Olga O's Strange Story (1995) Poster

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6/10
Neither a fully rounded tribute or a bona fide Giallo
The_Void17 March 2007
By the nineties, the Giallo subgenre had almost completely dried up, and only a handful were released in this time; The Strange Story of Olga O being one of them. The film takes a lot of influence from it's seventies counterparts, and director Antonio Bonifacio has just about succeeded in making the film work something like a tribute to the earlier films. The Strange Story of Olga O features a number of Giallo staples; things such as a black gloved killer, a razor blade and a black leather-clad biker to name a few; but somehow, the film doesn't manage to come together as a 'proper' Giallo. The story was written by Giallo ace Ernesto Gastaldi, and takes influence more from the 'slower' side of Giallo (films like Short Night of the Glass Dolls and Orgasmo) and features a distressed former dancer at its centre, who as you would expect is called Olga. She is tortured by a dream in which she finds her mother covered in blood and shoots her father in the face. It later transpires that her father committed suicide and Olga blames herself for it. Her past continues to haunt her when she moves back to her old town; and that isn't the only thing haunting her, as she begins to receive threatening phone calls...

The film stars Serena Grandi as in the title role, and while she fit the lead actress bill perfectly in Lamberto Bava's Delrium eight years previously; she looks like she's getting on a bit here, and as one of my favourite things about the Giallo sub-genre is the women; this wasn't too pleasing. The rest of the cast are all decent enough, but nobody particularly stands out in the same way that the stars of the seventies did. There are a fair few sex scenes in this movie, but none are particularly graphic and there's not a great deal of nudity to speak of full stop. There's also very little blood, as the director seems more keen to focus on the implications of the plot and fragility of the lead character - which is a shame if you ask me. The story really isn't all that fascinating as the acting isn't 'heavyweight' enough to make it so, and the film largely feels empty because of that. Most things are explained by the end, although I have to say that I wasn't really bothered who the culprit was by then. Overall, The Strange Story of Olga O is a difficult film to find; and unfortunately, it's not really worth checking out.
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6/10
A good 90s giallo
BandSAboutMovies26 January 2024
Warning: Spoilers
Olga's (Serena Grandi, Delirium) life is one that will forever be damaged by childhood trauma, as her father killed himself before her eyes. Now, along with her husband Paolo (David Brandon), she is finally going home. This starts with a hell of a dream sequence, as Olga remembers her mother covered in blood and her shooting her father in the face. This memory or vision or way of dealing with her father's suicide is why she has blamed herself for it since she was young. Her psychiatrist, Dr. Carlo Ferranti (Dobromir Manev), believes that confronting her past will help her heal. After all, she has a good marriage and a supportive partner, right?

She gets the opportunity to see her old friends like Isabel (Daniela Poggi) and Sheila (Florinda Bolkan), as well as experience the club where she once danced and sang. But one night, while staying at her family's home, Olga is attacked by a mysterious intruder. Only Inspector Michael Manning (Stéphane Ferrara), a police officer she once had an affair with, believes her. Everyone else thinks that Olga has finally lost her mind.

The stalker remembers that our heroine used to be an exotic dancer called Olga O - yes, not much of a name change or disguise - and keeps using that name as he chases her on motorcycle and leaves those messages. Yet she also feels drawn to danger and if that feels like, well, a strange vice, that's because this is co-written by the man who wrote so many gialli - including The Strange Vice of Mrs. Wardh - Ernesto Gastaldi. Along with Daniele Stroppa and Maria Cociani, he's put together a pretty good plot that makes one look to the past but enjoy what they are currently watching. What helps is that the cinematographer was Luigi Kuveiller (Deep Red, A Quiet Place In the Country, A Lizard In a Woman's Skin), who definitely knows how to shoot a giallo movie, and the director Antonio Bonifacioas picked up a few things from working with Joe D'Amato. I also liked his Appuntamento in nero and this improves on that.

By the end, Olga is seeing dead bodies in her bed, unsure of who to trust and may even have tried to kill herself. Is there anyone who can save our heroine? I really enjoyed Olga's Strange Story and it was worth the time that it took for time to find it.
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