The ending is the weakest part of this three-reel drama, adapted from a story in Young's Magazine. The problem of a girl who marries a wealthy man that she may have money to give her fiancée who is ill, is made interesting by Arthur Johnson, Lottie Briscoe and Howard Mitchell. When the woman falls in love with her husband, yet allows her former sweetheart to believe that she remains unmarried, the solution is in doubt. The author chose the easiest, if not the best, way out of the difficulty when he made the superfluous man a burglar and had him shot. - The Moving Picture World, March 6, 1915
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