User Reviews

This is a wonderfully moody piece, featuring the magnificently brooding Gabriel Byrne as a journo on the trail of sinister conspiracies.

Dark, seedy and washed out, with a wealth of British stars, following an intricately woven thread of plot, this is a great example of old-fashioned, restrained British film.

Gabriel Byrne stars in "Defence of the Realm," a 1985 film also starring Denholm Elliott, Greta Scacchi, Ian Bannen and Robbie Coltrane. Byrne plays Mullen, an aggressive newsman who is responsible for a story leading to the downfall of a Parliament member - he was seen leaving a madam's house, as was a KGB agent. However, he soon learns that there's much more to the story than that and that the man has been set up because he knew to much.

This is a very good story with handsome Byrne heading up an excellent cast of foreign faces that will be very familiar to Americans. All of the acting is good, with a standout performance by Denholm Elliott. The beautiful Greta Scacchi, an asset to any production, is totally wasted here, however.

What I liked best about this, and many other British films, is that you have to pay attention - first of all, so that your ears can adjust to the sound of not only the accents but also adjust to the way the British allow room tone to mix in with the dialogue, which we're not used to here. It gives the atmosphere a much more realistic flavor.

Worth seeing.

Defence of the Realm is a slick British thriller, it's done in the style of John Le Carre. It's no surprise that it won a host of awards, it is exciting, enthralling, and superbly acted. The writing does perhaps lack some of the intricacies of Le Carre, the most notable perhaps being the ending, which was the only element I didn't particularly like.

Gabriel Byrne is terrific, very charismatic, and well suited to the part. He's in great company, with a host of British talent, Denholm Elliot in particular is superb.

It has of course dated a little, but it stands up so well twenty plus years later. 7/10

This taut, underrated little thriller might be called a British version of "The Parallax View". Ian Bannen plays a Profumo-like MP targeted by the security services because he knows too much. His career is ruined by muck-raking reporter Gabriel Byrne but the latter's determination to get to the bottom of the story, and his guilt at the death of a colleague (the superb Denholm Elliott), lead him down unexpected political byways...

"Defence of the Realm" can boast excellent location work and a convincing recreation of the vanished world of the "old" hard-drinking Fleet Street. The tone becomes darker and more claustrophobic as the film goes on and the apolitical Byrne enters a paranoid world of car headlights in the rearview mirror, bugged telephones and rifled apartments. The film taps into many of the issues that concerned the British Left in the mid-eighties (secrecy, American missiles on UK soil, the unaccountability of the security services, newspaper obsession with sexual gossip to the exclusion of harder material) and builds to a clever, if shocking, double-twist climax. Well worth locating and viewing.

Well put together, and it will not do your paranoia any good at all! (But then, if you're not a bit paranoid, there's something wrong with you!)

Perhaps the characters could do with filling out a little, but on the whole, this is a very well-crafted thriller, to which you have to pay attention, as there are no big info-dumps or exposition: you have to work out a lot for yourself.

It seemed quite promising, but was hard to follow in places, not helped by one or two outdoor scenes not transforming well onto a TV screen. I'd recorded it, so on several occasions was able to rewind to have another go at understanding it. It might help if I was to watch the entire film again from start to finish, but I can't be bothered. As I understand it, a youth fleeing from the police clambers over a very nasty looking fence onto the runway of an American air base and gets killed by an aircraft that's landing with a nuclear bomb on board. This precipitates an emergency exodus from the base. Cue cover-up, investigated by local MP who gets set up, leading to investigation by reporter.

Byrne does well as the reporter, but as is often the case Denholm Elliott impresses the most. Greta Scacchi is very bland.

With a mouthwatering cast (Gabriel Byrne, Denholm Elliott, Fulton Mackay, David Calder, Ian Bannen, Greta Sacchi, etc.) this film promises a lot and more or less delivers. Set in a newsroom against the backdrop of political scandal and cover-ups, 'Defence of the Realm' keeps you watching and keeps you guessing.

It is a shame that the ending is a bit of a let-down, coming far too abruptly and leaving the viewer cheated of a really tight finale. But it is a minor grumble, and although this film is far from a classic there is much to recommend it. And incidentally, good use of music at the moments where a bit of tension is needed.

According to IMDb, this movie was released in the USA in November of 1986, but I honestly don't recall hearing about it. I was drawn to it on cable this past week because it was a thriller and had a good cast; it was not a disappointment, but also not a classic.

Gabriel Byrne holds the film together well as a journalist who ventures into dangerous waters whilst writing an expose of a supposedly corrupt politician (Ian Bannen). The supporting cast do a wonderful job, with a few observations: 1) Were some of Robbie Coltrane's scenes cut? His character comes and goes randomly. 2) Greta Scacchi doesn't really sizzle in this film as she has in others. 3) Even Oliver Ford Davies, who barely has a line, still impresses by his bureaucratic aura!

This is one of the few 80s electronic film scores that I've heard recently which hasn't totally driven me mad after 10 minutes. It falls more in line with Jarre's classic WITNESS score; unobtrusive but effective. The sets and locations are wonderful. But it's a little tiresome to find out that the "McGuffin" is all about sinister Americans with their nasty nukes. Is that the best the scriptwriter could do? When I heard the first American accent I knew the Yanks were in for another cinematic whipping. But all in all, a thriller worth watching, even though you may resent the abrupt, explosive ending.

Beginning with the later years of the Cold War and extending to this very day, there has been this question about the enemies of a nation: are the ones within more dangerous then the external ones? This question has produced quite a few intriguing thrillers over the years and one such is Defence Of The Realm from 1986. This film looks at that question from the perspective of late Cold War UK politics and in turn presents a realistic yet tense thriller in the process.

The film has a fine cast of some of the UK's best actors and character actors of the time. Leading the cast is Gabriel Byrne as reporter Nick Mullen who finds himself writing one story and then follows a trail of breadcrumbs that leads him to discovering he has in fact been used. That trail of breadcrumbs belongs to Mullen's colleague and mentor of sorts Vernon Bayliss in a BAFTA winning performance from Denholm Elliott who makes the most of a small part. Helping Mullen is Greta Scacchi as Nina Beckman, the assistant to a Parliament member (played by Ian Bannen) caught up in the events. They are aided by Bill Paterson as Mullen immediate boss and opposed by David Calder as the newspaper's editor and Fulton Mackay as the owner of the newspaper Mullen works for. Also in a small role is an early appearance from Robbie Coltrane as a fellow reporter in a few scenes. The result is that the film is well anchored by a fine cast.

The film is helped out by the realism of the production values. This is especially true of the production design of Roger Murray-Leach who, working with what was likely a small budget, nonetheless created a whole plethora of sets ranging from newsrooms to a U.S Air Force base before taking us inside the secret halls of the government. Roger Deakins cinematography gives the film a sense of claustrophobia at all times even when the film ventures into wide open spaces. The result of this is amplified by the editing of Michael Bradsell and the score from Richard Harvey to create an almost continuous sense of menace throughout the film. All this comes together under the direction of David Drury to give the film a strong sense of realism.

The production values though take that realism from the script by Martin Stellman. The script looks at the question mentioned in this review's opening and does so through the lens of late Cold War Britain. At a time when Cold War tensions were increasing and a good deal of the public clamored for the government to do something about it, the film looks at how far a government and its national security apparatus might go to prevent a scandal that could bring about just that. What appears to be just another sex scandal involving a high ranking member of the British Parliament who has ties to the Defence establishment ( that is itself is highly reminiscent of the 1963 Profumo affair) might in fact be covering up something that seems completely unrelated: a police chase of two escaped teenage prisoners that accidentally crossed over onto a U.S Air Force base sometime before. The script takes Mullen and those he encounters on a journey into the secret workings of the British government. As it reaches it climax the film asks an important question: when does a government's ability to protect secrets cross the line into becoming something much more darker, threatening and even criminal? By combining a fine cast, production values and a fine script Defence Of The Realm is able to create a realistic yet tense thriller. While it may be set and more or less about late Cold War UK politics, the film asks questions that are relevant today. All of these elements come together to make Defence Of The Realm far more then just another thriller and ever watchable nearly twenty-five years on from its original release.

A well-paced and reasonably intelligent film, "Defence of the Realm" would seem to be a rather forgotten picture 35 years later, but it does deserve to be better known. Gabriel Byrne is solid as Nick Mullen, an investigative reporter who latches onto a story. It appears that a high-ranking British MP (Ian Bannen) shares a lover with a KGB agent, and that this may have led to leaks between governments. It causes the end of the MPs' career, but Byrne soon realizes that there are *layers* to this story, that not everything is immediately clear.

Touching upon such topics as freedom of information and the desire for transparency in government, "Defence of the Realm" entertains quite well for 96 minutes. Director David Drury builds considerable suspense, and gets excellent performances out of his cast. Best of all, this mystery (scripted by Martin Stellman) draws you in by having you learn things along with Byrne, and not be two steps ahead of him the entire time. The end result is a scenario with far-reaching consequences, one in which you know the lead character will have the right to feel paranoid. This, despite the fact that he's an apolitical type with no skeletons in his own closet.

Byrne is extremely well supported by the lovely Greta Scacchi, as the MPs' secretary, Denholm Elliott, as Nicks' colleague and friend, and Fulton Mackay, Bill Paterson, David Calder, Frederick Treves, Robbie Coltrane, Annabel Leventon, and Oliver Ford Davies. Look for Al Matthews, Sergeant Apone in "Aliens" a year later, in a bit near the end.

This is one of those cases where the story in the film *does* add up, for the most part, as audience and lead character alike put all the pieces together. "Defence of the Realm" compares well to American paranoia-laced pictures of the 70s such as "The Parallax View".

Seven out of 10.

According to the dedication at the end,This film was shot in the offices of The Times and used that papers' staff; in 1986, the time it was shot, the paper's proprietor, Rupert "Dirty Digger" Murdoch had just a bruising year-long strike in which he chased the print unions off site; obviously a condition of being allowed to film was that the film not have an anti-Tory slant; this explains why the "evil" British Government in the film is a Labour government and the disgraced plotician is in the Labour Party; in reality there hadn't been a Labour government in UK since 1979. Murdoch obviously would only allow the film to be made if it attacked the Labour Party (at the time led by Neil Kinnock)

This movie is a good example of the British film industry quietly making good movies that nobody saw. Brought out at the height of the cold war , as far as i know it was only ever seen on channel 4 (which kept the british film industry alive). The plot is hardly revolutionary. A journalist (a hard bitten Gabriel Byrne)stumbles upon a coverup by the british goverment, of a nuclear accident on an american airbase (which actually happened in the 1950s, but thats another story). Shades of disaster at silo seven, presidents men and forth protocol. But where this movie is different is the feeling that THEY are following you, helped by an understated yet eerie soundtrack. Byrne is followed by a car from the american airbase, it crowds him off the road and all of its windows are seen to be blacked out. He phones the American embassy and hears his phone being tapped.We dont even see the watchers untill the very end of the movie (which weakens it slightly) Even the Kangaroo court at the end of the movie is reminicnent of Franz Kafkas THE TRIAL. This is the X FILES without ufos, yet Byrne and scacchi are more that a little reminicent of mulder and scully (who also break the rule and dont fall in love on screen). Helped by fine performances from Denholm Elliot and Fulton Mackay(Robert Maxwell?), it evokes a patina of the hidden state only equilled in the uk by EDGE OF DARKNESS and Ken Loache`s HIDDEN AGENDA. its not the best thriller ever made in the UK, but it deserves a damn sight more attention than its received. See it , before THEY do.....

Good political thrillers demand sharp wits from filmmakers and audience alike, and here's a case in point: a competent, complex, and all too plausible fiction exposing the invisible machine at work behind top-level government affairs, set in England but perhaps even more relevant to audiences on this side of the Atlantic. Gabriel Byrne stars as an ambitious Fleet Street reporter following another unremarkable Ministry sex scandal, who finds his life in sudden jeopardy when his investigation begins to touch on some highly sensitive matters of national security. The scenario combines all the best elements of investigative journalism with the worst aspects of Realpolitik expediency: treachery, paranoia, and corruption (in short, all the things that make governments work). The atmosphere is sinister and the plotting appropriately elliptical (but never too hard to follow); only the sudden, downbeat ending looks artificial.

A British political thriller; A story about a journalist, whose probing story causes the resignation of a high-ranking British MP, who later dies in suspicious circumstances, raising suspicions of amorality in the security services.

Gripping and fast paced, this conspiracy melodrama has a theme about government executive powers and the duty of investigate reporting. It has a good script and is competently directed. It ends abruptly with a contrived and cynical epilogue, but the performances are what make this an enjoyable film to watch, especially Elliott's scrupulous newsman, and Byrne as the wily reporter.

Democratic governments are said to work in the public interest. All well and good. However, when that government decides to work in secret, then it becomes an enemy, not only to the people it purports to work for, but is contrary to the spirit of democracy. This is the premise to this film entitled " Defense of the Realm." In this story, our hero Nicholas Mullen (Gabriel Byrne) is an inquisitive newspaper reporter who stumbles across a sensitive story involving the cover-up murder of a school boy. The lad's death is hushed up by government authorities and involves a prominent cabinet official. The case is ultra secret so that when a Parliament official seeks to inquire into the death of the school boy, those who want to keep it from being re-opened, first seek to scandalize him, then discredit the first newsman who helps him, then anyone else who gets involved. After his colleague is found dead, Mullen takes up the challenge of exposing his friend's murder and soon finds himself threatened, then targeted for assassination. The movie is stark drama and with the aid of exceptional actors like Denholm Elliott, Ian Bannen and Robbie Coltrane produces an exciting and heart thumping atmosphere. A fine film and highly recommended as a late night thriller. Excellent! ****

A gritty period political thriller which requires close attention. Good for its realistic location shootings, especially the newsroom - only thirty years ago but no computers or word processors in sight. I found the incidental music a little intrusive - early crude synthesiser muzak. Film quality feels a bit like grainy 16mm. Editing and cinematography not the best (feels like it was a bit rushed at times and not set up properly) but excellent period cast.

A British journalist follows the story of a politician who might have contact with a KGB agent, but eventually comes up to a much larger discovery. It appears there has been some cover-up at the highest level and any further step becomes more dangerous after the Secret Service takes an interest in him. Exceptional thriller in which skillfully built tension makes you feel as if you are being tracked, listened to, lurked upon...