As Good as It Gets (1997)

Helen Hunt: Carol Connelly

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Quotes 

• Melvin Udall : Now, I got a real great compliment for you, and it's true.

  Carol Connelly : I'm so afraid you're about to say something awful.

  Melvin Udall : Don't be pessimistic, it's not your style. Okay. Here I go. Clearly a mistake.

  [shifts in his seat uncomfortably] 

  Melvin Udall : I've got this, what, ailment? My doctor, a shrink that I used to go to all the time, he says that in fifty or sixty percent of the cases, a pill really helps. I hate pills. Very dangerous thing, pills. Hate. I'm using the word "hate" here, about pills. Hate. My compliment is, that night when you came over and told me that you would never... all right, well, you were there, you know what you said. Well, my compliment to you is, the next morning, I started taking the pills.

  Carol Connelly : I don't quite get how that's a compliment for me.

  Melvin Udall : You make me want to be a better man.

  [pause] 

  Carol Connelly : [stunned]  That's maybe the best compliment of my life.

  Melvin Udall : Well, maybe I overshot a little, because I was aiming at just enough to keep you from walking out.

• Melvin Udall : Hey, I've got a great compliment for you.

  Carol Connelly : You know what? I...

  Melvin Udall : Just let me... let me talk. I might be the only person on the face of the earth that knows you're the greatest woman on earth. I might be the only one who appreciates how amazing you are in every single thing that you do, and how you are with Spencer, "Spence," and in every single thought that you have, and how you say what you mean, and how you almost always mean something that's all about being straight and good. I think most people miss that about you, and I watch them, wondering how they can watch you bring their food and clear their tables and never get that they just met the greatest woman alive. And the fact that I get it makes me feel good... about me.

  [beat] 

  Melvin Udall : Is that something that's bad for you to be around... for you?

  Carol Connelly : [moved]  No.

• Carol Connelly : Why can't I have a normal boyfriend? Just a regular boyfriend, one that doesn't go nuts on me!

  Beverly Connelly : Everybody wants that, dear. It doesn't exist.

• Carol Connelly : When you first entered the restaurant, I thought you were handsome... and then, of course, you spoke.

• Carol Connelly : We all have these terrible stories to get over, and you...

  Melvin Udall : It's not true. Some of us have great stories, pretty stories that take place at lakes with boats and friends and noodle salad. Just no one in this car. But a lot of people, that's their story. Good times, noodle salad. What makes it so hard is not that you had it bad, but that you're that pissed that so many others had it good.

  [pause] 

  Carol Connelly : No. I don't think so.

  Simon Bishop : Not it at all, really.

• Dr. Martin Bettes : [looking over Spencer's medical records]  Have they done blood tests on him?

  Carol Connelly : [laughs bitterly]  Yeah.

  Dr. Martin Bettes : Only in the emergency room or when he was well?

  Carol Connelly : Emergency room only.

  Dr. Martin Bettes : Okay. And how about skin testing for allergies?

  Carol Connelly : No.

  Dr. Martin Bettes : [looks up]  No standard scratch test, they poke him with a needle...?

  Carol Connelly : No. I asked, they said my plan didn't cover it and that it wasn't necessary anyways. Why, should they have?

  Dr. Martin Bettes : Well...

  [pause] 

  Carol Connelly : Fucking HMO bastard pieces of shit!

  Beverly Connelly : Carol!

  Carol Connelly : [smiles sheepishly]  I'm sorry.

  Dr. Martin Bettes : It's okay. Actually, I think that's their technical name.

• Carol Connelly : Do you want to dance?

  Melvin Udall : I've been thinking about that for a while.

  Carol Connelly : [standing up]  Well?

  Melvin Udall : No.

• Carol Connelly : To hell with sex! It was better than sex! We held each other! What I needed, he gave me great.

• Melvin Udall : Judging from your eyes, I'd say you were fifty.

  Carol Connelly : Judging from your eyes, I'd say you were kind, so so much for eyes.

• Carol Connelly : [to Dr. Bettes, Spencer's wonderful new doctor]  Can we get you anything else? Water, coffee, couple of female slaves?

• Carol Connelly : Is it a secret what you're doing here?

  Melvin Udall : I had to see you.

  Carol Connelly : Because?

  Melvin Udall : It relaxes me. I'd feel better sitting ouside your apartment on the curb than any other place I can think of or imagine.

• Carol Connelly : Come on in, and try not to ruin everything by being you.

  Melvin Udall : Maybe we could live *without* the wisecracks.

  Carol Connelly : Maybe we could.

• Carol Connelly : Do you have any control over how creepy you allow yourself to get?

  Melvin Udall : Yes I do, as a matter of fact. And to prove it, I have not gotten personal, and you have.

• Dr. Martin Bettes : My wife is Melvin Udall's publisher. She said that I was to take excellent care of this little guy because you are urgently needed back at work. What kind of work do you do?

  Carol Connelly : I'm a waitress.

  Beverly Connelly : In Manhattan.

• Carol Connelly : [after Carol arrives at Melvin's apartment in the middle of the night]  I'm not going to sleep with you! I will never sleep with you, never, ever! Not ever!

  Melvin Udall : Well, I'm sorry, but, um... we don't open for the "no sex oaths" until 9am.

• Melvin Udall : I need you to chaperone, separate everything but cars. You said you liked convertibles! Now, I'm on the hook.

  Carol Connelly : I'm sorry, "the stiff one eye"?

  Melvin Udall : Two days!

  Carol Connelly : I can't, I work.

  Melvin Udall : You get off when you want to.

  Carol Connelly : My son.

  Melvin Udall : Bettes says he's doing fine.

  Carol Connelly : ...Melvin, I'd rather not.

  Melvin Udall : What has that got to do with it?

  Carol Connelly : Funny, I thought it was a strong point.

  Melvin Udall : Write a note, isn't she sweet? I need a hand and where'd she go?

  Carol Connelly : Are you saying accepting your help obligates me?

  Melvin Udall : Is there any other way to see it?

  Carol Connelly : ...No.

• Carol Connelly : How are you?

  Simon Bishop : Don't ask. I'm tired of my own complaints. I need to get some new thoughts.

  Carol Connelly : Why? What are you thinking about now?

  Simon Bishop : How to die, mostly.

  Carol Connelly : To think that in our little mix you're the good roommate.

• Melvin Udall : [tentatively]  I'm gonna grab you.

  [beat] 

  Melvin Udall : I didn't mean for that to be a question. I'm gonna grab you.

  [awkwardly kisses Carol] 

  Melvin Udall : I know I can do better than that.

  [kisses Carol again, intently and passionately] 

  Carol Connelly : Better. Definitely better.

  Melvin Udall : See?

• Carol Connelly : You're going to die soon with that diet. You know that, right?

  Melvin Udall : Oh, we're all going to die soon. I will, you will, and it sure sounds like your son will.

  Carol Connelly : If you ever mention my son again, you will not be able to eat here any more, Mr Udall. Do you understand me? Give me some sign you understand me, you sick fuck!

• Simon Bishop : [Seeing Carol undressed, in only a towel, on the edge of the bathtub]  Hold it.

  [Turns on light, startling Carol] 

  Simon Bishop : I have to draw you.

  Carol Connelly : Huh?

  Simon Bishop : I have to draw you.

  Carol Connelly : No, no no, absolutely not. I'm a lot more shy than people think. I give off the wrong impression.

  Simon Bishop : I have to. I haven't sketched anything in weeks.

  Carol Connelly : Stop staring. Do a vase.

  Simon Bishop : But you're beautiful, Carol. Your skin, your long neck, the back, the line of you. You're why cavemen chiseled on walls.

  Carol Connelly : [Smiles, and laughs slightly]  All right, cut me a break.

  [as Simon draws, she smiles, and lowers her towel, giving him a better view] 

  Carol Connelly : [after a brief cutaway to a different scene, returning to this one; now Carol is laying on a couch, nude, laughing, as Simon draws]  I'm sorry, I don't care how you put this, we're being naughty here, pal.

  Simon Bishop : No, no, this is, this is great.This is so great. I swear to God, my hand won't even keep up. Hold it. Hold it.

  Carol Connelly : But I was just turning.

  Simon Bishop : But then hold that. Hold any of them.

  [the camera shows a pile of sketches that Simon has made of Carol] 

  Carol Connelly : OK, this?

  Simon Bishop : It doesn't matter. My hand's not even bothering me. I can't - I just can't get the angle with this cast.

  [Starts breaking the plaster cast off of his hand/wrist] 

  Carol Connelly : Oh, careful.

  Simon Bishop : [Finished breaking cast off of his hand, and lets out a mock yell of pain, then both he and Carol start laughing] 

• Carol Connelly : Have you ever let a romantic moment make you do something that you knew was stupid?

• Carol Connelly : [driving to Baltimore]  I'm sure, Simon, they did something really "off" in order for you to feel this way. But when it comes to your parents or your kids, something will always be "off" unless you set it straight. And maybe this thing happened to you so you have a chance to do that.

  Melvin Udall : [from the backseat]  Nonsense! And you want to know why?

  Carol Connelly : Anybody here who's interested in what Melvin has to say, raise their hands.

  [Simon puts his hands into his lap, decisively. To their shared surprise, Melvin sits back and does not speak again] 

  Simon Bishop : Do you want to know what happened with my parents?

  Carol Connelly : Yes... no, wait. I'm gonna pull over and give you my full attention.

  [she does so] 

  Carol Connelly : Now go ahead.

  Simon Bishop : When I was a kid, I always painted, and my mother always encouraged it. She was sort of fabulous about it, actually. And she used to... I was too young to think that there was anything wrong with it, and she was very natural, so she used to... pose nude for me. I always thought - or I assumed - my father knew about it. One day he found us and started screaming. I was trying to defend my mother and make peace in the lamest way. I said "she's not naked, it's art."

  [Carol laughs softly] 

  Simon Bishop : And he started hitting me and... he beat me unconscious. He taught me a lesson he thought I'd never forget. I mean, he knew what I was even before I did. And the morning I left for college, he walked into my room and held out his hand, and it was filled with money. A big, sweaty wad of money. And he said, "I don't want you to ever come back." I grabbed him and hugged him... and he turned around and walked out. I haven't seen him or talked to him since.

  [Carol kisses him on the cheek] 

• Melvin Udall : You know, they let you in with a housedress, yet they make me find a jacket.

  [Carol gets up to leave] 

  Melvin Udall : Whoa, whoa, where are you going?

  Carol Connelly : Pay me a compliment, Melvin. I need one. You have no idea how much that hurt my feelings.

• Melvin Udall : Hey, what I did for you... it's working out?

  Carol Connelly : ...What you did changed my life.

  [offers him the note] 

  Melvin Udall : No, no thank-you notes.

  Carol Connelly : Well, part of what I said in this entire history of my life which you won't read is that somehow you've done more for my mother, my son and me, than anyone else ever has... And that makes you the most important, surprising, generous person I've ever met and that you be in our daily prayers forever. I also wrote one part... I wrote, "I'm sorry"... I was talking about I was sorry when I got mad at you when you came over and you told my son that he ought to answer back so I wrote that I was sorry for busting you on that... and I'm sorry for busting in on you that night... when I said I was never... I was sorry and I'm sorry every time your food was cold and that you had to wait two seconds for a coffee filler... and I'm sorry for never spotting, right there at the table in the restaurant, the human being that had it in him to do this thing for us... You know what, I'm just going to start from the beginning... I have not been able to express my gratefulness to you... even as I look at the word "grateful" now it doesn't begin to tell you what I feel for you...

• Carol Connelly : My God, what happened to you?

  Simon Bishop : I was attacked. I nearly died!

  Melvin Udall : Let's save the small talk for the car.

• Melvin Udall : I've got Jews at my table.

  Carol Connelly : It's not your table, behave! This once, you can sit at someone else's station.

  [all the other waitresses gasp] 

  Carol Connelly : Or you can wait your turn.

• [last lines] 

  Melvin Udall : Want something?

  Carol Connelly : Warm rolls.

• Carol Connelly : I want your life for five minutes when someone's offering me a free convertible so I can get outta this city!

• Carol Connelly : [writing a thank-you note to Melvin, with the aid of a dictionary]  This can't be right! "Con-science"?

  [breaks down crying] 

  Beverly Connelly : Carol, what?

  Carol Connelly : I don't know... It's very strange not feeling that stupid panic thing inside you all the time. Without that you just start thinking about yourself, and what does that ever get anybody? Today, on the bus there was this adorable couple and I felt myself giving them a dirty look. I had no idea everything was...

  Beverly Connelly : Go ahead.

  Carol Connelly : ...Moving in the wrong direction. Away from when I even remembered what it was like to have a man to... anything... hold fucking - sorry - hands with, for Christ's sake. I was feeling, like, really bad that Dr. Bettes is married. Which is probably why I make poor Spencer hug me more than he wants to. Like the poor kid doesn't have enough problems, he has to make up for his mom not getting any. Oh, boy. Who needs these thoughts?

• Frank Sachs : You can take my car, a convertible. Do you drive?

  Melvin Udall : Like the wind, BUT I'M NOT DOIN' IT!

  Carol Connelly : Gettin' loud.

• Carol Connelly : [Melvin enters the restaurant in his suit]  You look so se-... um, you look great. You look great.

• Carol Connelly : A compliment is something nice about somebody else.

• Melvin Udall : [after telling Carol that he thinks she's the greatest woman on Earth]  Is that something that's bad for you to be around, for you?

  Carol Connelly : No.

• Carol Connelly : Well, now your furry little underbelly is exposed, tell me why you really wanted me on this trip?

• Carol Connelly : My knees go when you turn on the Charm full blast!

• Melvin Udall : [Melvin has once again insulted her without realizing it]  Forget I said that.

  Carol Connelly : I'll never forget you said it.

• Melvin Udall : How old are you? Because going by your eyes I'd say you were fifty!

  Carol Connelly : Ha! Going by your eyes I'd say you were kind. So much for eyes.

• Carol Connelly : And then they send me to ER where I have to talk to whatever 12 year old they just made a Doctor...

• Carol Connelly : I'm finally gonna ask. All right, what's with the plastic picnic ware? Why don't you try ours? Afraid it isn't clean?

  Melvin Udall : Well, I see the help. It's a judgement call.