IMDb RATING
5.5/10
2.7K
YOUR RATING
In the future, where it's faster to travel by exchanging bodies with someone at the destination, a man's body is hijacked by a ruthless terrorist.In the future, where it's faster to travel by exchanging bodies with someone at the destination, a man's body is hijacked by a ruthless terrorist.In the future, where it's faster to travel by exchanging bodies with someone at the destination, a man's body is hijacked by a ruthless terrorist.
Kyle MacLachlan
- Fisk
- (as Kyle Maclachlan)
- …
Charles Edwin Powell
- Quayle Scott
- (as Charles Powell)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJanet Kidder's (Margot Kidder's neice) only nude scene.
- GoofsWhen Toffler and Madeline cut off Toffler's timer on his arm, in the long shot before the close-up on his arm, you can clearly see the removable patch on his arm that is cut off in the next close-up shot.
- Alternate versionsThe version shown on cable TV adds roughly 15-20 seconds of footage during the sex scene between Quayle Scott and Alison De Wasy, including additional dialogue about their secret plans, that is not included in the U.S. DVD release. However the missing footage is also included on the R2 UK DVD release.
- ConnectionsReferenced in American Dad!: Da Flippity Flop (2013)
- SoundtracksAfrodiziak
Performed by Bran Van 3000
Written by E.P. Bergen, James Di Salvio (as J. Di Salvio), Steve 'Liquid' Hawley (as S. Hawley)
Published by Les Editions Kaligram (SOCAN/BMI)
Courtesy of Audiogram Records
Featured review
Once again the old adage is proved true...
You don't need a big budget to make a fantastic film.
Simply put: This is an entertaining and surprising movie with everything you could ask for - genuine suspense with believable plot twists, well-timed action, memorable comedy, and special effects that actually has a purpose beyond the "see-what-we-can-do" arrogance of many blockbuster productions.
I regularly contribute to IMDb's I Need To Know Board where many board favorites tend to be the memorable kitschy flicks. In the coming years - this will be one of them - I guarantee it. Not only is this a really fun movie to idle away a 'popcorn video night', it's filled with unique visual hooks and interesting plot twists that tend to find their way into the collected memories of film fans.
While others have noted similarities to other well-known films of the genre - I urge you to watch this with a fresh mindset (pun intended).
This is probably one of the best Stephen Baldwin films from his hodge-podge career. Had he chosen to do more along these lines I suspect his limelight wouldn't have gotten so dusty that he'd end up as a B-rated 'star' for reality TV schlock. Doing solid, low budget, but profitable films is a career track that had Edward Herrimann and C. Thomas Howell working for decades while their "will-only-work-for-great-scripts/directors" driven counterparts have been forgotten or relegated to the world of early retirement.
Simply put: This is an entertaining and surprising movie with everything you could ask for - genuine suspense with believable plot twists, well-timed action, memorable comedy, and special effects that actually has a purpose beyond the "see-what-we-can-do" arrogance of many blockbuster productions.
I regularly contribute to IMDb's I Need To Know Board where many board favorites tend to be the memorable kitschy flicks. In the coming years - this will be one of them - I guarantee it. Not only is this a really fun movie to idle away a 'popcorn video night', it's filled with unique visual hooks and interesting plot twists that tend to find their way into the collected memories of film fans.
While others have noted similarities to other well-known films of the genre - I urge you to watch this with a fresh mindset (pun intended).
This is probably one of the best Stephen Baldwin films from his hodge-podge career. Had he chosen to do more along these lines I suspect his limelight wouldn't have gotten so dusty that he'd end up as a B-rated 'star' for reality TV schlock. Doing solid, low budget, but profitable films is a career track that had Edward Herrimann and C. Thomas Howell working for decades while their "will-only-work-for-great-scripts/directors" driven counterparts have been forgotten or relegated to the world of early retirement.
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