El 7º día

Thirty years of hatred among two families facing each other and terminating into a burst of violence . It took place one bloody Sunday . "The 7th Day" is based on real events but the roles are fictitious as there happened ¨The Puerto Hurraco massacre¨, it was a mass murder that occurred in Puerto Hurraco, a village in Benquerencia de la Serena municipality in the Province of Badajoz, Spain on August 26, 1990, when brothers Antonio and Emilio Izquierdo fired at people in the streets with two shotguns, killing nine and wounding at least six others. The perpetrators used two 12-gauge shotguns to cause the slaughter . The two then fled, but were arrested a couple of hours later and eventually sentenced each to 684 years in prison.

This interesting film deals with a tragedy of human emotions pushed over the edge . This hard picture is well set in Spain of the late 8os , as some unfortunate events and disputes lead toward more frequent and angrier facing off , when two men set out a planned vendetta that terminates a final slaughter . Its style is pretty much sour , dry and realistic as well in the atmosphere as in the fresh dialog . ¨El Septimo Dia¨ or "The Seventh Day" shows the miseries of some amoral characters and their bloody vengeance . This film describes the rural life , including dances , character studio of local people and an enjoyable love story among a young couple . The film holds some similarity to Saura's former films such as ¨The chase¨ or ¨La caza¨ and ¨Dispara¨ or ¨Outrage , in which revenger people pick up their rifles and execute a criminal spree . Well played by known and prestigious actors such as Juan Diego , Victoria Abril , Jose Luis Gomez and Jose Garcia . And a fine plethora of notorious secondaries such as Ana Wagener , Carlos Kaniowsky , Elia Galera , Carlos Hipolito , Mariano Peña , Marivi Bilbao , brief acting by Antonio De la Torre as Cabo Guardia Civil and Eulalia Ramon , Carlos Saura's wife . And introducing three little girls such as Yohana Cobo as Isabel , Irene Escolar as Antonia and Alejandra Lozano as Encarnación . Good production design by Rafael Palmero and correctly reflecting the atmosphere by that time . Splendid photography with juicy atmosphere by Francois Lartigue . Being appropriately filmed on location , showing one colorful filming from Otero de Herreros, Segovia, Castilla y León, Spain . Atmospheric musical score by Roque Baños who composes a soundtrack plenty of Andalucian and Flamenco songs . Baños is a successful composer such as ¨Fragiles¨ , ¨The Machinist¨ , ¨Sexy beast¨ , ¨800 bullets¨ and composing Hollywood pictures such as ¨Old Boy¨ .

The motion picture perfectly produced by magnificent producer Andres Vicente Gomez was rightly directed by Carlos Saura , a good Spanish movies director . He began working in cinema in 1959 when he filmed ¨Los Golfos ¨(1962) dealing with juvenile delinquency from a sociological point of view . And of course ¨La Caza¨ or ¨The Chase¨ (1966) his most successful film , this picture deservedly won Silver Bear in the Berlin Festival . Saura is a well recognized filmmaker both nationally and internationally, and in proof of it he won many prizes among which there are the following ones : Silver Bear in Festival of Berlin for Peppermint Frappé (1967), Special Jury Awards in Cannes for La Prima Angélica (1974), and for Cría Cuervos in 1975. All of them shot at the height of his creativity, in a period cultural difficult, where the enormous censorship of the political regime exacerbated the ingenuity and imagination of the scriptwriters . Also, the film Mamá Cumple Cien Años (1979) got an Oscar nomination in 1979 as the best foreign film , and it also won the Special Jury Award at the San Sebastian Festival . He subsequently made ¨Deprisa , Deprisa¨ based on facts about juvenile delinquency in Spain since the 80s , as he tried to take a position in favour of outcast people and he got to make a both lyric and documentary-style cinema . In 1990, he won two Goyas , the Spanish Oscar , as best adapted screenplay writer and best director . Saura became an expert on Iberian musical adaptations as ¨Carmen¨ , ¨Amor Brujo¨ , ¨Bodas De Sangre¨ , ¨Sevillanas¨ ,¨Iberia¨ , ¨Salome¨, ¨Fado¨, ¨Flamenco¨ and even recently Opera as ¨Io , Don Giovanni¨

Yes, I praise this film highly. Is it a masterpiece? Nope. The acting (minus the death scenes) were top notch, the cinematography of the wide southern Spain frontier was to die for, and Spanish guitar music score was top of the line. I thought the pacing was a tad too sluggish in a few areas, but then, that's probably what the director wanted us to feel - life moves slowly in remote farming villages. Worth watching if you have nothing else on tap.

"God created life within 6 days, and on the seventh, he rested. That is why horrible things usually happens on sundays". This quote summarizes both the story, the mood of the movie, and a way, the Spanish way of life/death. As Death is part of life, in Spain. Sangre, Sexo y Muerte (blood, sex and death)make life in that country. We use to figure out that among Greece's daughters, Italy is Comedy while Spain is Drama. Sobre drama, compared to Greek dramas. Saura paints this mood perfectly. We all know from the beginning what will happen. Besides, we are all surprised when "It" happens, but it is not more violent or chocking than other parts of the movie. "In a small village, everybody knows each other. While each one is different, each one is the same anyway." Meaning that a small village lives like bees, without any queen. Sun is burning hearts, souls, camps, farms and reason. From the first violently ended lovestory to the final massacre, through claims on land terminated with knives, global ressent and despair, moquery from a whole village, this movie is about the life of a family of two old couples, avenging from the entire village they were obliged to leave long ago, but they stayed close to it. They are not totally victims, as one member of their family (or "clan") murdered the brother of a family man, the butcher, and tried to murder the brother as well. The latter is father of 3 young girls, one of which is falling in love with a young guy (the "moto-guy" of the village), who finally leaves the village to leave its life. All the story is seen though the eyes of that young girl.

A Spanish Western movie!

Carlos Saura is as great in this movie as ever. This movie becomes more interesting when we realize that this movie is based on a true story.

I feel scared when I think this really happened in the real world.

I have seen many movies and stories that show the villagers very kindly. But it can be said that this is completely wrong. People from small villages seem to have more complex relationships than urban communities. And life among them can not be enjoyable.

The extreme violence of the film's characters contrasts with the beautiful nature of the village.

As beautiful and peaceful as the village is, the characters in the film are never peaceful. They can kill each other brutally and go on with their normal lives. The soundtrack of this movie is very beautiful. Carlos Saura is very interested in using singing in his films. I highly recommend this movie. My rating for this movie is 9 out of 10.

I love "La caza" (1965), and "Deprisa deprisa" (1980), both winners of the Berlin Silver Bear. I also did like, in a lesser degree, "Los golfos" (1959) and "Ana y los lobos" (1972). But this?... If it had been directed by someone else, fine. But Saura?... I still remember the real events back in 1990 which were the basis for this film. I was 17 at the time, and it made front pages for days: la Espana profunda (deep old Spain) with its feud crimes and revenges, hot blood genes, anger, jealousy, a hot climate to help things boil up... you name it. It's the Latin character all right. In the deep Extremadura countryside two brothers armed with shotguns one day walked into the village and began firing shots at random, sparing absolutely no one. Men, women, children... they all fell dead under the barrage. That night the whole of Spain was in total shock: what was the cause for this senseless slaughter? What was the motive?... Only the two killers had the answer. I watched this recreation of the events last night for the first time. It looks like a film that could have just been made by anyone: documentary style with modern trendy camera pans, too many close-ups, a sepia-like visual texture... just MTV video-like. Absolutely awful. And to be honest, the good characters are so irritating, such pain-in-the-arse morons that I feel more sympathy for the killers instead. Those three young girls are so ****** ANNOYING!! The two killers almost have an excuse to want to wipe them out of the map, really.