The character of Domenica (Mimi), as played by Domenica Giuliano, ranks among the truest portrayals of a twelve year old I've ever seen in any movie. Domenica has lived in an orphanage since her mother left her. (SPOILERS AHEAD). She's worldly wise; she's hip; she's loaded with pre-adolescent energy; she's sexual; she's childish; she's adult; she's giving; she's loving; she lies; she's vulnerable; she's tough; she's a survivor; and she's constant in her determination to make a better future for herself than her past has provided for her. (MORE SPOILERS) In her determination to escape to a better life, she saves her earnings from helping the younger ones at the orphanage, tending children who can't take care of themselves, and running errands. She also skims money from donations to the orphanage she cons from sympathetic people, which she shares with friends from her street gang. The story tells of a dying detective, Sciarra, played by Claudio Amendola, on his last day on the police force, whose final assignment is to accompany the child Domenica to the morgue to identify the corpse of the guy who had raped her some time before. (MORE SPOILERS) Sciarra is determined to carry out his assignment. Domenica, who has a deep fear of dead people, and has no interest in reliving her rape trauma, is stubborn, charming, skillful, and manipulative as she strives with equal determination to stall the inevitable.
(SPOILERS) Of course, there is a bonding. But the story of the love that develops between these two lonely people is never cloying. The final parting scene is deeply affecting in its simple tenderness.
Great work by actors Domenica Giuliano and Claudio Amendola and the director Wilma Labate.
(SPOILERS) Of course, there is a bonding. But the story of the love that develops between these two lonely people is never cloying. The final parting scene is deeply affecting in its simple tenderness.
Great work by actors Domenica Giuliano and Claudio Amendola and the director Wilma Labate.
