Directed by
| Julie Taymor | ||
Writing Credits
| Edgar Allan Poe | ... | (story "Hop-Frog") |
| Julie Taymor | ... | (written by) |
Cast (in credits order)
Produced by
| Christopher Goode | ... | associate producer |
| Lindsay Law | ... | executive producer |
| Jane Leal | ... | associate producer |
| Kerry Orent | ... | producer |
| Barry Rebo | ... | executive producer |
| Tomio Taki | ... | executive producer |
| Julie Taymor | ... | producer |
Music by
| Elliot Goldenthal | ||
Cinematography by
| Bobby Bukowski | ||
Editing by
| Alan Miller | ||
Casting By
| Judy Dennis | ||
Production Design by
| G.W. Mercier | ||
Set Decoration by
| Steve Booth | ||
Costume Design by
| Julie Taymor | ||
Production Management
| Amy J. Moore | ... | executive in charge of production |
Second Unit Director or Assistant Director
| Steve Apicella | ... | first assistant director |
Sound Department
| Laurel Bridges | ... | boom operator |
| George A. Lara | ... | foley mixer |
| Mark Weingarten | ... | sound mixer (as Mark Deren) |
Special Effects by
| Mark O. Forker | ... | special effects design (as Mark Forker) |
| Nikolai Galitzine | ... | special effects technician |
| Neil Smith | ... | special effects design |
Visual Effects by
| Mark O. Forker | ... | visual effects co-supervisor |
| Abby Levine | ... | digital compositor |
| Barry Minnerly | ... | digital compositor |
| Neil Smith | ... | Visual Effects Co-Supervisor |
Camera and Electrical Department
| Jonathan Burkhart | ... | director of photography: additional photography |
| Eric M. Klein | ... | dolly grip |
| Charlie McNamara | ... | rigging gaffer |
| Roger Ulbrich | ... | assistant camera: high definition |
Casting Department
| Chriss Williams | ... | casting assistant |
Additional Crew
| Lars Bjornlund | ... | special prop maker |
| Michael Devlin | ... | production assistant |
| Craig Markey | ... | production coordinator |
| David Parsons | ... | choreographer |
