User Reviews

It was refreshing seeing Ned Glass playing a tough ruthless character. He usually played weak cowering characters on Gunsmoke. A wicked woman caused lots of trouble in this morality play. It is worth a watch just to see Doc playfully coming on to Kitty.

...just a bit unfocused and illogical.

You can understand that old Dave is having trouble keeping track of who's "doing" his pretty wife on Mondays when he's away in town; and that dust storm during Dave's murder does confuse ALL of us. But, the show is not that hard to follow.

Karen Sharpe-- another "Gunsmoke" actress whose mid-60's glamorous looks totally blows the 1870's Kansas setting, does very well with the type of role that's difficult to pull off well...especially with all of the tight-shots and close-ups. I was just reading how she abandoned acting in the late 60's to marry Stanley Kramer and manage his estate; she was obviously "hot property" in her early years, with John Wayne also taking an interest in her.

William Henry--who plays her hapless hubby Dave, had a LONG career in Hollywood, and it's good to see him in a decent part. Old pro Ned Glass similarly gets a chance to do some serious acting as the proud, protective (but crazed) father, Ira.

But there's lots of silliness here, too. Are we really to believe that Quint couldn't SLUG his way out of the barn before (or after) he's tied up with wire, prior to being dumped in a well with a bucket-o'-rocks hanging over his head??

ALSO-- why the H___ didn't Kitty IMMEDIATELY tell Matt about the nasty conversation she overheard in the Long Branch between the two jealous lover boys, which could have prevented a lot of violence and mayhem? Of course, if she did that, this episode could have been wrapped up in a HALF hour.

TWO EXCELLENT "TIME-FILLER/WASTER" dialogue scenes between the regulars, both of them witty and charming. DOC and KITTY (mentioned by other commentators here), and DOC and MATT, as Doc gently chides the big guy about wasting time. Maybe I'll watch this episode again for these scenes. LR

I have seen some bad reviews on this one, and I think the show deserves a fair shake. One low review here even says it's hard to follow. Of course it is; that's the way reality works.

Matt actually pulls of a bit of sleuthing worthy of Columbo. One reviewer has questioned how both of Yuma's lovers knew about each other. The answer is simple. Yuma's husband had confronted the wrong man in town, and he realized she was seeing someone else, and figured it out.

Quint shines as a man of integrity and courage, and it shows at the end of the episode (that is NOT a "spoiler"; he's a regular and we knew he wouldn't die). It is worthy of the character that Burt Reynolds plays here, maybe the best role he ever had.

And I agree that the conversation between Doc and Kitty was delightful. Even if you don't like the rest of the show, it's worth it for that little bit of repartee. So, give this one a chance. It's not open and shut, and you have to think a little bit, and it might hurt someone's brain to do so, but it will be worth it.

Hilarious ep! Great work by Burt Reynolds! Gunsmoke was famously billed as an 'Adult Western' and this episode drives that point home well! Drama is meant to EVOKE, and the "Yuma" character sure is evocative, to the degree of making some other reviewers here despise the entire show! Sheesh, it's a MELODRAMA! The characters are, um... CHARACTERS!! Sorry for all the caps, but viewers who review the shows as if they're judging the morality of the actors' parts (again, the CHARACTERS -- they're not real!) should probably take their sedatives and have their nurses tuck them in.

Exemplary installment of a groundbreaking TV show. 9/10 (minus a point for lack of Festus).

Bored housewife Yuma Linz (Karen Sharpe) is a femme fatale with perhaps no equal circa 1890 near Dodge, Kansas. While her husband Dave (William Henry) is away running various errands, she entertains multiple men who discover each other's presence and become sworn enemies.

Even Yuma's husband sees evidence of infidelity with his own eyes. But Yuma doesn't miss a beat. Instead, she convinces Dave his tired eyes are playing tricks on him and that he just needs rest and the special meal she's prepared. Rather than trouble Yuma, the discoveries of her unfaithfulness intensify some dark passion within her. Puppeteer Yuma enjoys the competition for her affection and has a ready answer for each man in her life. She believes she has everything under control, but comforts like hers rarely unfold in an orderly fashion.

Seeking relaxation by heading out on a fishing trip, Qiunt is instead pulled into Yuma's terrible web when he witnesses the shooting of her husband. Quint tries to talk to the dying man. But as he leans close to hear the man's ebbing voice, Quint is struck over the head by Ira (Ned Glass as a ruthless villain who justifies any means through the end objective of protecting his dissolute son). Ira is convinced his son Web, motivated by an obsession for Yuma he can't hide, killed Dave Linz so that he could move in with Yuma.

Crazed Ira ties up Quint and threatens to harm him if he does not sign a paper stating Quint "seen" Yuma's other lover Jeff (John Hanek) kill her husband. Quint could sign that paper and plan to later retract the statement, but he has no reason to believe his life will be spared after his signature is obtained. He also has a strong sense of independence and integrity. After Quint repeatedly refuses to sign, Ira and his son throw Quint down a dry well and hang a bucket of rocks that could "spilt his skull like a melon" above.

When Marshal Dillon begins investigating the most recent murder in the Dodge area, Yuma turns up the heat on yet another man. But Dillon keeps his cards close to his vest and that intensifies Yuma's interest in him. As expected, the marshal uses this to his advantage. While Yuma weaves, Dillon waits.

This plot is twisted and arguably even a bit byzantine, which seems apropos considering the course and ultimate fate of so many extramarital relationships-especially when one cavalier spouse is seeing multiple lovers and gaslighting the other spouse. Is it crazy? Of course it is, but it's not nearly as crazy as some of the episodes of Forensic Files or Deadly Women or Who the (Bleep) Did I Marry? Or so many other true crime shows. Some people who have lived "normal" productive lives will shred holy tenets when they believe they have a shot at love, money, fame... It's an uncomfortably brutal aspect of the human condition, a Pandora's box that often consumes the aspirant along with her marionettes when a blinding need overwhelms reason.

Categorically, "Dry Well" is an episode about the madness of unbridled aspiration and blinding obsession. The title is a brilliant metaphor and the acting is compelling. Karen Sharpe is like a cat gleefully playing with blind mice while Ned Glass shows he can be ruthless and chilling as an unbalanced father willing to protect his son at any costs. James Arness often excels as Matt Dillon, but his acting in "Dry Well" is the strong type of performance required as a counterbalance to the narcissistic Yuma.

Unapologetic Yuma (Karen Sharpe) is the star of the show. Secondary cases can be made for self-possessed Marshall Dillon and steadfast Quint as well as irrational Ira. Regardless, each is more than convincing in one of Gunsmoke's most memorable episodes, a haunting treasure that is worth watching multiple times because so much of the plot is based on allusion and innuendo.

This was by far one of the most confusing scripts in any 'Gunsmoke' episode.

Dave Linse is heading off to town like he does every Monday. He leaves his wife Yuma at home and he will return as usual near dusk. But little does Dave know that his wife is cheating on him, not with one man but two. Every Monday Web Vickers comes riding up to the house till noon and then at 1pm Jeff Daley takes his turn. But today Dave gets home a little early and sees a rider leaving his property. Dave believes that the man he saw was Web Vickers.

A few days later Dave tells Web, in front of his father Ira, to stay away from his house. He will only get one warning. Then Web sees Jeff at the Long Branch and tells him to stay away from Yuma because she is his. Web says that he is going to take care of both Dave and Jeff.

If this sounds confusing-- then you are right. Was not really sure how each other knew who was seeing Yuma but for the story's sake we have to go along with the script.

Anyway Quint rides out to the Linse's farm and sees that Dave has been shot. About that time Ira hits Quint in the head knocking him out. When Quint awakes, Ira wants him to sign a paper saying that Jeff killed Dave. (still confused on how HE knew about Jeff) Quint refuses and they throw him in a dry well.

The rest of the episode seems almost bizarre. Matt goes over to Yuma's house and sure enough Jeff and Web makes an appearance. Ira comes up and starts shooting at Matt. They finally make it back to Ira's house and Web starts shooting. And the one not in this shootout is the one that caused the entire situation -- Yuma.

This was a messy script. It was like someone had a good story in their heads but could relate it to paper. The acting was poor, the story was poor and the characters confusing. Not one of the better shows.

Season 9 of Gunsmoke contains some of the finest episodes in the series. This is definitely not one of them. As a matter of fact, I consider it among the worst in the entire run of the series. (I acknowledge there are fans of Gunsmoke that despise ANY criticism of the show. Gunsmoke is my all-time favorite classic television drama but not every episode is outstanding.)

Yuma is married to a man named Dave, but she is also fooling around with two other guys, Web and Jeff. When one of the two kills Dave, Quint Asper happens to be riding by and hears the shot. Quint goes to Dave, who whispers the name of the man who shot him to Quint just before he dies.

Ira, who is Web's father, happens to be in Dave's barn for some reason. While Quint is tending to the dying Dave, Ira knocks Quint unconscious and ties him up. Ira is afraid his son will be blamed for Dave's death, and he wants Quint to sign a paper stating that Jeff killed Dave. When Quint refuses, Ira and Web throw Quint into an old, dry well, hence the name of the episode. (This entire plot element is puzzling. First, just because Quint signs a paper stating Jeff is the killer is meaningless. Quint could simply say later he signed the paper under duress. Second, how does Ira expect to get away with this?)

Part of this story concerns Matt Dillon trying to solve the mystery of Dave's death while Yuma shamelessly flirts with him. The other part of the story involves Quint's plight as he is held hostage by Ira and Web in the dry well. The whole thing is a mess with too many stupid characters doing too many stupid things and plot holes so large a stagecoach could be driven through them.

Ned Glass and Tom Simcox were generally solid character actors, but they aren't given much with which to work in this script. Karen Sharpe as Yuma was a true beauty in those days, but she wasn't an especially good actress.

The idea behind this story isn't that bad, but the execution here is. It is particularly annoying that John Meston intentionally introduced plot elements to try to deceive the viewer in an attempt to provide a surprise ending.