The Library of Congress has unveiled its annual selection of 25 films added to the National Film Registry, with an unprecedented seven titles directed by women, the most in a single year since the inaugural registry in 1989. (Scroll down for the full list.)
Among those making the cut for 2019 are Kimberly Peirce’s 1999 Oscar winner Boys Don’t Cry; Greta Schiller’s 1984 documentary Before Stonewall; Claudia Weill’s 1978 Girlfriends; Gunvor Nelson’s 1969 avant-garde pic My Name Is Oona; Elaine May’s A New Leaf, which in 1971 made her the first woman to write, direct and star in a major American studio feature; the 2002 indie Real Women Have Curves, directed by Patricia Cardoso; and Madeline Anderson’s 1970 I Am Somebody, which is considered the first documentary on civil rights directed by a woman of color.
Also notably added to the Film Registry are such classics as George Cukor’s 1944 Gaslight, which won...
Among those making the cut for 2019 are Kimberly Peirce’s 1999 Oscar winner Boys Don’t Cry; Greta Schiller’s 1984 documentary Before Stonewall; Claudia Weill’s 1978 Girlfriends; Gunvor Nelson’s 1969 avant-garde pic My Name Is Oona; Elaine May’s A New Leaf, which in 1971 made her the first woman to write, direct and star in a major American studio feature; the 2002 indie Real Women Have Curves, directed by Patricia Cardoso; and Madeline Anderson’s 1970 I Am Somebody, which is considered the first documentary on civil rights directed by a woman of color.
Also notably added to the Film Registry are such classics as George Cukor’s 1944 Gaslight, which won...
- 12/11/2019
- by Nancy Tartaglione
- Deadline Film + TV
“Purple Rain,” “Clerks,” “She’s Gotta Have It,” “Coal Miner’s Daughter,” “Amadeus,” “Sleeping Beauty,””Boys Don’t Cry” and “The Last Waltz” are among this year’s additions to the National Film Registry by the Library of Congress.
The list also includes 1944’s “Gaslight,” starring Ingrid Bergman in an Oscar-winning performance; the 1955 film noir “The Phenix City Story,” based on a real-life murder in Alabama; Disney’s 1959 canine tearjerker “Old Yeller”; Oliver Stone’s 1986 Best Picture winner “Platoon,” based on his own experiences in Vietnam; and Luis Valdez’s “Zoot Suit,” which tells the story of the 1943 Sleepy Lagoon Murder and the racially charged riots that followed.
A place on the list — always made up of 25 films — guarantees the film will be preserved under the terms of the National Film Preservation Act. The criteria for selection is that the movies are “culturally, historically or aesthetically” significant.
“The National Film Registry has become...
The list also includes 1944’s “Gaslight,” starring Ingrid Bergman in an Oscar-winning performance; the 1955 film noir “The Phenix City Story,” based on a real-life murder in Alabama; Disney’s 1959 canine tearjerker “Old Yeller”; Oliver Stone’s 1986 Best Picture winner “Platoon,” based on his own experiences in Vietnam; and Luis Valdez’s “Zoot Suit,” which tells the story of the 1943 Sleepy Lagoon Murder and the racially charged riots that followed.
A place on the list — always made up of 25 films — guarantees the film will be preserved under the terms of the National Film Preservation Act. The criteria for selection is that the movies are “culturally, historically or aesthetically” significant.
“The National Film Registry has become...
- 12/11/2019
- by Dave McNary
- Variety Film + TV
Festival organisers announced the Discovery, Mavericks and Masters sections, details of the David Cronenberg: Transformation exhibition, a tenth Midnight Madness entry and introduced the Glenn Gould Studio to the festival’s stable of venues.
The programming strands feature new work from Catherine Breillat and on-stage conversations with Spike Jones, Irrfan Khan, Harvey Weinstein and Ron Howard.
The final entry in Midnight Madness will be the world premiere of Alex de la Iglesia’s Witching & Bitching (Las brujas De Zugarramurdi) (Spain-France).
The Glenn Gould Studio will serve as a venue for various public and industry programming during the festival and will function as a main location for the Tiff Industry Conference, set to run from Sept 6-12.
Programming will include the industry conference keynote session, Master Class, Moguls, Mavericks, Telefilm Canada Pitch This! on Sept 9 and the Doc Conference from Sept 10-11.
“As the jewel of the Canadian Broadcast Centre, Glenn Gould Studio...
The programming strands feature new work from Catherine Breillat and on-stage conversations with Spike Jones, Irrfan Khan, Harvey Weinstein and Ron Howard.
The final entry in Midnight Madness will be the world premiere of Alex de la Iglesia’s Witching & Bitching (Las brujas De Zugarramurdi) (Spain-France).
The Glenn Gould Studio will serve as a venue for various public and industry programming during the festival and will function as a main location for the Tiff Industry Conference, set to run from Sept 6-12.
Programming will include the industry conference keynote session, Master Class, Moguls, Mavericks, Telefilm Canada Pitch This! on Sept 9 and the Doc Conference from Sept 10-11.
“As the jewel of the Canadian Broadcast Centre, Glenn Gould Studio...
- 8/20/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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