It's a movie of elegant surfaces, great background music (by both the Mahlers), gossipy underpinnings and pretensions to romantic grandeur.
58
Seattle Post-IntelligencerWilliam Arnold
Seattle Post-IntelligencerWilliam Arnold
A rather dull movie.
50
Portland OregonianShawn Levy
Portland OregonianShawn Levy
The stifling piety of this film -- which regards anything old and vaguely arty as next to sacred -- needs some serious airing out.
50
L.A. WeeklyChuck Wilson
L.A. WeeklyChuck Wilson
She is known as one of the great muses, yet director Bruce Beresford, Wynter and screenwriter Marilyn Levy are never clear if this is by design or chance.
50
New York Daily NewsJack Mathews
New York Daily NewsJack Mathews
There's great music and lovely settings, but the filmmakers have done little more with their subject than reiterate the Britannica's description of her.
For all the talk of artistic and amorous passion, the film is trapped in snobbish inertia; its idea of period drama amounts to a kind of highbrow name- dropping.
50
New York PostLou Lumenick
New York PostLou Lumenick
Was Alma a masochist? Repressed? Neurotic? A pre-feminist? Don't look for insight here.
30
Chicago ReaderLisa Alspector
Chicago ReaderLisa Alspector
Director Bruce Beresford -- not intending to be funny but succeeding wildly.
30
Wall Street JournalJoe Morgenstern
Wall Street JournalJoe Morgenstern
Ms. Wynter's performance is only one of many failings in a heavily accented costume drama that Bruce Beresford has directed turgidly from Marilyn Levy's amateurish script.
Moviegoers might have preferred a little more care with the characters. As it is, Alma comes off not as a courageous trailblazer but as an indiscriminate adventuress.