A man gets a chance to meet up with his dream girl from high school, even though his date with her back then was a complete disaster.A man gets a chance to meet up with his dream girl from high school, even though his date with her back then was a complete disaster.A man gets a chance to meet up with his dream girl from high school, even though his date with her back then was a complete disaster.
- Awards
- 17 wins & 17 nominations total
Danny Murphy
- Boss' Brother
- (as Dan Murphy)
Richard Tyson
- Detective Krevoy
- (as Richard M. Tyson)
Featured reviews
Thats the way the world is unfortunately. There are two types of people those who love movies like this beacuse they are very funny and those who don't because they have a manner which means they have to look for problems wherever they look (Read politicians, minority groups). There really is no need to go and see a movie like this if you want to come out and complain. You've seen their previous movies, don't buy a ticket. The deal with the Farrellys is that they understand that if something is funny then it should be laughed at. Someone falls over, laugh. Don't go and help him up. Mary has the ability to make the viewer laugh. More than once and more frequently than not. In my opinion that makes a comedy a good comedy. I truly believe that you stick any old actors into brilliant material and situations as are in mary then you will laugh. That being said though the ensemble really do pull together and play off each other to startling effect and even the Farrelly regulars have some great moments. Lee Evans in particular has broken America and looks to have a bright future ahead of him in film. Stiller is Stellar and Diaz a bombshell once more. Even Matt Dillon proves 'I can do comedy'.
The shock comedy aside (zipper and hair gel scenes), purposeful unpolitically correct moments (humor at expense of handicapped, animal cruelty), the most surprising thing about this film is it has heart and is rather sweet. It's not the completely nasty, cruel comedy you might have been expecting. There's a nice love story in here too. It's corny and cliche'd and doesn't feel overly cloying because there are enough shockingly funny moments to offset it. The acting is good, the pacing brisk, and the jokes, well... you've heard all about the best ones by now.
There's definitely something about this film. When I saw this film, I was thinking of The Wedding Singer because both movies were set relatively the same time and both lead actresses happened to be blonde.
I thought Ben Stiller played an excellent character in Ted as he tried locate the girl he had a crush on in high school. Cameron Diaz was superb in her role as Mary and the actor who played her brother was an excellent addition to the movie because he played his part as a disabled man really well. I'm not a real huge Matt Dillon fan and his role in this movie didn't do much to change my mind. He was very despicable as the sleazy private investigator who has the task of tracking the high school crush down; however, what he doesn't tell Ted when he does find her makes this film more interesting.
Who would think that this film has twists that would blow the audience away; it does and not just one, it has two. These twists are really something of a shock, especially to me who was not expecting it to occur the way it did.
Overall, this film was enjoyable I wouldn't mind seeing it a second time.
I thought Ben Stiller played an excellent character in Ted as he tried locate the girl he had a crush on in high school. Cameron Diaz was superb in her role as Mary and the actor who played her brother was an excellent addition to the movie because he played his part as a disabled man really well. I'm not a real huge Matt Dillon fan and his role in this movie didn't do much to change my mind. He was very despicable as the sleazy private investigator who has the task of tracking the high school crush down; however, what he doesn't tell Ted when he does find her makes this film more interesting.
Who would think that this film has twists that would blow the audience away; it does and not just one, it has two. These twists are really something of a shock, especially to me who was not expecting it to occur the way it did.
Overall, this film was enjoyable I wouldn't mind seeing it a second time.
This is gross out comedy classic; Its aged relatively well as 20 years have passed now. Sometimes hilarious, sometimes crude and disgusting, maybe the very best movie from the Farrelly Brothers. Outstanding Matt Dillon in one of his best roles. The hair gel scene is infamous now as is the bathroom scene. Very funny and Cameron Diaz was so gorgeous in this. Classic stuff
Whenver we refer to modern comedies I think we have to go all the way back to "There's Something About Mary" to see where this all started. It set the new standards for comedy and also became a much imitated movie. Movies however very rarely reached the level of this movie ever again, including all of the Farrelly brothers own later work.
It's the sort of raunchy comedy, that makes some completely inappropriate jokes and makes for instance fun of both psychically and mentally handicapped people, among many other things. This is the foremost reason why some people can't really stand this movie but luckily most others are able to see the talent and effort that were put into making this movie and why the movie works out so well.
As strange as it sounds, it's actually a real subtle done comedy. It's not predictable in any way and the build up and execution of it is spot on. It even makes all of the moments, that usually seem like something totally lame and forced, work out as something hilarious.
It also has a great, yet very simple premise, of a bunch of guys all falling for the same girl. It's the sort of story that provides the movie with plenty of silly comical moments, in which the characters lie and constantly are backstabbing each other, all to get the girl in the end.
Cameron Diaz forms the perfect centerpiece for this movie and the movie is filled with plenty of comical characters, all played by some capable genre actors. This movie is still from the time when it was cool to like Ben Stiller and yes, he also really is perfect in his role. But basically everyone is perfectly cast in this, which is obviously also a reason why the movie and all of its comedy works out so well.
Comedies like this only seem to come once every 10 years, or so.
8/10
http://bobafett1138.blogspot.com/
It's the sort of raunchy comedy, that makes some completely inappropriate jokes and makes for instance fun of both psychically and mentally handicapped people, among many other things. This is the foremost reason why some people can't really stand this movie but luckily most others are able to see the talent and effort that were put into making this movie and why the movie works out so well.
As strange as it sounds, it's actually a real subtle done comedy. It's not predictable in any way and the build up and execution of it is spot on. It even makes all of the moments, that usually seem like something totally lame and forced, work out as something hilarious.
It also has a great, yet very simple premise, of a bunch of guys all falling for the same girl. It's the sort of story that provides the movie with plenty of silly comical moments, in which the characters lie and constantly are backstabbing each other, all to get the girl in the end.
Cameron Diaz forms the perfect centerpiece for this movie and the movie is filled with plenty of comical characters, all played by some capable genre actors. This movie is still from the time when it was cool to like Ben Stiller and yes, he also really is perfect in his role. But basically everyone is perfectly cast in this, which is obviously also a reason why the movie and all of its comedy works out so well.
Comedies like this only seem to come once every 10 years, or so.
8/10
http://bobafett1138.blogspot.com/
Storyline
Did you know
- Trivia(at around 18 mins) Dropping Ted on the stretcher wasn't scripted. When it happened, they cut to make sure Ben Stiller was okay and then thought it was so funny they left it in.
- GoofsIn one of the flashbacks to 1985, as Mary and Ted stroll down the street, she rants about San Francisco 49'ers' quarterback Joe Montana being obscure and underrated, but insists he will surprise by taking his team to a SuperBowl. By 1985, Montana had already won two Superbowls with the 49'ers.
- Quotes
Hitchhiker: You heard of this thing, the 8-Minute Abs?
Ted: Yeah, sure, 8-Minute Abs. Yeah, the excercise video.
Hitchhiker: Yeah, this is going to blow that right out of the water. Listen to this: 7... Minute... Abs.
Ted: Right. Yes. OK, all right. I see where you're going.
Hitchhiker: Think about it. You walk into a video store, you see 8-Minute Abs sittin' there, there's 7-Minute Abs right beside it. Which one are you gonna pick, man?
Ted: I would go for the 7.
Hitchhiker: Bingo, man, bingo. 7-Minute Abs. And we guarantee just as good a workout as the 8-minute folk.
Ted: You guarantee it? That's - how do you do that?
Hitchhiker: If you're not happy with the first 7 minutes, we're gonna send you the extra minute free. You see? That's it. That's our motto. That's where we're comin' from. That's from "A" to "B".
Ted: That's right. That's - that's good. That's good. Unless, of course, somebody comes up with 6-Minute Abs. Then you're in trouble, huh?
[Hitchhiker convulses]
Hitchhiker: No! No, no, not 6! I said 7. Nobody's comin' up with 6. Who works out in 6 minutes? You won't even get your heart goin, not even a mouse on a wheel.
Ted: That - good point.
Hitchhiker: 7's the key number here. Think about it. 7-Elevens. 7 dwarves. 7, man, that's the number. 7 chipmunks twirlin' on a branch, eatin' lots of sunflowers on my uncle's ranch. You know that old children's tale from the sea. It's like you're dreamin' about Gorgonzola cheese when it's clearly Brie time, baby. Step into my office.
Ted: Why?
Hitchhiker: 'Cause you're fuckin' fired!
- Crazy creditsA montage of scenes from the film as well as outtakes involving the cast lip-syncing to The Foundations' song "Build Me Up Buttercup" runs during the end credits.
- Alternate versionsAn extended version which runs 10 minutes longer was released on DVD:
- The credits start as clay animations which then blend into real people.
- Ted talks with Woogie about his session with the psychiatrist. Ted thinks he is a loser. Woogie tries to lift Ted's spirits by telling him how lucky he was, when his brother got killed in an explosion so that his kidneys could save Ted's life.
- Healy and his buddy Sully visit his apartment. When parking the car, the guy brags how easily it is to pick up women in Miami.
- Healy admires Sully's apartment and gets to know Bill, the python.
- Mary tells Magda she shouldn't drink alcohol that early in the morning cause she stinks like a distillery.
- Sully who gets a phone call from Healy because of the borrowed car. Healy made Sully sniff cocaine.
- Whilst helping a disabled man move, a reporter meets him halfway up the steps to tell him that he parked his car in the handicapped area.
- At the architecture exhibition Tucker asks Healey for his business card.
- In front of Marys house, Healy asks if he may touch her breasts.
- Sully is shown sniffing coke.
- Sully is shown lying on a couch. There are some shots of his dog and Bill, the python, which he hasn't fed in ages.
- Mary admits to Magda that when it came to Healey, she had trusted her head and not her instincts.
- After Healy exposes Tucker, the orderer of the pizza appears. Tucker throws the pizza after him.
- The barkeeper in the strip-club knows Tucker has no money and threatens to throw him out.
- The fight Puffy vs. Ted is longer.
- At Sully's apartment Ted and Healy see Bill, the python. Healy assumes that Bill ate the dog. We learn that neither Healy nor Tucker sent the letter to Mary. Then suddenly Sully's dog comes and Healy realizes that Sully was eaten by Bill.
- ConnectionsEdited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
- SoundtracksThere's Something About Mary
Written and Performed by Jonathan Richman
Jonathan Richman appears courtesy of Vapor Records
[Played during the opening titles]
Details
Box office
- Budget
- $23,000,000 (estimated)
- Gross US & Canada
- $176,484,651
- Opening weekend US & Canada
- $13,740,644
- Jul 19, 1998
- Gross worldwide
- $369,884,651
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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