Like so many indie filmmakers of the late 20th century, Ayoka Chenzira is not as well-known as she should be, nor has she made as many films as her talent warrants. But the ones she’s made remain impactful.
Her short “Hair Piece: A Film for Nappyheaded People” is celebrated as a first from a Black woman animator, and its focus on Black hair remains as timely as ever. And now “Alma’s Rainbow,” her 1994 feature-film debut centered on Black womanhood, returns to US theaters in a new 4K restoration.
Written, directed and produced by Chenzira — who has gone on to guide a new generation of filmmakers and new-media creators at Spelman for more than 20 years — “Alma’s Rainbow” captures the dynamic between mother and daughter during a pivotal turning point in the younger woman’s life. Like Leslie Harris’s debut feature, 1992’ “Just Another Girl on the I.R.T.,” “Alma’s Rainbow” is...
Her short “Hair Piece: A Film for Nappyheaded People” is celebrated as a first from a Black woman animator, and its focus on Black hair remains as timely as ever. And now “Alma’s Rainbow,” her 1994 feature-film debut centered on Black womanhood, returns to US theaters in a new 4K restoration.
Written, directed and produced by Chenzira — who has gone on to guide a new generation of filmmakers and new-media creators at Spelman for more than 20 years — “Alma’s Rainbow” captures the dynamic between mother and daughter during a pivotal turning point in the younger woman’s life. Like Leslie Harris’s debut feature, 1992’ “Just Another Girl on the I.R.T.,” “Alma’s Rainbow” is...
- 7/28/2022
- by Ronda Racha Penrice
- The Wrap
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