (until we can use you to get famous and/or rich)!" The alien itself is surprisingly street-smart for a noble, pacifist traveler, because he immediately figures out Kellerman to be nasty. Despite this apparent lack of naivety, he volunteers information to her about the "Bellero shield" which he didn't even divulge to Landau! This is not only far-fetched but contradictory: if he is so deeply suspicions of Sally, why tell her about the value and power of his tiny little ping-pong-ball defense mechanism? Well, so she can kill him, obviously. This writer simply didn't care that he was making the story predictable and cliche.

Predictably, the alien gets shot by Kellerman. (This "plot-twist" is even revealed in the spoiler, which is a dumb move by the producers. Fortunately, I always skip the intro.) And yes, not only does that tiny single lead bullet hurt him - he immediately drops like a sack of potatoes to the ground! What a goofy scene.

"It has a bullet in the base of its skull!" the maid later says. Which skull would that be? The skull inside the head of a creature composed only of light? What would it need a skull for?! It doesn't even stem from our universe - yet it has a skull. Nice going, Stefano...

Then the two women drag the body into the cellar, at which point the script had shot itself in the foot as well as shot a goofy alien. The story dissolves into a by-the-numbers dumb thriller, and I can't stand thrillers... They are empty-headed, dumb "entertainment" for lazy minds. Besides, nearly every thriller is idiotic, as is this one.

They actually plan to bury the alien's body in the garden! What about the Belleros gaining fame for having an alien encounter? That hadn't occurred to the these two nitwits?

Very stupidly, Mr Righteous Capitalist for some reason changes his mind, decides to return to the house - again! Then Landau tells him to go back because he found out that the alien is gone. So Mr Righteous heads to his car... again. This time Kellerman GOADS him into changing his mind (for the 11th time already) into going back to the lab, promising him some huge scientific breakthrough. Mr Righteous very comically rushes into the house...

Evidently, the story plays out like a comedy of errors, with Mr Righteous going in and out of the house a million times, much like something from a Blake Edwards comedy or even a Bugs Bunny cartoon. And all of the above happens in the first 30 minutes! Needless to say, still plenty of nonsense is to follow...

Next up is a dumb scene when everyone is FINALLY back in the lab. Alas, the alien is dead. So Kellerman, in her infinite stupidity, proudly offers the ping-pong ball as a great new invention for mankind. Very predictably, it doesn't work the way she intended it - because why would it? The alien had already started saying that it was unusable without him (which Kellerman would have heard had she thought it wise to LISTEN to the alien) before he was interrupted earlier on. (What a cheesy, convenient plot-device: interrupt the alien while he is trying to make the great reveal.) Kellerman's laywoman's assumption that the ping-pong ball would work in anyone's hands or could be easily replicated by scientists is just too dumb. Laywoman or not, common sense should have warned her that her possession of the ping-pong machine is far from a guarantee of success.

But so convinced is she in her success that she actually asks Mr Righteous to shoot at her! HOW could she be so certain it would work in her hands?! She doesn't even test it beforehand, to make sure she doesn't get accidentally killed, which is such horribly dumb writing...

Naturally, another question begs itself all throughout the episode: isn't Landau's laser gun a great enough invention to impress investors? It just casually lies around the lab, like some useless toy. The fact that Kellerman is surprised by its power is clear proof that this story doesn't take place in a distant future when such weapons are common. Hence yet another logic hole, in this Swiss-cheese of a script. Sure, Mr Righteous Pacifist said he didn't want to finance any new weapons, but Landau could easily get funding and fame elsewhere, with that laser gun.

Eventually, Kellerman gets trapped in the shield, which is the only clever, unpredictable twist in the entire story. When a desperate Landau eggs her on to try the ping-pong ball again, to free herself, she says this:

"Movements and words achieve nothing. They only deplete the oxygen (within the tightly-sealed shield) and the soul." She actually says this. A speech! A short one, admittedly, but a dumb little speech nonetheless.

Very predictably, Mr Righteous is killed in the basement by the maid, who is literally like a ninja, right after he gives yet another stupid speech - which also serves to force the maid to kill him. She tells him "no cops!", and he responds by agreeing - BUT then he goes on to talk about accolades and awards, which contradicts his agreement of not alerting the authorities. So OBVIOUSLY he is just begging to be killed.

To read the rest of this review, go to my Outer Limits list, where I have reviews for all of the episodes.
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