Night Music (1986)
You may recall our alert in mid-December regarding what amounts to a fairly extensive retrospective of films by Stan Brakhage going on at MoMA in New York. There wasn't much noise being made about it at the time, and now, several weeks on, there still isn't, so here's a second alert. The screenings are taking place daily at 3pm in the Time Warner Screening Room on the 2nd floor of the Museum's Lewis B and Dorothy Cullman Education and Research Building, with the program changing once a week on Wednesdays. The schedule through March 5:
February 1-6:
Confession. 1986. 16mm. 18 fps. Color. 24 min
Night Music. 1986. 16mm. Color. 30 sec.
Loud Visual Noises. 1987. 16mm. 24 fps. Color. Music compilation by Joel Haertling. 3 ½ min
Kindering. 1987. 16mm 24fps. Color. Music by Architects Office. 3 min
Rage Net. 1988. 16mm. Color. 30 sec.
Babylon Series. (1-3). 1989. 16mm. 18 fps. Color. Total: 12 min.
The Dante Quartet. 1987. 35mm. 18 fps. Color.
You may recall our alert in mid-December regarding what amounts to a fairly extensive retrospective of films by Stan Brakhage going on at MoMA in New York. There wasn't much noise being made about it at the time, and now, several weeks on, there still isn't, so here's a second alert. The screenings are taking place daily at 3pm in the Time Warner Screening Room on the 2nd floor of the Museum's Lewis B and Dorothy Cullman Education and Research Building, with the program changing once a week on Wednesdays. The schedule through March 5:
February 1-6:
Confession. 1986. 16mm. 18 fps. Color. 24 min
Night Music. 1986. 16mm. Color. 30 sec.
Loud Visual Noises. 1987. 16mm. 24 fps. Color. Music compilation by Joel Haertling. 3 ½ min
Kindering. 1987. 16mm 24fps. Color. Music by Architects Office. 3 min
Rage Net. 1988. 16mm. Color. 30 sec.
Babylon Series. (1-3). 1989. 16mm. 18 fps. Color. Total: 12 min.
The Dante Quartet. 1987. 35mm. 18 fps. Color.
- 2/2/2012
- MUBI
No surprise here: Michael Bay will be delivering Transformers 3 in mind-splitting 3D. But will he shoot the film in 3D or just "fix it in post"?
The technological movement is taking Hollywood storm...and divding the movie-going audience in the process. The post-conversion disaster that was Clash of the Titans has proven that rushed 3D can take a decent (or sub-par, in this case) flick and flush it directly down the toilet. Problem is, we'll still pay to see the movies.
So if audiences are willing to throw down $18 for crappy-ass digital conversion, why would anyone bother shooting Transformers 3 in 3D?
I'm glad producer Lorezno di Bonaventura has acknowledged that Transformers: Revenge of the Fallen was a noxious piece of fail (although the man should be sued for the psychological damage he's done to the world's youth), but it's unclear what their plan is to make it better.
The technological movement is taking Hollywood storm...and divding the movie-going audience in the process. The post-conversion disaster that was Clash of the Titans has proven that rushed 3D can take a decent (or sub-par, in this case) flick and flush it directly down the toilet. Problem is, we'll still pay to see the movies.
So if audiences are willing to throw down $18 for crappy-ass digital conversion, why would anyone bother shooting Transformers 3 in 3D?
I'm glad producer Lorezno di Bonaventura has acknowledged that Transformers: Revenge of the Fallen was a noxious piece of fail (although the man should be sued for the psychological damage he's done to the world's youth), but it's unclear what their plan is to make it better.
- 6/11/2010
- UGO Movies
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