Some apotheosis of film culture has been reached with Freddy Got Fingered‘s addition to the Criterion Channel. Three years after we interviewed Tom Green about his consummate film maudit, it’s appearing on the service’s Razzie-centered program that also includes the now-admired likes of Cruising, Heaven’s Gate, Querelle, and Ishtar; the still-due likes of Under the Cherry Moon; and the more-contested Gigli, Swept Away, and Nicolas Cage-led Wicker Man. In all cases it’s an opportunity to reconsider one of the lamest, thin-gruel entities in modern culture.
A Jane Russell retro features von Sternberg’s Macao, Gentlemen Prefer Blondes, and Raoul Walsh’s The Tall Men and The Revolt of Mamie Stover; streaming premieres will be held for Yuen Woo-ping’s Dreadnaught, Claire Simon’s Our Body, Ellie Foumbi’s Our Father, the Devil, the recently restored Sepa: Our Lord of Miracles, and The Passion of Rememberance.
A Jane Russell retro features von Sternberg’s Macao, Gentlemen Prefer Blondes, and Raoul Walsh’s The Tall Men and The Revolt of Mamie Stover; streaming premieres will be held for Yuen Woo-ping’s Dreadnaught, Claire Simon’s Our Body, Ellie Foumbi’s Our Father, the Devil, the recently restored Sepa: Our Lord of Miracles, and The Passion of Rememberance.
- 2/14/2024
- by Nick Newman
- The Film Stage
Shichiro Fukazawa's story “Narayama” is a haunting tale of ubasute, an ancient practice in Japanese folklore of carrying an elderly family member to a remote area, where they are left to die. Fukazawa's short story has notably been adapted twice. The most popular and successful version is Shohei Imamura's “The Ballad of Narayama,” released in 1983, which was both a critical and financial success and is regarded as a classic. Yet, the first adaptation of the powerful tragedy that came long before is a film that is very different in style from Imamura's depiction but equally wonderful. That magnificent picture is Keisuke Kinoshita's “The Ballad of Narayama.”
on Amazon by clicking on the image below
By the late 1950s, Keisuke Kinoshita had made quite a name for himself, especially after having graced moviegoers with his powerful film, “Twenty-Four Eyes.” Around the same time,...
on Amazon by clicking on the image below
By the late 1950s, Keisuke Kinoshita had made quite a name for himself, especially after having graced moviegoers with his powerful film, “Twenty-Four Eyes.” Around the same time,...
- 4/30/2023
- by Sean Barry
- AsianMoviePulse
With over 50+ films, Camera Japan Festival is proud to announce their full and diverse programme, combining films ranging from de newest and best Japanese arthouse, animation, documentaries, short films and classic cinema.
The 17th edition of the festival will be opened at LantarenVenster on September 22nd with the international premiere of Koumei’s Spotlight,
with the director and leading actor Morimoto Nobuhiro present. From 29 Sept. – 2 October, the festival moves to Amsterdam’s LAB111.
With four international and twelve European premieres, the festival consists of a special and exclusive programme. Films such as Spotlight, Nagi’s Island, Prior Convictions and Thanc You, will have their first screenings outside of Japan here at Camera Japan Festival. Among the many Dutch premieres titles from directors such as Miike Takashi (The Great Yokai War: Guardians) and Odagiri Joe (They Say Nothing Stays the Same) will be shown.
As usual, animation films will be present at Camera Japan Festival.
The 17th edition of the festival will be opened at LantarenVenster on September 22nd with the international premiere of Koumei’s Spotlight,
with the director and leading actor Morimoto Nobuhiro present. From 29 Sept. – 2 October, the festival moves to Amsterdam’s LAB111.
With four international and twelve European premieres, the festival consists of a special and exclusive programme. Films such as Spotlight, Nagi’s Island, Prior Convictions and Thanc You, will have their first screenings outside of Japan here at Camera Japan Festival. Among the many Dutch premieres titles from directors such as Miike Takashi (The Great Yokai War: Guardians) and Odagiri Joe (They Say Nothing Stays the Same) will be shown.
As usual, animation films will be present at Camera Japan Festival.
- 9/2/2022
- by Rouven Linnarz
- AsianMoviePulse
In a 15+ film collection, Pacific Art Movement’s 11th San Diego Asian Film Festival (Sdaff) Spring Showcase returns to in-person programming at the Ultrastar Cinemas in Mission Valley, San Diego from April 21 through 28, 2022. This year’s showcase recognizes the impact of Asian, Asian American, and Pacific Islanders (Aapi) on popular culture. Audiences will enjoy eight days of films from China, Indonesia, the Philippines, South Korea, and Vietnam including a four-film retrospective on director and actress Kinuyo Tanaka. The showcase opens with the biopic Anita on April 21 telling the captivating story of the “Madonna of Hong Kong”. Closing night features Free Chol Soo Lee which premiered at the Sundance Film Festival this January. Other programming includes live Q&As from filmmakers and a panel discussion with the authors of Rise: A Pop History of Asian America From The Nineties To Now.
“Our 11th Spring Showcase marks more than just a return in-person for the Asian,...
“Our 11th Spring Showcase marks more than just a return in-person for the Asian,...
- 4/4/2022
- by Rhythm Zaveri
- AsianMoviePulse
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