She stars in Zurich world premiere, ‘The Almond And The Seahorse’.
France-uk actor Charlotte Gainsbourg is to be honoured at the upcoming 18th edition of the Zurich Film Festival.
She will be presented with the Golden Eye award on September 26 for what the festival described as “her outstanding career and versatility” ahead of the world premiere at Zff of her new film, The Almond And The Seahorse, the directorial debuts of Celyn Jones and Tom Stern. Gainsbourg’s fellow cast member, Rebel Wilson, is also set to attend the festival.
Gainsbourg’s career began at the age of 14, in Claude Millers’ L’Effrontée,...
France-uk actor Charlotte Gainsbourg is to be honoured at the upcoming 18th edition of the Zurich Film Festival.
She will be presented with the Golden Eye award on September 26 for what the festival described as “her outstanding career and versatility” ahead of the world premiere at Zff of her new film, The Almond And The Seahorse, the directorial debuts of Celyn Jones and Tom Stern. Gainsbourg’s fellow cast member, Rebel Wilson, is also set to attend the festival.
Gainsbourg’s career began at the age of 14, in Claude Millers’ L’Effrontée,...
- 8/23/2022
- by Mona Tabbara
- ScreenDaily
Charlotte Gainsbourg is set to be honored at this year’s Zurich Film Festival with the Golden Eye award. Gainsbourg will be presented with the award on September 26 at the festival and the presentation will be followed by the world premiere of her latest film The Almond and the Seahorse, starring Rebel Wilson.
“Charlotte Gainsbourg is one of the most versatile character actresses in European cinema,” said Christian Jungen, Artistic Director of the Zurich Film Festival.
“She is renowned for her bold choice of roles: Whether horror thriller or romantic comedy, avant-garde drama or Hollywood mainstream, she has the ability to give her characters human depth and credibility across all genres. And she is one of those rare actresses who can captivate with her charisma and carry an entire movie on her own.”
Charlotte Gainsbourg — who is the daughter of Serge Gainsbourg and Jane Birkin — first won acclaim at the...
“Charlotte Gainsbourg is one of the most versatile character actresses in European cinema,” said Christian Jungen, Artistic Director of the Zurich Film Festival.
“She is renowned for her bold choice of roles: Whether horror thriller or romantic comedy, avant-garde drama or Hollywood mainstream, she has the ability to give her characters human depth and credibility across all genres. And she is one of those rare actresses who can captivate with her charisma and carry an entire movie on her own.”
Charlotte Gainsbourg — who is the daughter of Serge Gainsbourg and Jane Birkin — first won acclaim at the...
- 8/23/2022
- by Zac Ntim
- Deadline Film + TV
Cannes Classics
Mark Cousins‘ documentary “The Storms Of Jeremy Thomas,” following the legendary “The Last Emperor” and “Merry Christmas Mr. Lawrence” producer’s annual drive to Cannes, will be the pre-opener at the Cannes Classics selection this year.
Restored titles this year include “Friendship’s Death” by Peter Wollen, starring Tilda Swinton; “F For Fake” by Orson Welles; “Mulholland Drive” by David Lynch (2001 U.S.); “I Know Where I’m Going!” by Michael Powell and Emeric Pressburger; and “The Double Life Of Véronique by Krzysztof Kieślowski”.
The section will also celebrate the work of actor/director Bill Duke with a screening of “The Killing Floor” (1985); Japanese actor and filmmaker Kinuyo Tanaka’s “Tsuki Wa Noborinu”; Spanish actor and filmmaker Ana Marisca’s “El Camino” from 1964; French maven Marcel Camus’ “Orfeu Negro” and Italian master Roberto Rossellini’s “Francesco, Giullare Di Dio”.
Oscar Micheaux, the first African-American director in the history of U.
Mark Cousins‘ documentary “The Storms Of Jeremy Thomas,” following the legendary “The Last Emperor” and “Merry Christmas Mr. Lawrence” producer’s annual drive to Cannes, will be the pre-opener at the Cannes Classics selection this year.
Restored titles this year include “Friendship’s Death” by Peter Wollen, starring Tilda Swinton; “F For Fake” by Orson Welles; “Mulholland Drive” by David Lynch (2001 U.S.); “I Know Where I’m Going!” by Michael Powell and Emeric Pressburger; and “The Double Life Of Véronique by Krzysztof Kieślowski”.
The section will also celebrate the work of actor/director Bill Duke with a screening of “The Killing Floor” (1985); Japanese actor and filmmaker Kinuyo Tanaka’s “Tsuki Wa Noborinu”; Spanish actor and filmmaker Ana Marisca’s “El Camino” from 1964; French maven Marcel Camus’ “Orfeu Negro” and Italian master Roberto Rossellini’s “Francesco, Giullare Di Dio”.
Oscar Micheaux, the first African-American director in the history of U.
- 6/24/2021
- by Naman Ramachandran
- Variety Film + TV
The Cannes Film Festival has unveiled the lineup for its 2021 Cannes Classics section. Made up of a selection of restored prints, the roster also includes new documentaries that explore the history of cinema. Among the offerings is Mark Cousins’ pre-opening doc, The Storms Of Jeremy Thomas, which covers a yearly drive with the British producer from London to Cannes. Cousins and Thomas will be in town for the presentation. (Scroll down for the full Cannes Classics list.)
Restored titles include David Lynch’s 2001 Mulholland Drive; 1945’s I Know Where I’m Going! by Michael Powell and Emeric Pressburger; Krzysztof Kieślowski’s 1991 drama The Double Life Of Véronique; Orson Welles’ F For Fake from 1973; and Friendship’s Death by Peter Wollen which features Tilda Swinton’s first role.
Among the special events are a tribute to director and actor Bill Duke who will present his 1985 The Killing Floor which premiered at Critics...
Restored titles include David Lynch’s 2001 Mulholland Drive; 1945’s I Know Where I’m Going! by Michael Powell and Emeric Pressburger; Krzysztof Kieślowski’s 1991 drama The Double Life Of Véronique; Orson Welles’ F For Fake from 1973; and Friendship’s Death by Peter Wollen which features Tilda Swinton’s first role.
Among the special events are a tribute to director and actor Bill Duke who will present his 1985 The Killing Floor which premiered at Critics...
- 6/23/2021
- by Nancy Tartaglione
- Deadline Film + TV
Tilda Swinton to attend restored screening of Peter Wollen’s 1987 UK film Friendship’s Death.
Two documentaries from Mark Cousins and restored films from Kinuyo Tanaka, Oscar Micheaux, and Orson Welles will screen in Cannes Classics, announced on Wednesday (June 23).
Cousins’ The Story Of Film: A New Generation and The Storms Of Jeremy Thomas, a profile of the celebrated British producer, are among a documentary line-up that incudes Buñuel, Un Cineasta Surrealista from Javier Espada, and All About Yves Montand by Yves Jeuland.
The roster of restored narrative films includes David Lynch’s 2001 Mulholland Drive, Japanese actor-filmmaker Kinuyo Tanaka’s (pictured) The Moon Has Risen,...
Two documentaries from Mark Cousins and restored films from Kinuyo Tanaka, Oscar Micheaux, and Orson Welles will screen in Cannes Classics, announced on Wednesday (June 23).
Cousins’ The Story Of Film: A New Generation and The Storms Of Jeremy Thomas, a profile of the celebrated British producer, are among a documentary line-up that incudes Buñuel, Un Cineasta Surrealista from Javier Espada, and All About Yves Montand by Yves Jeuland.
The roster of restored narrative films includes David Lynch’s 2001 Mulholland Drive, Japanese actor-filmmaker Kinuyo Tanaka’s (pictured) The Moon Has Risen,...
- 6/23/2021
- by Jeremy Kay
- ScreenDaily
Jane Birkin on Jacques Rivette: "I went to see Céline et Julie vont en bateau." Photo: Anne-Katrin Titze
Charlotte Gainsbourg and Jane Birkin are being celebrated in New York with 19 films and a series of conversations. After a screening of Agnès Varda's Jane B. Par Agnès V., Birkin spoke about working with Jacques Rivette on L’Amour Par Terre with Geraldine Chaplin, 36 Vues Du Pic Saint Loup, La Belle Noiseuse with Michel Piccoli, and taxidermy.
Claude Miller's L'Effrontée; Michel Gondry's The Science Of Sleep (La Science Des Rêves); Andrew Birkin's The Cement Garden; Yvan Attal's My Wife Is An Actress (Ma Femme Est Une Actrice); Birkin's Boxes (Les Boites); Claude Miller's The Little Thief (La Petite Voleuse); Varda's Kung Fu Master! (Le Petit Amour); Serge Gainsbourg's Charlotte For Ever; Jacques Doillon's The Prodigal Daughter (La Fille Prodigue); Bertrand Tavernier's Daddy Nostalgia...
Charlotte Gainsbourg and Jane Birkin are being celebrated in New York with 19 films and a series of conversations. After a screening of Agnès Varda's Jane B. Par Agnès V., Birkin spoke about working with Jacques Rivette on L’Amour Par Terre with Geraldine Chaplin, 36 Vues Du Pic Saint Loup, La Belle Noiseuse with Michel Piccoli, and taxidermy.
Claude Miller's L'Effrontée; Michel Gondry's The Science Of Sleep (La Science Des Rêves); Andrew Birkin's The Cement Garden; Yvan Attal's My Wife Is An Actress (Ma Femme Est Une Actrice); Birkin's Boxes (Les Boites); Claude Miller's The Little Thief (La Petite Voleuse); Varda's Kung Fu Master! (Le Petit Amour); Serge Gainsbourg's Charlotte For Ever; Jacques Doillon's The Prodigal Daughter (La Fille Prodigue); Bertrand Tavernier's Daddy Nostalgia...
- 2/2/2016
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Actor with a natural and rebellious style, she helped to launch the French New Wave
Bernadette Lafont, who has died aged 74, could have claimed to be the first female star of the Nouvelle Vague. François Truffaut chose the sensual, dark-haired, 18-year-old Lafont and her new husband, Gérard Blain, to play lovers in the director's first professional film, Les Mistons (The Mischief-Makers, 1957). In this charming short, shot in Nîmes one summer, a group of pubescent boys spy on Lafont and Blain's lovemaking in the fields. Blain and Lafont were also picked to appear in arguably the first French New Wave feature, Claude Chabrol's Le Beau Serge (1958). In this film, about a young man returning to his childhood home, Lafont played the "village vamp".
Lafont's fresh look and performance style crystallised the movement's ideological and cinematic ambitions. Truffaut and his colleagues found mainstream stars inadequate to their needs, using instead unknown and non-professional actors,...
Bernadette Lafont, who has died aged 74, could have claimed to be the first female star of the Nouvelle Vague. François Truffaut chose the sensual, dark-haired, 18-year-old Lafont and her new husband, Gérard Blain, to play lovers in the director's first professional film, Les Mistons (The Mischief-Makers, 1957). In this charming short, shot in Nîmes one summer, a group of pubescent boys spy on Lafont and Blain's lovemaking in the fields. Blain and Lafont were also picked to appear in arguably the first French New Wave feature, Claude Chabrol's Le Beau Serge (1958). In this film, about a young man returning to his childhood home, Lafont played the "village vamp".
Lafont's fresh look and performance style crystallised the movement's ideological and cinematic ambitions. Truffaut and his colleagues found mainstream stars inadequate to their needs, using instead unknown and non-professional actors,...
- 7/26/2013
- by Ronald Bergan
- The Guardian - Film News
French film director and close associate of François Truffaut
The film director Claude Miller, who has died aged 70 after a long illness, was continually dogged by comparisons to his friend and mentor François Truffaut. Hardly a review of his films failed to mention Truffaut in some way or another. This came about for various reasons. Miller was Truffaut's production manager on several occasions and made subtle references to the older director's work in many of his own films, almost always mentioning him in interviews. He had a small role in Truffaut's L'Enfant Sauvage (The Wild Child, 1970) and adapted La Petite Voleuse (The Little Thief, 1988) from a 30-page screenplay that Truffaut had written a few years before his death.
When Truffaut was once asked whether he had started a school of directors, he denied it. "These people are more influenced by other directors than myself. If Claude Miller has points in common with me,...
The film director Claude Miller, who has died aged 70 after a long illness, was continually dogged by comparisons to his friend and mentor François Truffaut. Hardly a review of his films failed to mention Truffaut in some way or another. This came about for various reasons. Miller was Truffaut's production manager on several occasions and made subtle references to the older director's work in many of his own films, almost always mentioning him in interviews. He had a small role in Truffaut's L'Enfant Sauvage (The Wild Child, 1970) and adapted La Petite Voleuse (The Little Thief, 1988) from a 30-page screenplay that Truffaut had written a few years before his death.
When Truffaut was once asked whether he had started a school of directors, he denied it. "These people are more influenced by other directors than myself. If Claude Miller has points in common with me,...
- 4/6/2012
- by Ronald Bergan
- The Guardian - Film News
Film-maker best known for film starring a young Charlotte Gainsbourg as a teenage serial thief has died
The French film director Claude Miller, best known for L'Effrontée and La Petite Voleuse, both featuring a young Charlotte Gainsbourg, has died aged 70.
Before becoming a director himself, Miller worked for a number of noted new wave directors: he acted as assistant director on Robert Bresson's Au Hasard Balthazar, Jacques Demy's Les Demoiselles de Rochefort, and Jean-Luc Godard's Weekend, before becoming production manager for a string of films by François Truffaut, including Bed and Board, Day for Night and The Story of Adele H.
With Truffaut's encouragement, Miller moved into a higher profile role, making his directorial debut in 1976 with The Best Way to Walk. His first significant success, however, was the multi-award-winning police procedural thriller Garde à Vue, with Lino Ventura and Michel Serrault.
In the mid-80s, Miller...
The French film director Claude Miller, best known for L'Effrontée and La Petite Voleuse, both featuring a young Charlotte Gainsbourg, has died aged 70.
Before becoming a director himself, Miller worked for a number of noted new wave directors: he acted as assistant director on Robert Bresson's Au Hasard Balthazar, Jacques Demy's Les Demoiselles de Rochefort, and Jean-Luc Godard's Weekend, before becoming production manager for a string of films by François Truffaut, including Bed and Board, Day for Night and The Story of Adele H.
With Truffaut's encouragement, Miller moved into a higher profile role, making his directorial debut in 1976 with The Best Way to Walk. His first significant success, however, was the multi-award-winning police procedural thriller Garde à Vue, with Lino Ventura and Michel Serrault.
In the mid-80s, Miller...
- 4/5/2012
- by Andrew Pulver
- The Guardian - Film News
France's most self-critical film star, Charlotte Gainsbourg has grown up surrounded by controversy. As she collaborates with Lars von Trier once again, in Melancholia, she talks here about motherhood, movies and preserving her father's memory
A pregnant Charlotte Gainsbourg runs her fingers across her bump, which is encased in cashmere and discreetly wedged behind the table of a Paris hotel bar. She is trying to work out what her children might hate her for. Because to her, France's most self-critical film star, it is obvious that they will hate her for something. "You always have so much to reproach your parents for," she muses. "It's normal. I can see already what my kids will have to blame me for. I prefer to anticipate the bad side rather than get a slap in the face later."
Gainsbourg, 40, is fascinated by bad parents. "I like bad mothers," she declares. What she means...
A pregnant Charlotte Gainsbourg runs her fingers across her bump, which is encased in cashmere and discreetly wedged behind the table of a Paris hotel bar. She is trying to work out what her children might hate her for. Because to her, France's most self-critical film star, it is obvious that they will hate her for something. "You always have so much to reproach your parents for," she muses. "It's normal. I can see already what my kids will have to blame me for. I prefer to anticipate the bad side rather than get a slap in the face later."
Gainsbourg, 40, is fascinated by bad parents. "I like bad mothers," she declares. What she means...
- 9/29/2011
- by Angelique Chrisafis
- The Guardian - Film News
Famous as much for her parents, Serge Gainsbourg and Jane Birkin, as her acting, the French film star is raddled with self-criticism and doubt
A pregnant Charlotte Gainsbourg runs her fingers across her bump, which is encased in cashmere and discreetly wedged behind the table of a Paris hotel bar. She is trying to work out what her children might hate her for. Because to her, France's most self-critical film star, it is obvious that they will hate her for something. "You always have so much to reproach your parents for," she muses. "It's normal. I can see already what my kids will have to blame me for. I prefer to anticipate the bad side rather than get a slap in the face later."
Gainsbourg, 40, is fascinated by bad parents. "I like bad mothers," she declares. What she means is she likes playing parental incompetents – hapless drifters or neglectful control-freaks...
A pregnant Charlotte Gainsbourg runs her fingers across her bump, which is encased in cashmere and discreetly wedged behind the table of a Paris hotel bar. She is trying to work out what her children might hate her for. Because to her, France's most self-critical film star, it is obvious that they will hate her for something. "You always have so much to reproach your parents for," she muses. "It's normal. I can see already what my kids will have to blame me for. I prefer to anticipate the bad side rather than get a slap in the face later."
Gainsbourg, 40, is fascinated by bad parents. "I like bad mothers," she declares. What she means is she likes playing parental incompetents – hapless drifters or neglectful control-freaks...
- 8/5/2011
- The Guardian - Film News
Since debuting aged 13 with her father, Serge Gainsbourg, on a pop single called 'Lemon Incest', the French-British actress and singer has courted controversy. Last year she starred as a demonic mother in Lars von Trier's controversial film Antichrist. As her third album is released, made with Us songwriter Beck, she talks to Sean O'Hagan about her recent brain surgery and her enduring feelings for her late father
In the summer of 2007, Charlotte Gainsbourg had what seemed like a minor water-skiing accident. Six months later, after attending a gala screening in Venice of Todd Haynes's film, I'm Not There, in which she played one of Bob Dylan's wives, she suffered "a seven day headache". Back home in Paris, she went to the doctor for a check-up and found out that she was lucky to be alive.
"They did an Mri scan and found that my brain had been...
In the summer of 2007, Charlotte Gainsbourg had what seemed like a minor water-skiing accident. Six months later, after attending a gala screening in Venice of Todd Haynes's film, I'm Not There, in which she played one of Bob Dylan's wives, she suffered "a seven day headache". Back home in Paris, she went to the doctor for a check-up and found out that she was lucky to be alive.
"They did an Mri scan and found that my brain had been...
- 1/10/2010
- by Sean O'Hagan
- The Guardian - Film News
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