"Batman" Hi Diddle Riddle (TV Episode 1966) Poster

(TV Series)

(1966)

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8/10
Batman - Hi Diddle Riddle
Scarecrow-8818 January 2015
Warning: Spoilers
"Hi Diddle Riddle" opens the show with a bang…literally. A "friendship cake" between the dignitary from another country and Gotham's political pool blows up and the Riddler, "an old arch enemy", claims responsible (well, so to speak) in a riddle. This riddle tricks Batman and Robin into "assaulting" Riddler by dropping and handcuffing him, believing he had held up an art owner for an exhibit. It appears as if Riddler will sue (can't make this stuff up) Batman and Robin in a court of law, but the lawsuit has "hidden writing" with another riddle that once again places the heroic duo in an unfortunate shanghai surprise. While Batman go-go dances with Jill St. John (a curvy smokin' babe that works as an accomplice for The Riddler) in a Gotham discotheque, Robin is hit with a drug dart as he stayed in the Batmobile. The Riddler (Frank Gorshin, that heinous giggle and lively villainy so perfectly hammy for this cheesy comic delight) kidnaps Robin and it appears as if the kid has had it. As a set up for a two-part story arc, "Hi Diddle Riddle" basically works at the build up to the more action-filled "Smack in the Middle", with The Riddler proving he can lead the dynamic duo on a wild goose chase winding up where he started, about to rob the dignitary from Muldavia. In this episode, seeing Batman dancing amongst go-go crowd is the obvious highlight, as is the introduction of the Batmobile and Batcave. The "prince of puzzlers" is so jovially played to the hilt by Gorshin, he is a fine example of the series as a whole…the actors playing the villains actually surpass the heroes in sheer entertainment value. Adam West is all "serious actor face deadpanning", a straight man to the acts of the likes of Gorshin, Sid Caesar, and Burgiss Meredith. Burt Ward offered an entertaining, highly energetic second to West, given plenty of hokey zingers that provided Batman with plenty of charm. The Batman-Robin climb up the wall to get to the barred window of the art owner is an established visual gag that would become a gold standard for the show going forward. The dialogue is purposely comic book silly, and the acting animated whether in serious or villainous tone. It is never in doubt that those involved with this show knew exactly what they were making. Later, the Batman character would be treated with a far more serious approach, and even when Burton was in charge (or Schumaker for that matter), and there was humor involved, it was still a variety of dark and brooding.
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8/10
BATMAN Pilot's First Half.........
redryan6413 June 2007
Warning: Spoilers
Following an extensive Advertising Campaign tauting ABC's new "Second Season", the whole nation sat, glued to their mostly black & white TV Sets. We were anxious to see just what this new Batman Series was all about.

Well, the first half of this 2 parter opened the saga to many, but was familiar to a wide section of the public.

The story involved the return of Arch Villain The Riddler and by way of exposition we observe the alter egos of the Dynamic Duo, as well as all the other regular characters.

Using several different ploys, the Riddler manages to get Batman entrapped in a False Arrest situation, which brings in "The Suits", complete with ready made Law Suit.

While investigating the whole Riddler situation, Batman & Robin become separated as Discoteque Doorman (played by Veteran Character Actor, Richard Reeves*)will not allow Robin's entrance, being that he's under aged.

Robin winds up kidnapped by The Riddler and The Mole Hill Mob, as Batman, having been drugged in the Disco by the Gang's female, Molly (Jill St.John), is restrained by Gotham Police, who believe him to be drunk. The Cops point to the Bat Signalin the Night Sky, remarking about Batman's seemingly bad condition.

To Be Continued, Same Time, Same Channel...............

Well, at this point it was kind of hard to make a proper judgment about this new BATMAN Show. For after all, this was only a half of one adventure. There were some mixed feelings, though. As I recall reactions ran from surprise to shock. The Comic Purists** among us generally panned this 'Camp' approach.No matter what, it would take a little time to accept this style of story telling, as it was truly a new, unique approach to series TV. (Continued in SMACK IN THE MIDDLE write-up)

On the premiere showing of this the first episode, there was a brief opening of narrator, "Desmond Doomsday" (executive Producer, William Dozier) giving a sort of verbal introduction into the new TV world of Batman. This intro is missing from the current syndicated prints, Shame, for it's charming, informative and vintage Batman TV.

* Veteran Character Actor, Richard Reeves, had been a frequent guest on the ADVENTURES of SUPERMAN Series, where he always portrayed some thug.He also portrayed one of the Crooks in the failed 1961 SUPERBOY Pilot.

** I guess you can number this writer among that group. Inasmuch as it was only a day to the next installment and a greater understanding of this 'on 2 level' story, any judgments were put on hold for a day.Just Thank God we didn't have to wait a week like the kids had to do during the hey day of the old Serials!
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9/10
"It's the batphone, sir."
at-0503713 April 2021
I was 10 years old in 1966 when I saw the initial ABC-TV promo for Batman's debut, with the batmobile's departure from the batcave. Even before the first episode aired, I was hooked! And I don't mind admitting that The Riddler (thanks to Frank Gorshin's acting) scared the heck out of me.

Unfortunately, we only had a black and white TV. I had to call the elderly couple across the street when I wanted to watch Batman "In Color."

To this day, the two-part cliffhanger that kicked off the series, complete with flashing red batphone and sky-directed batsignal, is my favorite.
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10/10
Off and running with Frank Gorshin's maniacal Riddler
kevinolzak18 May 2016
"Hi Diddle Riddle" kicked off the January 12 1966 season in colorful fashion, introducing Batman and Robin to a television landscape that had not seen any super heroes since George Reeves retired his Superman cape in 1958. The Riddler was an interesting choice as initial 'Special Guest Villain,' selected for the worried sponsors due to his normal looking appearance, lacking the elaborate makeup required for the more popular Joker or Penguin. Of course, with masterful impressionist Frank Gorshin in the role, earning himself an Emmy nomination, this Riddler is anything but 'normal,' a maniacal, energetic arch criminal who won't be satisfied just pulling off his nefarious capers unless he can outwit the Dynamic Duo in the process. No origin story to be told, the audience thrust right in the middle of the latest episode, already sure footed in its depiction of the pre credits sequence, an exploding cake revealing a clever riddle that baffles Chief O'Hara (Stafford Repp) and Gotham City's finest, leaving Neil Hamilton's Commissioner Gordon no choice but to use the red Batphone. Usually on the other end to alert his employer is Alfred (Alan Napier), trusted butler and confidante of millionaire Bruce Wayne (Adam West), who immediately rushes off with 'youthful ward' Dick Grayson (Burt Ward) for a bit of 'fishing,' a simple ruse to avert suspicion on the part of Dick's devoted aunt, Mrs. Harriet Cooper (Madge Blake). Batman relates his previous history with the Prince of Puzzlers, plotting his crimes like artichokes, one tantalizing leaf at a time, offering clues to point authorities in the wrong direction. Certainly a darker presentation than most of what would follow, with Batman swallowing a Mickey Finn at a disco, opposite the enticing Jill St. John as Riddler moll Molly, while Robin too is felled by a drugged dart, then kidnapped by the raging Riddler, upset that the Batmobile proves resistant to both theft and immolation. The cliffhanger ending is established as well, in the style of the old serials from decades past, particularly the two Columbia Batmans from 1943 and 1949. Lorenzo Semple Jr. struck all the right notes with his script (six more two parters ahead, plus the feature film), and Adam West understood immediately what was called for (Lyle Waggoner also tested for the title role). Burt Ward was a total novice in television, cast because he essentially already was everything the producers saw in Robin.
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10/10
Real colour TV began on 12 January 1966
tforbes-210 December 2006
Warning: Spoilers
No matter what faults Batman had as a series, this episode marked the first time that real colour TV aired. The show really utilised colour in a way that no other show had really done before.

And I am writing this review from the same room where I saw the episode for the first time, on 12 January 1966. It was a magical experience for a 6½ year old boy, and I really enjoyed the experience.

While the series would succumb into camp later on, this episode was serious enough to make it worthwhile. Jill St. John brightened the episode as Molly, and Frank Gorshin turned The Riddler into one of Batman's most memorable villains.

And if you look closely enough, you'll see that Inspector Basch is an obvious imitation of Inspector Lewis Erskine of The FBI. All in all, a great introduction to a memorable TV series.
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My Favourite Batman Show
StuOz25 March 2010
My favourite two-part episode of Batman..from the teaser in part one to the closing scene in part two, this is a knockout that is actually better directed than the 1966 Batman motion picture!

I have read the other IMDb reviews of this episode and both posters don't mention the attention grabbing Nelson Riddle music running over this hour? Other Batman websites/books in the past have also failed to give the music the attention it deserves? Well, I am going to change all that (both here and in my other Batman episode reviews). Come on guys, when The Riddler is driving around and being chased in his car are you guys not listening to the music? Even the act one non-event scene where the Batmobile pulls up and Batman answers his Batphone with The Riddler on the other end, are you guys not listening to the cool low-key music playing over such scenes? Is it just me listening?

The cool sound effects, also used in Irwin Allen television, are also worth listening to as well.

But there are regular things to enjoys was well...such as Batman, Robin and The Riddler. About the only thing I can say against this pilot is that the episode title sucks. Something more memorable would have been better.
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7/10
A kinda weak beginning to this series!
bethlori10 July 2021
Boo!! You have read the title and it's kinda downing the series.... BUT no the Batman series is a good series but the riddler just gets old and it goes for another episode ugh please just don't let the riddler appear again!!! So this is a wimpy episode but watch it and move on!!
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8/10
When Can A Network Not Promote Quality Better?
DKosty12326 December 2016
Warning: Spoilers
For a first episode which partners with the next one, Batman hit the ground running here. Starting the series with the Riddler (Frank Gorshin) is perfect. The only thing is ABC, why did you do this in January, 1966? I suspect it is because the network had just switched to color and that makes this first show really impressive.

I think they should have waited until Fall 1966 and run teaser commercials all summer. This show has the best of the best. It has a great script, Jill St. John, and classic tung-in-cheek humor. Alfred, Aunt Harriett, the bat cave, Wayne Manor, Gotham City, Comissioner Gordon, Chief O'Hara, the Bat Phone, and a whole lot of Bat Inventions are introduced here. The cleverness of the Riddler is here too.

Holy Riddles Caped Crusaders, even Robin starts off at full steam with the bat rope, and this opener is incredible. Eight Writers contributed to this Lorenzo Semple Jr. first script and in this case, adding wirters made for a really sharp script. If ABC had promoted this better, it would have been a top 10 rated longer. As it is, this show did premiere at number 5. That is without the big build up it would have gotten in a Fall Premiere.

Top 20 Rated/Watched Shows 1966-1967:

Bonanza Gomer Pyle, U.S.M.C. The Lucy Show The Red Skelton Show Batman (Thursday) The Andy Griffith Show Bewitched The Beverly Hillbillies Hogan's Heroes Batman (Wednesday) Green Acres Get Smart The Man from U.N.C.L.E. Daktari My Three Sons The Dick Van Dyke Show Walt Disney's Wonderful World of Color The Ed Sullivan Show The Lawrence Welk Show I've Got a Secret
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10/10
BATMAN CHANGES TELEVISION
tcchelsey7 May 2023
First of all, BATMAN was in color! And although a lot of us kids grew up on black and white tv back in the day (could you imagine?), once we eventually got to see the caped crusaders in color it was an addiction. Today's BATMAN followers kind of scoff at the over the top antics of the tv show, compared to the dark, brooding stories today, however this was both an extremely clever and creative effort at the time, and to its credit, in reruns now topping 50 years! Could you believe it?

The series was obviously patterned after the classic 30s and 40s cliff hanger movie serials, but with a heck of a lot of more imagination, replete with campy criminals (both male and female) who became overnight stars themselves. As the series grew in popularity, it also became the "in thing" for many movie and tv stars to make guest appearances, either in gag parts or supporting roles. This may have been influenced by BURKES LAW at the time, boasting a who's who gallery of Hollywood guest stars that became its trademark.

One more thing to note is that everything clicked in remarkable fashion; BATMAN being the proverbial toy store, if not eye candy for young viewer. Case in point, the Batcave for starters, imaginative and very colorful sets coupled with outrageous plots and situations that would carry on to the next episode. And the show was run twice a week, unheard of in tv at the time. . Let us not forget the BATMOBILE, one hyped up, revolutionary machine on wheels, let alone legendary muscle car, followed by a series of equally fantastic rebuilt cars, motorcycles, boats and planes driven by both our heroes and the villain of your choice. Adam West beat out tall and handsome Lyle Waggoner for the lead, and when you come down to it, it had to be "the voice". West had that distinctive, authoritative sound, even more appealing when he donned his cape, making him the epitome of comic book heroes. I think Bert Ward was chosen to play Robin more so because he looked like a college kid, the perfect fit for a Batman apprentice in training. Also his youthful voice, compared to Adam West, made his character very relatable to all of us kids back in the day, so dreaming to be in his shoes.

The master of impersonations, Frank Gorshin became the very first cult villain on the series, portraying the wildly green clad, giggling Riddler. He played the role so freestyle (and without heavy makeup, such as Joker), he became an instant recurring character, and the only actor on the series to receive an Emmy nod. That is an interesting fact. Gorshin at the time was quite popular on tv, having just played a smooth conman slash used car salesman on THE MUNSTERS, which may have lead to his auditioning for this role. Gorshin was also doing his impersonation act in Las Vegas at the time, and it wasn't long after this episode aired, his one man act became the number one show on the strip, and a star was born.

Lovely co-star Jill St. John became the first bad girl to appear on the series playing the exceedingly sly Molly, in league with the Riddler. She also portrayed the first character to die on the show (in the second episode), just in case you're keeping notes. Jill had appeared in several movies at the time, signing a contract with Universal Pictures, but her signature role, that of Tiffany Case in the classic James Bond film, DIAMONDS ARE FOREVER (1971) may have been inspired by her appearance on BATMAN. She is one tricky lady to watch, also to romance James Bond (Sean Connery). So let the games begin! The official first episode, now in restored color. Shop around for dvd and blu ray box sets as they vary in price, but its an investment in cult tv with lots of fond memories attached.
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8/10
Why is A Pineapple like Batman's Drink?
injury-654478 June 2020
What a great start to get me interested in the series! It's so aggressively earnest it's hard not to fall in love with the show.

Taken as an actual piece of superhero based drama it's Decidedly lame; the idea of Batman being scared of a lawsuit does not really inspire a sense of awe for the character. However, taken as unintentional (is it though?) parody of the genre and the era it's pretty spot on! It really offers the best of what I was hoping for from the show. I was laughing heartily throughout at the sincerity and goofiness.

Lectures on pedestrian safety and underage bar attendance are featured. Is it meant to be a message for the kids? Batman therefore comes across more as a pedantic father figure than a formidable hero. However, he is encouraged by Robin in this behaviour rather than defied - so it's all a bit of a gleefest.

Secret fishing trips are mentioned. The homoerotic nature of the relationship between the Caped Crusader & the Boy Wonder seems to be clearly hinted at. It's delightfully awkward.

The Riddler as the debut villain is great. He's so over the top and therefore fits in perfectly with the exaggerated and campy tone of the show.

Go go dancing is in full force - even Batman himself gets into the action. This honestly couldn't feel any more 1960s! It's gloriously fun.

Answer: They're both spiked!
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4/10
The Riddler At His Best
Gerardrobertson618 March 2018
Got to love Frank Gorshin as the Riddler, his laugh, his facial expression and the way he leaps and jumps around makes him one of the best Riddler's in the Batman universe. The first episode of this classic series is a good introduction and the "bat dance" will always be remembered as one the episode highlights, "you sure move a mean cape Batman". I did wonder how the Riddler got the phone number of the Batphone in the Batmobile, and Batman answered it, "Batman speaking", not the old "yes Commissioner", which is how he would normally answer the phone.
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8/10
Wonderful kickoff to a great series
aramis-112-80488028 September 2022
Warning: Spoilers
The Riddler was kind of an odd choice as the first villain, Frank Gorshin being less well known as some of the later special guest villains; but he always threw himself into the role with all the gusto he had. And some of his riddles were quite funny. As a student of medieval history I found "What was Joan of Ark made of" giggleworthy.

Also with the Riddler was a young Jill St John. Hubba-hubba.

But what did I know about all this, since I was 5 when this first aired?

Special guest ladies seem to have been a thing when the series started: Jill in this series of two episodes; Leslie Parrish in the next series of two episodes with the Pengin; Nancy Kovak with the Joker . . . But well I recall seeing Jill St John's Fate as a kid and taking it seriously. That's the thing about kids my age. The spoof element was lost on me. It was only seeing it later, in reruns, that i discovered how funny it was. And the Riddler was a big part of that.

Why make it a spoof? Well, in 1966 it was really ridiculous to have a grown man running around in a bat suit. Frankly, as someone who was never a superhero fan, I still think it is, however they redesign it.

I've always had friends who hated this series because they read the comic books. I never read superhero comic books so the only way to keep me watching this show as an adult was to make it hilarious. And they did. Thank goodness. I don't remember Jill taking Robin's place with one of those silly "Mission:Impossible-type masks, but as an adult I immediately noticed how some of her . . . Ahem . . . Attributes disappeared as the mask went on.

That's the great thing about this program: at different ages one notices different things.

And the funniest thing is how uber-serious everyone is. It's setting up "Airplane!", which changed the face of comedy for nearly 20 years by making straight-faced comedians out of traditionally non-comic actors.

And if the series sank like a stone they could blame it on Frank. But it rode high for a while and deservedly so. It's a beautiful (and when I was 5, troubling) start to a colorful TV series.
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8/10
You peel an orange, you peal a bell!
Hey_Sweden19 February 2024
Warning: Spoilers
This initial episode of the fondly remembered series just drops us right into Batman & Robins' crime-fighting world in Gotham City, foregoing any sort of "origin story". Here, the first villain selected for their TV adventures is the Riddler (a hysterical Frank Gorshin), who's in perfect form as he manipulates the Dynamic Duo right into a lawsuit! It's all a scheme to get them into court and therefore try to force them to reveal their true identities.

Here, the Riddler has the upper hand most of the time (although he has a hilariously bad time trying to steal the Batmobile), and the ending, setting up a multiple-episode yarn, shows Robin in serious peril.

What's fun is seeing all of the standard props, like the red Batphone or the Batpoles, etc. It's also worth noting that Robin obviously has an agile mind because he solves the Riddlers' riddles pretty quickly.

While the general, deliberate cheesiness and tackiness might put off people looking for a more serious Batman, this viewer laughed long and hard at some of the material here - like Batman showing off his dance moves in the club. A general idea of the humor can be found in special guest star Jill St. Johns' character name: she plays a moll named Molly.

It's the kind of thing I groan at and yet find endearing at the same time.

Eight out of 10.
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5/10
Hi Diddle Riddle
Prismark101 February 2024
The first episode and it does not introduce Batman and Robin. Establish the characters or have an origin stories as in the later movies.

You might as well walk into the middle of a continuing series. Bruce Wayne is entertaining some guests when Alfred the Butler tips him off to an important phone call.

Batman and Robin speed off and catch what looks like the Riddler being involved in a robbery at gunpoint.

Batman assaults him and it seems he got the wrong end of a stick. The gun was a lighter and the Riddler was taking his own money out. The press has taken photos and the Riddler will sue Batman. At court Batman will have to take off his mask.

There are more riddles as Batman ends up dancing in a groovy bar. The Roddler wants to steal the Batmobile.

I watched repeats as a kid It is hard to take this seriously, it is just so silly and stupid.

Batman will have to take off his mask at court. So would the Riddler!
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