Directed by
| Abel Ferrara | ||
Writing Credits (WGA)
| Nicholas St. John | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| Antony Blinken | ... | associate producer |
| Denis Hann | ... | producer |
| Marla Hanson | ... | associate producer |
| Preston L. Holmes | ... | executive producer (as Preston Holmes) |
| Margot Lulick | ... | line producer (as Margot E. Lulick) |
| Russell Simmons | ... | executive producer |
| Fernando Sulichin | ... | producer |
Music by
| Joe Delia | ||
Cinematography by
| Ken Kelsch | ... | (photography) |
Editing by
| Mayin Lo | ||
Production Design by
| Charles M. Lagola | ... | (as Charles Lagola) |
Art Direction by
| Beth Curtis | ||
Set Decoration by
| Sara Baldocchi | ||
| Mary Prlain | ||
Costume Design by
| Melinda Eshelman | ||
Makeup Department
| Jean Block | ... | assistant hair stylist |
| Wayne Herndon | ... | key hair stylist |
| Kate Morgan | ... | assistant makeup artist |
| Patricia Regan | ... | makeup artist |
| Linda Grimes | ... | makeup artist (uncredited) |
Production Management
| Carmen Ashurst-Watson | ... | executive in charge of production (as Carmen Ashurst) |
| Margot Lulick | ... | unit production manager (as Margot E. Lulick) |
| Andrew Ramsey | ... | unit manager |
Second Unit Director or Assistant Director
| Randy Fletcher | ... | first assistant director |
| Dean Garvin | ... | second assistant director |
| Evan Labb | ... | second assistant director |
| Glen Trotiner | ... | first assistant director |
| Chris Marazzo | ... | second second assistant director: exteriors (uncredited) |
Art Department
| Maureen Cataldi | ... | additional dresser |
| Mark Edlitz | ... | art department production assistant |
| Rolf Grimsted | ... | leadman (as Rolf Grimstead) |
| Lisa Kent | ... | art department assistant |
| Erick Schiele | ... | set dresser |
| Elizabeth Schlitten | ... | property master (as Liz Schlitten) |
| Gordanna Svilar | ... | art department assistant |
Sound Department
| Bob Barnes | ... | sound intern (as Bob Barns) |
| Héctor Cordero | ... | sound editor (as Hector Cordero) |
| Andrew Edelman | ... | sound intern |
| Sheila Gladhill | ... | sound intern |
| David Glickman | ... | boom operator |
| Raymond Karpicki | ... | supervising sound editor (as Ray Karpicki) |
| Kira Smith | ... | sound intern |
| Robert Taz Larrea | ... | production sound mixer |
| Mel Zelniker | ... | re-recording mixer |
| Clancy T. Troutman | ... | supervising sound editor (uncredited) |
Stunts
| Nancy Ellen Anzalone | ... | stunt player (as Nancy Anzalone) |
| John Cade | ... | stunt player |
| Ren Campbell | ... | stunt player |
| Edward Conna | ... | stunt player (as Ed Conne) |
| Blaise Corrigan | ... | stunt player (as Blaize Corrigan) |
| Don Hewitt | ... | stunt player |
| Chuck Jeffreys | ... | stunt player (as Chuck Jeffries) |
| Chuck Margiotta | ... | stunt player |
| Cynthia Neilson | ... | stunt player |
| Phil Neilson | ... | stunt coordinator |
| Lizzie Olesker | ... | stunt player (as Lizzie Oleskar) |
Camera and Electrical Department
| Bill Almeida | ... | electrician |
| Nathaniel Beal | ... | grip (as Nat Beal) |
| Paul Breen | ... | electrician |
| Joshua N. Bucklan | ... | loader |
| Maria Calvaruso | ... | loader |
| Andrea Dorman | ... | first assistant camera |
| James J. Ferris | ... | generator operator |
| Jim Galvin | ... | electrician |
| Matthew Gould | ... | electrician |
| Seth Greenspan | ... | electrician |
| Robert Kummert | ... | key grip (as Rob Kummert) |
| Jean-Pierre Marois | ... | still photographer |
| Ed Mattson | ... | grip (as Edward Mattson) |
| John Paul McIntyre | ... | dolly grip (as John P. McIntyre) |
| Charlie McNamara | ... | gaffer (as Charley McNamara) |
| John Milcetic | ... | best boy electrician |
| Alpesh Patel | ... | grip truck helper |
| Lance Rieck | ... | second assistant camera |
| Michael Sadov | ... | grip |
| Phil Testa | ... | best boy electrician |
| David Tumblety | ... | electrician |
| Justin Vanson | ... | best boy grip |
| Kevin Wallace | ... | electrician |
Casting Department
| Andrea Curtis | ... | casting |
| Meredith Jacobson Marciano | ... | additional casting (as Meredith Jacobson) |
Costume and Wardrobe Department
| Jennifer Arnold | ... | assistant costume designer |
| Amanda Pratt | ... | wardrobe supervisor |
| Bianca Pratt | ... | wardrobe supervisor |
Editorial Department
| Yasmine Amitai | ... | first assistant editor |
| Maya Churi | ... | post-production assistant |
| Kenna Doeringer | ... | second assistant editor |
| Stephanie Ferrante | ... | post-production assistant |
| Abehjha Kibuuka | ... | editing room assistant |
| Dave Pultz | ... | timer: black and white (as David Pultz) |
Location Management
| Adam Baer | ... | location scout |
| Alex Corven | ... | location manager (as Alex Corven Caronia) |
| Lucia Marano | ... | assistant location manager |
| Lynn H. Powers | ... | location assistant (as Lynn Powers) |
| Joseph Stephans | ... | location assistant |
Music Department
| James Flatto | ... | music editor |
Script and Continuity Department
| Simone Lageoles | ... | script supervisor (as Simone M. Lageoles) |
Transportation Department
| George Campbell | ... | driver captain |
Additional Crew
| Robert Aqui | ... | production assistant |
| Donna L. Bascom | ... | production counsel (as Donna Bascom) |
| Gianni Benecchi | ... | production assistant |
| Sarah Bereczki | ... | set production assistant |
| Simon G. Bloomer | ... | production assistant |
| Alejandro Branger | ... | production assistant |
| Jay Cannold | ... | production accountant |
| Dianne E. Collins | ... | publicist: M/S Billing Publicity, Ltd. (as Diane Collins) |
| Wendy Damon | ... | assistant: Mr. Ferrara |
| Elizabeth Downer | ... | set production assistant |
| Maurice 'pee-wee' Edwards | ... | parking coordinator (as Maurice 'PeeWee' Edwards) |
| Stephanie Ferrante | ... | office production assistant |
| Arthur K. Flam | ... | production assistant (as Arthur Flam) |
| Adam Ben Frank | ... | key set production assistant (as Adam Frank) |
| Baron Ginnetti | ... | craft service |
| Henry Hershkowitz | ... | assistant to producers |
| Jay Julien | ... | corporate counsel |
| Javier López de Ayala | ... | Publicist: Spain |
| Melissa Marr | ... | production office coordinator (as Melissa M. Marr) |
| John Paul McIntyre | ... | creative consultant (as John McIntyre) |
| Susan Mitchell | ... | stand-in: Lili Taylor |
| Olivia Pi-Sunyer | ... | production office coordinator |
| Anthony Redman | ... | creative consultant |
| Russell Simmons | ... | presenter |
| Julina Tatlock | ... | key set production assistant |
| Sean Thomas | ... | set production assistant |
| Michelle Vergara | ... | set production assistant |
| Sarah Zack | ... | set production assistant |
Thanks
| Delbert Boone | ... | the producers would like to thank: for sharing their expertise in the signs, symptoms and treatment of addiction, Community Development Coordinator of the Cornerstone Treatment Facilities Network |
| Gilbert Caleano | ... | the producers would like to thank: for sharing their expertise in the signs, symptoms and treatment of addiction, Senior Vice President, Substance Abuse Services of the Cornerstone Treatment Facilities Network |
| Christine Choy | ... | the producers would like to thank |
| Carlos Garro Diaz | ... | the producers would like to thank |
| Pasquale E. Ferrante | ... | the producers would like to thank |
| Bernie Hayden | ... | the producers would like to thank: Sound Dimensions, NY |
| Phil Neilson | ... | the producers would like to thank |
| Jeremiah Newton | ... | the producers would like to thank |
| Bill Nisselson | ... | the producers would like to thank: Sound One Corp. |
| Janos Pilenyi | ... | the producers would like to thank (as Janos O. Pilenyi) |
| Leo M. Ritter | ... | the producers would like to thank |
| Julian Schnabel | ... | the producers would like to thank (as Julien Schnabel) |
| Ray Schnitzer | ... | the producers would like to thank |
| Mark Weitzmann | ... | the producers would like to thank: Educational Director of The Simon Wiesenthal Center (as Mark Wietzman) |
| Irwin Young | ... | the producers would like to thank: DuArt Film & Video Laboratory |
