This is a beautifully acted two-reel picture. King Baggot has several moments when he seems to be at his best and it is fine. His whole impersonation of Carl, the mercurial pianist, who falls so deeply in love with the girl with a golden voice, is genuinely pleasing. This girl has been kept as a prisoner by her uncle, who likes to count her money, and her discovery by the three chums upstairs is a hit like Du Maurier's work. The whole picture faintly suggests "Trilby," although the suggestion grows weak in the second reel, where the interest, too, flags a little. - The Moving Picture World, February 8, 1913
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