Directed by
| Alan Rudolph | ||
Writing Credits
| Alan Rudolph | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| David Blocker | ... | producer |
| Cary Brokaw | ... | executive producer |
| Carolyn Pfeiffer | ... | producer |
Music by
| Mark Isham | ||
Cinematography by
| Toyomichi Kurita | ||
Editing by
| Tom Walls | ||
Production Design by
| Steven Legler | ||
Set Decoration by
| K.C. Fox | ||
Costume Design by
| Tracy Tynan | ||
Makeup Department
| Michelene Nakashima | ... | hair colorist (as Michelene Koda) |
| Edward Ternes | ... | makeup artist |
Production Management
| Stuart M. Besser | ... | executive in charge of production (as Stuart Besser) |
Second Unit Director or Assistant Director
| Arthur Anderson | ... | key second assistant director |
| Bruce Chevillat | ... | first assistant director |
| Kenneth D. Collins | ... | second assistant director (as Kenneth Collins) |
Art Department
| Bruce Alexander | ... | property master |
| Curtis Coyote | ... | set dresser |
| Kellie Davis | ... | assistant to production designer |
| Randy Eriksen | ... | Art Wrangler/Model Maker |
| Don Ferguson | ... | set designer |
| Bob Fox | ... | set dresser |
| Timothy Hines | ... | painter |
| Dan Rottman | ... | set dresser |
| J. Marc Strachan | ... | assistant property master (as Marc Strachan) |
| Timothy Whidbee | ... | set dresser (as Tim Whidbee) |
Sound Department
| Dody Dorn | ... | supervising sound editor |
| John Hoeren | ... | foley editor |
| Robert Jackson | ... | boom operator / production sound |
| Ron Judkins | ... | production sound |
| Richard Portman | ... | re-recording mixer |
| Frank Smathers | ... | sound editor |
| Hamilton Sterling | ... | sound effects editor |
Stunts
| Mickey Alzola | ... | stunts |
| Greg Wayne Elam | ... | stunts |
| Bill McIntosh | ... | stunts |
| Greg Walker | ... | stunt coordinator / stunts |
| Rock A. Walker | ... | stunts |
Camera and Electrical Department
| Jim Crandell | ... | electrician |
| Andreas Crawford | ... | best boy grip |
| Elliot Davis | ... | camera operator |
| Kevin Jewison | ... | first assistant camera |
| Ian Kincaid | ... | gaffer |
| Michael Lund | ... | first assistant camera |
| Richard Mall | ... | key grip |
| Peter Mercurio | ... | second assistant camera |
| Marty Oppenheimer | ... | second camera operator |
| Patrick Reddish | ... | best boy |
| Mark Simon | ... | first assistant camera |
| Jeffrey P. Soderberg | ... | grip |
| Peter F. Woeste | ... | second assistant camera (as Peter West) |
| Luke Wynne | ... | still photographer |
Editorial Department
| Robert Baird | ... | apprentice editor |
| Pablo Ferro | ... | supervising editor |
| Dan Muscarella | ... | color timer |
| Peggy Ray | ... | negative cutter |
| John Rosenberg | ... | assistant editor |
| Jeff Smithwick | ... | color timer: dailies |
| Linda Whittlesey | ... | assistant editor |
Music Department
| David Blocker | ... | soundtrack executive producer |
| Gary Clayton | ... | music recordist / score mixer |
| Pee Wee Ellis | ... | musician |
| Marianne Faithfull | ... | vocals |
| Mark Isham | ... | musician: trumpet and saxophone |
| Kris Kristofferson | ... | songwriter: "El Gavilan" |
| Samuel Lehmer | ... | score mixer |
| Peter Maunu | ... | musician: guitar |
| Alan Rudolph | ... | soundtrack executive producer |
| Kurt Wortman | ... | musician: percussion |
Script and Continuity Department
| Karen Thorndike | ... | script supervisor |
Transportation Department
| James Gierman | ... | transportation coordinator |
Additional Crew
| Nanci Anton | ... | stand-in |
| Steve Danton | ... | production assistant |
| Bill Flick | ... | stand-in |
| Deborah Ross | ... | title designer |
| Eden Ashley Umble | ... | unit publicist |
