The Rift (1990)
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- R
- 1h 23min
- Action, Adventure
- 26 Jul 1990 (West Germany)
- Movie
Siren II, a submarine under the command of Capt. Phillips, ventures into the deep on a mission to recover the missing Siren I. Their quest is hindered when the submarine becomes entangled in a patch of toxic seaweed.
Director:
Writers:
Stars:
Awards:
- 1 win & 1 nomination.
- See more »
Photos and Videos
Cast verified as complete
| Jack Scalia | ... |
Wick Hayes
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| R. Lee Ermey | ... |
Capt. Phillips
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| Ray Wise | ... |
Robbins
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| Deborah Adair | ... |
Lt. Nina Crowley
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| John Toles-Bey | ... |
Joe Kane
(as John Toles Bey)
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| Ely Pouget | ... |
Ana Rivera
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Emilio Linder | ... |
Philippe
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| Tony Isbert | ... |
Fleming
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Álvaro Labra | ... |
Carlo
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| Luis Lorenzo | ... |
Francisco
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| Frank Braña | ... |
Muller
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Pocholo Martínez-Bordiú | ... |
Sven
(as J. Martinez Bordiu)
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| Edmund Purdom | ... |
CEO Steensland
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| Garrick Hagon | ... |
Barton
(as Garick Hagon)
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| James Aubrey | ... |
Contek 1
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Derrick Vopelka | ... |
Contek 2
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Jed Downey | ... |
Man on Tapes
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| Rest of cast listed alphabetically: | |||
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Salvador Sáinz | ... |
Sailor OTAN (uncredited)
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Directed by
| Juan Piquer Simón | ... | (as J.P. Simon) |
Written by
| Juan Piquer Simón | ... | (story) (as J.P. Simon) and |
| Mark Klein | ... | (story) |
| David Coleman | ... | (screenplay) |
| Colin Wilson | ... | () (uncredited) |
Produced by
| Dino De Laurentiis | ... | executive producer (uncredited) |
| Francesca DeLaurentiis | ... | producer (as Francesca De Laurentiis) |
| José Antonio Escrivá | ... | producer (as Jose Escriva) |
| Juan Piquer Simón | ... | producer (as J.P. Simon) |
Music by
| Joel Goldsmith | ||
Cinematography by
| Juan Mariné | ||
Editing by
| Isaac Sehayek | ||
| Christopher Holmes | ... | (uncredited) |
Editorial Department
| Nuria Galán | ... | assistant editor (as Nuria Galvan) |
| Antonio Gimeno | ... | first assistant editor |
| Magdalena Paradell | ... | assistant editor (as Magda Paradell) |
| Earl Watson | ... | editor: Spain |
Casting By
| Craig Campobasso | ||
Production Design by
| Gonzalo Gonzalo | ||
Makeup Department
| Colin Arthur | ... | special makeup effects |
| Helen Lennox | ... | makeup artist |
| Victoria Lenox | ... | assistant makeup artist (as Victoria Lennox) |
Production Management
| Mario Pedraza | ... | production manager |
| Manuel Sánchez | ... | production manager: second unit |
Second Unit Director or Assistant Director
| José María Ochoa | ... | first assistant director (as Jose Maria Ochoa) |
Art Department
| Pablo Alonso | ... | painter |
| Luis de Feo | ... | painter |
| Francisco Molina | ... | carpenter |
| José Molina | ... | carpenter |
| Luis Moreno | ... | carpenter |
| Francisco Prósper | ... | model maker (as Francisco Prosper) |
| Emilio Ruiz del Río | ... | model maker (as Emilio Ruiz) |
| Salvador Sáinz | ... | property master |
| Antonio Paramo Campos | ... | plasterer (uncredited) |
| Ron Cobb | ... | conceptual artist (uncredited) |
| Vicente Jesús | ... | painter (uncredited) |
Sound Department
| Javier Baringo | ... | boom operator |
| Tina Canny | ... | sound recordist |
| Gene Corso | ... | supervising sound editor |
| Sabrina Ann Corso | ... | adr editor |
| David Cunningham | ... | re-recording mixer |
| Patrick Cyccone Jr. | ... | re-recording mixer |
| Kurt Nicholas Forshager | ... | foley editor (as Kurt N. Forshager) |
| Tommy Goodwin | ... | adr mixer / foley mixer |
| Kini Kay | ... | sound designer / sound effects editor / supervising sound editor |
| Diane Livingston | ... | assistant sound effects editor |
| Laura Macias | ... | foley artist |
| Lorane Mitchell | ... | sound effects editor |
| Frank A. Montaño | ... | re-recording mixer (as Frank A. Montano Jr.) |
| Tony Pascuzzo | ... | sound recordist |
| Paige Pollack | ... | foley artist |
| Dean St. John | ... | adr recordist / foley recordist |
| Jim Willis | ... | sound engineer |
| Stephen Lloyd Wood | ... | assistant sound editor |
| Asher Yates | ... | sound editor |
Special Effects by
| Colin Arthur | ... | creatures |
| Marco Besas | ... | special effects |
| Basilio Cortijo | ... | special effects |
| Gabriela Cortijo | ... | special effects assistant |
| Carlo De Marchis | ... | special technical effects |
| Sergio Hernandez | ... | special effects |
| María Luisa Pino | ... | special effects assistant |
| Carlos Rojo | ... | special effects |
Stunts
| Juan Maján | ... | stunt coordinator (as Juan Majan) |
Camera and Electrical Department
| Carlos Bustamante | ... | video engineer |
| Juan Cobo | ... | focus puller |
| Vicente Cobo | ... | crane operator |
| José Luis Fernández | ... | grip |
| Javier Lopez | ... | grip |
| Felipe López | ... | still photographer (as Felipe Lopez) |
| Laureano López | ... | gaffer (as Laureano Lopez) / key grip (as Laureano Lopez) |
| Julio Madurga | ... | camera operator |
| Manuel Rojas | ... | camera operator: second unit |
| Anselmo Villalba | ... | grip |
Casting Department
| Craig Campobasso | ... | casting: USA |
| Jeremy Conway | ... | casting: UK |
| Dennis Vaugn | ... | casting: Spain |
Costume and Wardrobe Department
| María Eugenia Escrivá | ... | wardrobe designer: Spain (as Maria Escriva) |
| Sigrid Insull | ... | wardrobe designer: USA |
| Carmen Sigmariaga | ... | seamstress |
Music Department
| Sherry Whitfield | ... | music editor |
Script and Continuity Department
| María Bardem | ... | continuity supervisor (as Maria Bardem) |
Additional Crew
| Antonio Arias | ... | underwater equipment |
| Christian Cid | ... | production assistant |
| Dale De La Torre | ... | legal services (as Dale R. De La Torre) |
| Carlo De Marchis | ... | submarine designer |
| Tirso Díaz | ... | production assistant (as Tirso Diaz) |
| Monica Escudero | ... | assistant to producers |
| Larry Ann Evans | ... | dialogue coach |
| Luis Fernandez | ... | accountant |
| Eduardo Macho | ... | financial supervisor |
| Benjamin Martin | ... | production assistant |
| Miguel Olarieta | ... | underwater equipment (as Miguel Olarrieta) |
| Pedro Angel Ruiz | ... | production assistant |
Thanks
| Christopher Holmes | ... | special thanks: editing |
Production Companies
Distributors
- Dister Group (1990) (Spain) (theatrical)
- Hoyts Fox Columbia TriStar Films (1991) (Australia) (theatrical)
- Trimark Pictures (1990) (United States) (theatrical) (dubbed)
- Twentieth Century Fox (1990) (West Germany) (theatrical)
- Avid Home Entertainment (1991) (United States) (VHS)
- Columbia TriStar Home Video (1992) (Poland) (VHS)
- ITI Home Video (1992) (Poland) (VHS)
- Image Entertainment (1991) (United States) (video) (laserdisc)
- LK-TEL Vídeo (Brazil) (VHS)
- Live Home Video (1991) (United States) (VHS)
- MCA Home Video (1991) (Canada) (VHS)
- Metro-Goldwyn-Mayer (MGM) (2016) (United States)
- RCA/Columbia Pictures International Video (1990) (West Germany) (VHS)
- RCA/Columbia Pictures International Video (1990) (Netherlands) (VHS)
- RCA/Columbia-Hoyts Home Video (1991) (Australia) (video)
- Scorpion Releasing (2016) (United States) (Blu-ray)
- Scorpion Releasing (2016) (United States) (DVD)
- Wicked-Vision Media (2020) (Germany) (Blu-ray)
- Wicked-Vision Media (2020) (Germany) (DVD)
- Worldvision Enterprises (1994) (United States) (tv) (syndication)
Special Effects
Other Companies
Storyline
| Plot Summary |
An experimental submarine, the "Siren II", is sent to find out what happened to the "Siren I", which has mysteriously disappeared in a submarine rift. Things go awry when they begin to find things that shouldn't be there.
Written by Luis Carvacho |
| Plot Keywords | |
| Taglines | The danger below is now the danger within. See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | $1,300,000 (estimated) |
Did You Know?
| Trivia | After producing Leviathan (1989) for about $30 million, Dino De Laurentiis, albeit uncredited, decided to finance this low budget version of his own bigger budgeted movie. He hired David Coleman to rewrite a 250 pages draft by Colin Wilson. Coleman's work was written in English but it had to be translated into Italian for De Laurentiis and into Spanish for director Juan Piquer Simón who didn't speak English. See more » |
| Goofs | The diving suits worn for diving at a depth of 25000 feet are normal diving wet suits. Diving at such a depth is completely impossible in such a suit. Not to mention that the diver should undergo a very lengthy compression / decompression cycle. See more » |
| Movie Connections | Featured in R. Lee Ermey on 'The Rift' (2016). See more » |
| Quotes |
Lt. Nina Crowley:
Bio-lab, sick bay, and the engine room are off limits. The algae has infected them. See more » |