The Scarlet Lady (1969) Poster

User Reviews

Review this title
9 Reviews
Sort by:
Filter by Rating:
6/10
THE SCARLET LADY (Jean Valere, 1969) **1/2
Bunuel197610 June 2007
Lightweight but colorful fluff about an attractive Italian young woman (Monica Vitti) who is jilted by her French lover/business partner (Robert Hossein) and goes away to Paris with the intention of committing suicide but then thinks better of it and decides to bump the latter off instead. In the meantime, to curb her boredom, she picks up a marine salvage expert (Maurice Ronet) but immediately dumps him after divulging all her plans to him during a romantic dinner atop the Eiffel Tower. Somehow, while posing as a Swiss journalist, she gets entangled with a New York correspondent (a woefully wasted Claudio Brook), a shady Spaniard and the dope-addled manager of a French beat group; the latter perform a couple of awfully dated pop tunes and Brook's presence in a nightclub immediately brought to mind the similar but infinitely more wicked sequence which brilliantly concludes Luis Bunuel's SIMON OF THE DESERT (1965) in which Brook had the title role.

Frankly, I had never heard of this one before it was pointed out to me at the local DVD rental store (via an Italian-dubbed version on R2 DVD) but the eclectic cast and a promise of a dash of psychedelia enticed me to give it a chance. Well, while it's certainly nothing I'd call remotely essential, it's quite a nice way to kill 90 minutes: Monica Vitti's classical beauty and charm is the film's ace card as she's in virtually every scene in various fetching Christian Dior outfits, but Michel Colombier's bubbly Morriconesque score (including a recurring mournful ballad) also makes quite an impression. While the names in the credits of his regular producer (Andre Genoves) and screenwriter (Paul Gegauff) should perhaps have alerted me to it, director Claude Chabrol's amusing uncredited cameo as a lift attendant on the Eiffel Tower took me completely by surprise.
10 out of 14 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
not only a bloody cheek but somewhat ironic
christopher-underwood14 July 2009
Like anybody else who watches this film, it is for Monica Vitti and not because it has the awful US title; The Bitch Wants Blood or even the far more charming Italian; La Donna Scarlatta. She is lovely throughout, in various costumes and the late 60s décor and tempo help a lot. The rather amusing notes on my DVD include; '….will surprise those who know her only from the grim existential parables of Michelangelo Antonioni…' which is not only a bloody cheek but somewhat ironic. This is by no means a particularly sombre and thoughtful piece but does not really warrant the 'comedy' description and does actually have something of an existential theme and a very fine Anotonioni inspired sequence when she revs her car up and the street signage flashes by as we hurtle as if to oblivion. Seriously though this is for the most part a delightful, colourful and amusing Sunday afternoon movie with the serious added bonus of the lovely Vitti.
5 out of 9 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Vitti continues tradition of movies focusing on the individual
digital_groove13 June 2008
Warning: Spoilers
I've tried to get my hands on and view every possible movie on DVD in which Monica Vitti is the star. She became famous from starring in Antonioni's films and became a sex symbol during her youthful days in cinema. She attempted to capitalize on her sex appeal with various movies particularly "Modesty Blaise" a sexy action film in the 007 vein.

The film starts off with a rather hokey plot setting up a woman and her boyfriend against one another regarding a multi-million dollar company. By our standards it's obvious no one could pull off the crime the film starts off with but hey it's just a movie.

Billed as a comedy on it's IMDb page I found it cover the gamut of emotions of a person betrayed heavily by a loved one. The film has playful aspects of a woman who is planning a revenge on her boyfriend a week when he returns back to Paris. She experiences an extravagant week handing out big tips to bellboys, buying expensive cars on a whim, and ordering elegant meals at fine upscale restaurants. The film captures the 60s in the mock band appearing in the movie dressed up in bell bottoms, shaggy haircuts, and shirts with fringe. Vitti appears in at least 8 different outfits with lush color and dresses that worn nowadays would still be impressive.

Along with the casual fun she participates in the film has a serious side. We find out within the first 15 minutes she plans to kill herself the day her boyfriend returns. She experiences an existential dilemma much like her famous Italian films and tries to regain a sense of self through the antics I previously mentioned and more.

I half expected a romantic comedy but I got a film that takes a look at someone on a downswing in life but gets a new outlook on life through deviant acts and healthy ones as well. Light hearted in her fun encounters. Tension filled in her darker moments. Much better than I ever expected.
4 out of 7 found this helpful. Was this review helpful? Sign in to vote.
Permalink
2/10
Even Monica Vitti can't save this one
gridoon202416 April 2013
Warning: Spoilers
The stylish, enigmatic, uniquely beautiful Monica Vitti (playing an unplayable character - there is no rhyme or reason to her actions), and a rare "inside view" of the Eiffel Tower, can only carry this excruciatingly pointless movie so far. I came very close to turning it off at several points, but I didn't; I stuck with it hoping it would eventually go somewhere - it does not. Amazingly enough, the script (which contains no story, no suspense, and no humor) was co-written by Paul Gegauff, a frequent Claude Chabrol collaborator (Chabrol himself has a 10-second cameo near the end). The film does boast a distinguished cast, but they all have seen better days in other films. 0.5 out of 4 stars.
4 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Why Kill Yourself When You Can Kill The Man Who Wronged You And Yourself?
boblipton17 April 2020
Monica Vitti thinks she's a good businesswoman. Then she discovers her manager/lover, Robert Hossein, has stolen her business. She flies to Paris to commit suicide, then decides on a better plan. Hossein will be in Paris on Friday. She steals a gun, planning to kill him. First, though, she tells Maurice Ronet, then vanishes from his ken. While he is searching desperately for her, she is cutting a swath among the news reporters and the British band they are interviewing.

Jean Valère's ultimately standard romantic comedy is powered in large part by Miss Vitti's moody, disinterested performance, and a set and costume design that features a lot of bright red clothes and draperies. M. Ronet also gives a fine performance as the moral young man who does not even recognize he loves this woman who invited him to lunch on the Eiffel Tower. It's a very 1960s looking movie. There's a bit of satire on the propensities of rock-and-rollers. but this is never a farcical comedy. It is, however, constantly engaging.
4 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
3/10
Revenge is not so sweet.
brogmiller16 April 2021
I stand to be corrected but I think it probably true to say that neither Monica Vitti nor Michelangelo Antonioni were ever quite as effective separately as they were together.

Here she is directed by someone named Jean Valere in what is essentially a vehicle for this mercurial, enigmatic and utterly enchanting artiste. Unfortunately the film itself is absurd, trivial, shallow and a complete waste of her talents. The same comment might easily apply to her co-star Maurice Ronet. He prophesied that he would never again be given a role to match that of Alain Leroy in Louis Malle's underrated masterpiece 'Le Feu Follet' of 1963 and he was, alas, absolutely right! As a rat Robert Hossein plays the kind of role he can do in his sleep. Signorina Vitti proved to be as equally adept at Comedy as she was at Tragedy but she is fighting a losing battle here. Thanks to Valere's insipid direction, the long-awaited scene where she exacts revenge on the man who has wronged her is, like the film itself, a damp squib.

After a gap of sixteen years she and Antonioni made 'The Mystery of Oberwald' based on Cocteau's 'Eagle has Two heads' and showed that the old magic was still there.

02/02/22. Farewell Monica Vitti. May flights of angels sing thee to thy rest.
4 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Viva Monica!
nickrogers196927 October 2008
The film is a delightful comedy giving Monica Vitti the chance to do what she does best. She has a twinkle in her eye as she handles men. She isn't lost for long when things don't work out.

They don't make stars like her anymore. She plays a confident sexy woman on her own in Paris while keeping her chic Dior clothes on. She is not a bimbo or a teenager but a free spirited woman enjoying herself. Look at her dance on the nightclub. She is gorgeous!

The film is typical of European movies of the time. Not much happening but plenty of style and with all the games grown up men and women played. It's a kind of a sophisticated comedy they don't make any longer.
6 out of 10 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Sweet, easy and VERY sixties Euro-style....
von-1330 June 2000
Ok...nothing really to "upset" you in anyway here...but the atmosphere...colors...Paris...clothes.....music....everything just makes me wanna travel back in time and be a part of this filmproduction. Easy viewing film you can "easily"(!!) label this little Euro gem. Monica Vitti looks wonderful...a bit like Elke Sommer in Mario bava's Lisa And The Devil. But it's lightweight context here...nothing to worry about. No violence...sex....creepiness....just a charming experience which I recommend you check up on any day. I saw the extremely rare danish x-rental version...83.02 mins... letterboxed....english language. Best of all...I'll add it to my collection...no other collector buys this off'a me...nope.
6 out of 15 found this helpful. Was this review helpful? Sign in to vote.
Permalink
a euro classic
paul-8175 March 2003
i found a copy of this on the old fletcher video label its a lost classic engaging story fantastic acting monica vitti looks stunning as is the photography lovely lighting editing nothing to offend anyone just a film you can sit back and watch and enjoy pity they can't make them like this no more a euro classic.
3 out of 9 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed