(1986 Video)

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5/10
Feels like a compilation of different movies
Wolfgang_Rodenbach12 December 2009
Warning: Spoilers
With bucket loads of adult films being produced each year, it is not surprising that some of them seem to have been made without the benefit of a script. Night on the Wild Side (aka The Bigger the Better) is one of those slippery outings they squeezed in between. It features some well known eighties performers thrown together with nothing much to work with except each others bodies. Kay Parker checks into the Wild Side, some kind of vague swingers club where 'anything can happen' (as long as it involves carnal pleasures). Playing it coy and innocent for once, Kay doesn't swing the same way as the others and fails to understand what she has walked into (nor does the viewer). At first she tries to go to sleep, but the moaning and groaning coming from every other place in the building arouses her suspicion, prompting her to have a look.

John Holmes plays the bartender at the Wilde Side, and he joins a couple sitting at the bar in a threesome that lasts basically the entire movie. Or at least they are still going at it every time naive Kay walks past. Janey Robbins arrives in full Dominatrix mode to take on three men at once, giving them instructions all the way. Up till now it had seemed like Kay, who has just broken up with someone, simply wandered into a sex club. But unfortunately director Charles DeSantos has something else in mind. A naked man carrying a big mask or a statue of some kind starts giving incomprehensible hints to Kay that she has walked into some kind of fantasy of her own making. Kay bumps into Janey on the stairs and asks her exactly what state or city she's in (the helicopter shots that bookend each sex scene look like New York to me). Unfortunately for her, Janey is not much help, insuring her that "The Wild Side is a part of your self conscious that you can't control". Then she makes a pass at her. Before long some other people (who were just crawling on the floor anyway) join in on the stairs. But once again Kay splits to hide in the bathroom, which is already occupied by a couple in Flagrante Delicto.

The helicopter shots are replaced by those of a full moon, as we move from location to a cheap, minimalistic set that seems to have been put together for a completely different movie. Two jewel thieves climb into a bedroom and find Janey in red lingerie. Soon she's ordering them around too. I guess they had this lying around from another picture or something, and decided to cut it in here when they were running short. Finally Kay Parker finds the dream lover she's been looking for and all the pieces fit (as far as this movie is concerned, anyway). She still finishes earlier than the John Holmes trio though, which might be one for the record books. They could just as well have released a compilation of old material and come up with exactly the same movie as this.

5 out of 10
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Ambitious, but fatally flawed
lor_1 April 2019
Charles De Santos, who made many porn films some of which are interesting, most routine, aimed for a surreal fantasy in this Kay Parker vehicle but stumbled badly. It's intriguing to watch, up to a point.

Parker plays a woman who seems to have wandered into Limbo or Purgatory, depending on which myth one prefers, biblically speaking. It's just a night club named the Wild Side where sex is constantly going on, but no one will give her a straight answer as to where she is, not even what city, just remaining cryptic.

It seems like a dream, though De Santos' microscopic budget (normal for the grind 'em out VHS era of the mid-'80s) doesn't offer much visual style. At one point an uncredited Rick Savage comes in to give Kay an even more cryptic warning than usual, and he's carrying a huge statue bust that momentarily gives the show an otherworldly mood.

Apparently not enough coverage footage was shot, as De Santos keeps using the same reaction shots of Kay watching the ongoing sex acts, poorly edited and with awful continuity. In later reels the sequence of scenes is all messed up, including a vignette of deep-throat expert Janey Robbins (remember her: she was the porn semi-lookalike equivalent to still very active mainstream actress Christine Baranski) having sex with two masked jewel thieves. Endless shots of a full moon are inserted unsuccessfully in an attempt to create atmosphere.

With the proper script and direction this could have been a winner, now surviving merely on the basis of Kay's fabulous body and her sex scenes.
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