"Gunsmoke" Cattle Barons (TV Episode 1967) Poster

(TV Series)

(1967)

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8/10
Two Texas cattlemen have placed Dodge in the middle of their feud.
kfo949429 July 2013
Two longtime Texas cattle barons, John Charron and Luke Cumberledge, have been feuding about the driving of cattle and the sale of cattle for years. This year Luke took loans out to buy most of the cattle in the north prairie and blocks trails leaving Charron out of luck this year. But Charron has a plan of his own when he buys the loans and demands payment or return of all the cattle on the spot. He waits till the cattle get to Dodge City and provides Marshal Dillon a court order to enforce.

When Matt and Festus ride out to give Luke the court order, needless to say Luke is not going to stand for blocking the sale of the herd. A showdown is going to happen and the Marshal and the citizens of Dodge are placed right in the middle.

This was actual a nice story that was very interesting. But there was also some things that looked out of place. Like when they introduced a gunslinger that had nothing to do whatsoever with the plot. And a free-for-all fight scene that just would not end, it was like watching a pie fight in a Three Stooges short. But with that said it was still a nice watch. Anytime Forrest Tucker gets free-rein of his character it is bound to be a nice show.
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6/10
an outstanding story ruined by a stupid ending
grizzledgeezer1 August 2015
Warning: Spoilers
This //should// have been one of the great "Gunsmoke" episodes. Instead, it throws away 45 minutes of an outstanding story and script on five minutes of idiocy.

It's particularly disappointing because the story is apropos of "Gunsmoke"'s milieu -- the cattle business. (Two fancy words in one sentence -- and one of them misused!) Two feuding cattle barons -- John Charron (Forest Tucker) and Luke Cumberbatch -- uh, Cumberledge (Robert Wilke) are approaching Dodge with their herds. Or more precisely, //herd//, as Charron is inexplicably beeve-less.

The bad blood between Charron and Cumberledge goes back years, the two continually trying to outdo or take advantage of each other. The pleasure of this episode lies in the gradual denouement (another fancy word) of the situation, with the revelation of why the two are being followed by gunslingers, and the reason for Charron having no cattle. (I'm not going to spoil this.)

Festus convinces Cumberledge that Matt wants him to halt his huge herd well-outside Dodge and let his sex-and-whisky-starved men come in a few at a time so the town won't get shot up -- and for no other reason. Charron then drops the other shoe, insisting that Matt support him in a matter in which the law is on his side. This makes Matt and Festus look like liars, and there's a face-off between the two groups of drovers.

So far, so good. Matt shows his good sense by convincing C&C they don't want to start anything that would cause their hands to be injured or killed -- maybe they should settle this man-to-man. He adds "I've never thought of a gun as being the measure of a man," and C&C remove their gun belts, before starting an old-fashioned fist fight. That's good, too.

But not good enough for the script editor, who must have felt -- there having been only one shooting prior to this -- a two-man fistfight just wasn't violent enough in a series notorious for its over-the-top violence. So the fistfight devolves into a general melee (the actor playing the officer isn't credited), with even Matt getting involved. This is accompanied by humorous background music, to tell us we're not supposed to take this seriously. *

C&C eventually tire, and Matt drags them into the Long Branch, suggesting it's about time they considered a partnership. They promise to think it over, but Charron avers it'll take more than one bottle of whisky. There's bonhomie all around (with "hah-hah-hah, ho-ho-ho, and a couple of tra-la-las"), bringing the tale to an annoyingly cute ending. The temptation to round up the writer, director, & producer, and tie them to a railroad track, is overwhelming.

This un-serious ending is telegraphed by the casting of Forest Tucker. Tucker could be a good serious actor (the episode in which he plays a father whose sons murder a man shows him at his best), but there's something fundamentally comic about his visage. It's hard not to look at him and smile. Given the story's needlessly silly turn, it must have seemed wise to cast someone who would make it more plausible/palatable.

Speaking of casting... Thad is finally out of the picture, with Festus garnering more of the spotlight. He gets a lot of screen time, most of it showing him behaving intelligently and responsibly. We also see his growing affection for and loyalty to Matt. The producer must have decided that Festus wasn't going to be pinned with a Deputy's badge unless we saw him earn it. Good decision.

Despite my low rating, I strongly recommend this episode. Up to the last five minutes, it's exceptionally good.

* This is one of the worst examples I've seen of how //not// to score a TV episode. Up to now, the story was dead-serious. Is the viewer suddenly supposed to think he's watching a comedy? Then what was the point of what came before?
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6/10
Interesting Story Idea Gone Wrong
wdavidreynolds8 April 2021
John Charron and Luke Cumberledge are two cattle barons that have been involved in a ten-year-long feud. Cumberledge is driving a large herd to Dodge City, while Charron is waiting to ambush his rival (the ambush is intended to be legal, not physical). Marshal Matthew Dillon does everything he can to prevent chaos and destruction as Cumberledge moves closer to Dodge...and a confrontation with Charron.

A highlight of this episode includes the performance by Robert J. Wilke as Cumberledge. Wilke appeared in about every television Western, including seven different Gunsmoke episodes, as well as several Western films. He often played heavies but was certainly capable of playing "good guys." His performance in Terence Malick's Days of Heaven is especially noteworthy. Wilke's weathered features and gravelly voice are perfect as a grizzled cattle man.

Ken Curtis provides one of his better performances as Festus Haggen as he offers more than comic relief or someone that simply hangs around the Dodge City Jail. In this episode, Festus is helpful and an important part of the story.

Forrest Tucker fills the John Charron role, and his more casual, matter-of-fact demeanor contrasts nicely with the seemingly tougher, rough-around-the-edges Cumberledge character.

This episode features a relatively large cast with familiar actors John Milford, Lew Brown, Robert Sampson, Brad Johnson, and Fred Coby. Many of the Dodge City regulars appear, including characters Louie Pheeters, Lathrop, and Halligan.

There are a few problems with this story, however. John Milford plays a menacing gunfighter named Blair Smith, but there seems to be no reason for his presence in the story, other than to kill time. The biggest problem is the story attempts to shift from an increasingly tense, problematic situation into a silly comedy with a trite, rushed ending.

Unlike Season 12's two-part finale "Nitro!" that lacks enough story to fill two episodes, this story seems hurried. Season 12's "Saturday Night" does a much better job at portraying the grueling nature of a cattle drive in a limited amount of time. Here, Cumberledge talks about the tough, arduous time he and his men have experienced, but there is nothing much in the story to support it. We are merely told Charron and Cumberledge are enemies. It would have been better to give us more reason to understand their animosity. The Blair Smith character would have been more menacing if he had done something other than look and talk threatening and push poor Lathrop around.

In the end, the premise is great. Two dueling, feuding cattle barons fighting over a herd is different than some of the tired tropes that tend to be overused in Westerns. However, the story itself does not give the idea the treatment it deserves.
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