Directed by
| Phil Johnston | ||
| Todd Demong | ... | (co-director) |
| Katie Shanahan | ... | (co-director) |
Writing Credits (in alphabetical order)
| Roald Dahl | ... | (based on the novel by) |
| Kirk DeMicco | ... | (screen story by) |
| Meg Favreau | ... | (screenplay by) |
| Phil Johnston | ... | (screenplay by) |
| Meg LeFauve | ... | (screenplay by) |
Produced by
| Phil Johnston | ... | producer |
| Maggie Malone | ... | producer |
| Daisy May West | ... | co-producer |
Production Design by
| Drew Hartel | ... | (franchise art director) |
Art Department
| Nacho Molina | ... | visual development artist |
| Aurry Tan | ... | story artist |
Sound Department
| Paul Lynch | ... | ADR Mixer |
| Steven Rebollido | ... | Director: Creative Sound: Feature Animation at Netflix |
| Chris Whiteside | ... | original dialogue mixer |
Visual Effects by
| Hayley Adams | ... | 3D Modeller |
| Valentin Beaumont | ... | Lead Technical Director |
| Erica Eguía | ... | senior 3D environment modeller |
| Ranjan Kurian Periakottil | ... | visual effects supervisor |
Stunts
| Bernard Hainsman | ... | stunt coordinator |
Animation Department
| Kate Racho | ... | layout artist |
Additional Crew
| Chelsea Blankenbaker | ... | Production Executive |
| Angela VanZandt Bumpass | ... | creative consultant |
| Lillian De La Rie | ... | production coordinator |
| Olivier Mouroux | ... | Publicity Lead |
| Thalia Nalapraya | ... | Story & Editorial Production Coordinator |
| María Azellea Sánchez Ordóñez | ... | Lighting Production Coordinator |
