Directed by
Jerzy Skolimowski |
Writing Credits (in alphabetical order)
Siegfried Lenz | ... | (book) |
William Mai | ... | (screenplay) |
David Taylor | ... | (screenplay) |
Cast (in credits order)
Michal Skolimowski | ... | Alex (as Michael Lyndon) | |
Klaus Maria Brandauer | ... | Captain Miller | |
Tom Bower | ... | Coop | |
Robert Costanzo | ... | Stump | |
Tim Phillips | ... | Thorne | |
Badja Djola | ... | Nate | |
Robert Duvall | ... | Calvin Caspary | |
William Forsythe | ... | Gene | |
Arliss Howard | ... | Eddie |
Produced by
Bill Benenson | ... | producer |
Moritz Borman | ... | producer |
Matthias Deyle | ... | producer |
Rainer Soehnlein | ... | executive producer (as Rainer Sohnlein) / producer |
Music by
Stanley Myers |
Cinematography by
Charly Steinberger | ... | director of photography |
Editing by
Scott Hancock | ||
Barrie Vince |
Casting By
Penny Perry |
Production Design by
Holger Gross |
Art Direction by
Holger Gross |
Set Decoration by
Michael Adlmüller |
Costume Design by
Nikola Hoeltz |
Makeup Department
Friederike Mirus | ... | hair stylist (as Frederike Reimer) |
Hasso von Hugo | ... | makeup artist |
Production Management
Andreas Grosch | ... | unit manager: Munich |
Martin Häussler | ... | production manager |
Hanno Schilf | ... | unit manager: Sylt |
Second Unit Director or Assistant Director
Candace Allen | ... | first assistant director |
Art Department
Erhard Engel | ... | construction supervisor |
Wolfgang Küchler | ... | assistant set decorator |
Harald Ritter | ... | painter |
Leslie E. Rollins | ... | prop buyer: US (as Leslie Rollins) |
Ulrich Wendt | ... | property master |
Sound Department
John Asman | ... | re-recording mixer |
Klaus Buchsteiner | ... | boom operator |
Donald W. Ernst | ... | supervising dialogue editor |
Alfred T. Ferrante | ... | sound recordist |
Devon Heffley Curry | ... | adr editor |
Sam Horta | ... | sound effects editor |
Ron Horwitz | ... | supervising sound editor |
Bill Nicholson | ... | re-recording mixer (as William Nicholson) |
Dean Okrand | ... | re-recording mixer |
John O. Robinson III | ... | sound effects editor |
Kevin Spears | ... | supervising sound editor |
Günther Stadelmann | ... | sound mixer |
Special Effects by
Klaus Huber | ... | special effects assistant |
Heinz Ludwig | ... | special effects |
Camera and Electrical Department
Hans Elte | ... | gaffer |
Uli Fischer | ... | focus puller |
Gernot Köhler | ... | camera operator: second unit |
Klaus Merkel | ... | clapper loader |
Randy Nolen | ... | steadicam operator |
Erik Reichardt | ... | focus puller: second unit |
Paul Sessner | ... | still photographer |
Manfred Valier | ... | grip |
Costume and Wardrobe Department
Gabriele Friedrich | ... | first wardrobe |
Reinhard Klebeck | ... | second wardrobe |
Editorial Department
Patricia A. Galvin | ... | assistant editor (as Patricia Galvin) |
Harriet Pacaud | ... | assistant editor |
Jeff Cahn | ... | assistant editor (uncredited) |
Location Management
Juergen Christiansen | ... | location manager |
Music Department
Nancy Beach | ... | orchestrator |
Stanley Myers | ... | conductor |
Robert Takagi | ... | music editor |
Hans Zimmer | ... | music producer: electronic music |
Script and Continuity Department
Kerstin Schwarzburg | ... | script supervisor |
Additional Crew
Susan Elmore | ... | production assistant |
Ljiljana Haeussler | ... | production secretary |
Felicity Hatton | ... | unit publicist |
Elfriede Mayer | ... | production accountant |
Raffaele Mottola | ... | dialogue coach |
Dieter Prade | ... | production accountant |
Susanne Von Hanstein | ... | production assistant |