"Jason King" A Red Red Rose Forever (TV Episode 1971) Poster

(TV Series)

(1971)

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10/10
A Red Red What?
geoff-774-31381220 December 2018
Warning: Spoilers
This script made absolutely no sense whatsoever. Jason King is fabulous and his sideburns carry the whole episode. Characters appear (the "master" at the beginning) and just as quickly disappear. Some kind of contest where only the woman wears hot pants.

There's a hired killing organization in London. There's a clinic in Switzerland (more 16mm stock footage, please). There's a hi-tech bank vault run by a "Professor" There's Hitlers lost astrological journals. There's a redhead stewardess that gets involved in everything. There's whatshisname the bumbling MI6 ginger who comes out of the shower in a ridiculous shower cap. There's a scope camera and an assembly of a sniper rifle. There's a hit man who has a small stroke and then a fatal coronary. None of these items fit together except the rifle. The professor's wife is having an affair with the Doctor from the clinic and they want to sell the Nazi Journal in the Professor's hi-tech bank to Argentinian Nazis (never seen) so they hire a hit man to appear to kill the Professor but just to graze him so someone will think he's dead? But they actually want him dead. So Jason King saves the real hit man who happens to have a mild stroke on the plane conveniently across the row from Jason ... you get the idea. Some writer(s) had a bunch of ideas that they strung together like some dysfunctional Christmas bulbs. I loved it. Especially the smoking, everywhere, and the costume changes. Brilliant. Stupid. Brilliant.
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5/10
La Femme Assassin
richardchatten28 September 2020
The opening scene of this episode (as so often with it's parent series, 'Department S') features cast members never seen again and promising a more interesting narrative than actually transpires after the egregious Mr King eventually appears.

It begins with what are presumably three professional assassins auditioning in a basement for a contract. They comprise two marksmen and a markswoman, the jaunty-looking, sharp-featured young woman - unbilled and without any dialogue - wearing swept back early seventies hair, boots, salmon pink hotpants and a maroon sweater (the latter doubtless because the scene was plainly shot on a very cold winter's day).

She doesn't get the assignment. Too bad we don't find out what she gets up to after the titles roll...
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