Yellow Hair and the Fortress of Gold (1984) Poster

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4/10
Indiana Jones meets spaghetti western – not great but not awful
freydis-e18 October 2012
I'm only reviewing this because so few people have. It's not worth seeking out but could help pass an empty 90 minutes without too much pain.

Laurene Landon is a big, strong, beautiful woman who started getting cast in Amazon roles following the success of 'All the Marbles', where she played a wrestler and mostly left the acting to Peter Falk. A good thing, that, because LL is not the greatest actress and no-one in this movie is much better. The story is derivative spaghetti-western, sort of merged with Flash-Gordon-style serial and Indiana-Jones-style temples, gold etc. Nothing original apart from the female tough-guy but nothing too stupid either.

Direction, script, etc are reasonably competent and the budget must have been fairly high given the scale, effects quality, etc. The cast seem to be enjoying themselves, it's actually funny for the viewer in places and some of the ideas, like the brushwood snakes, weren't bad at all. Why they didn't use some of that budget to hire real actors is anyone's guess.

LL delivers as usual with lots of enthusiasm, but if you want to watch her doing this kind of tough-girl stuff, Hundra is a better movie in most respects.
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4/10
So yeah, Matt Cimber
BandSAboutMovies23 August 2020
Warning: Spoilers
Matt Cimber is an example of the individuals that I refer to as a nexus point, as he unites so many different films that I end up writing about so often. Blaxpolitation? He made The Candy Tangerine Man and The Black Six. Late 60's and early 70's pre-porn revolution sex movies? As Gary Harper, he made The Sexually Liberated Female, He & She and Man & Wife: An Educational Film for Married Adults (an "educational" movie made in Sweden that does have actual intercourse). Strange "it's kinda, sorta horror"? He made The Witch Who Came from the Sea with cinematographer Dean Cundey. Sword and sorcery? He made Hundra. He was also pivotal in the lives of Pia Zadora (Butterfly) and his wife Jayne Mansfield (Single Room Furnished) and helped create the Gorgeous Ladies of Wrestling.

So when it comes time to write about Italian-style Westerns, it stands to reason that Matt Cimber should have made one of these films as well.

The best reason to watch this movie is Laurene Landon, who has been in more movies on this site than I realized. She was a featured skater in Mark Lester's Roller Boogie before showing up in the wrestling film ...All the Marbles, Full Moon High, America 3000, Maniac Cop, Maniac Cop 2, Wicked Stepmother and in one of the commercials in The Stuff. She was also in Cimber's Italian-American-Spanish barbarian film Hundra, complete with an Ennio Morricone, pretty much making it a legitimate Italian film.

Here, she plays the titular blonde half-Native American Yellow Hair, who is out to find the gold of Tortuga and battling numerous outlaws and Mexican soldiers, including her arch-nemesis Colonel Torres. Helping her out is her sidekick the Pecos Kid.

This is a weirdly put-together film, as it starts like a movie serial and ends like one, including crowd noise and cheers as the characters are introduced. Even the final movies are told like a cliffhanger instead of a narrative and the violence is often staccato in nature, with gunshots and people being shot shown numerous times in succession.

While this film seems like it could be one of the kids - seeing as how basic and silly the story is - it's also filled with plenty of ultraviolence, including people being launched off cliffs, lynched and their heads dipped in hot gold before being lopped off.

How Italian is this movie? Numerous snakes and horses have had to have been hurt making it. That said, it is nowhere near the highpoints of the genre, but I read someone say that if you happened upon this movie when you were a pre-teen on a Saturday afternoon, you'd be obsessed about it as an adult.
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1/10
More Spaghetti Western than Indiana Jones
Maciste_Brother22 August 2003
YELLOW HAIR AND THE FORTRESS OF GOLD is a Crown International release, which we all know what that means: acting, production values, dialogue are all questionable. Seriously, this movie looks like one of the bigger budgeted CI flicks but that doesn't mean the movie itself is better than the average CI release. While watching it, the film reminded me more of Spaghetti Westerns than the Indiana Jones type of movies it's being advertised as. The title and the video's cover box are very deceptive. YELLOW HAIR AND THE PECOS KID is a more apt title. Though there are some moments about a lost civilization and treasures, the whole stale flick is nowhere near the type of action seen in RAIDERS OF THE LOST ARK, even if both movies use old time serials as their source of inspiration.

The film itself was dull and creaky. Lotsa slow motion gun action, typical in Westerns made in the 1960s. Seeing that this movie was made in the 1980s, YELLOW HAIR has a very outdated feel to it. Spaghetti Westerns weren't being made in the 1980s anymore. It's seems the producers of this stillborn action/western weren't aware of this. The acting was mostly bad. The ineffectual heroine, Yellow Hair, is unfortunately nicknamed "Yella" throughout the movie. The whole film is politically incorrect but not in a fun P.I. way. Some of the stunts involving horses were obviously harmful to the animals. All in all, a pretty forgettable and pointless Spaghetti Western film, deceptively advertised as an action movie.
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2/10
What was I watching?!
Leofwine_draca12 October 2015
Despite the distinctive title, YELLOW HAIR AND THE FORTRESS OF GOLD turns out to be an absolute dog of a movie, and that's from somebody with a penchant for early '80s fare. This is some kind of shambolic comedy adventure in which a feisty heroine and her sidekick roam around a barren landscape, fighting off warriors and gunslingers in a hunt for mystical treasure.

The plotting's okay, I suppose, but it's the execution where this film really fails: it's treated as a dumb-as-nails comedy, with awful dialogue that sounds like it's been dubbed in, and execrable performances. It says something when the statuesque but wooden Laurene Landon (HUNDRA) gives the best performance in a film otherwise chock full of actors gurning, hamming it up, performing tired slapstick routines, and the like.

The running time is overlong and the exaggerated direction, with its repeated use of slow motion, soon wears on the viewer. If they had taken things seriously then this might have been halfway enjoyable, but the repeated (and repetitive) attempts at dumb humour absolutely sink it. Yeah, I hated it.
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1/10
Slapstick Sadism
junk-monkey1 September 2008
Warning: Spoilers
There is little to be said in favour of this unholy mixture of slapstick and Spaghetti Western sadism. It's long, it's boring, and hasn't a spark of originality about it.

I have no idea who the producers thought the target audience for this movie might be but the pitch must have been a doozy to get someone to stump up the money.

"It's a Spaghetti Western Comedy - only, and here's the twist, we have a woman hero and make it look like an old time Saturday morning children's serial to cash in on the Indiana Jones market! How can we loose?"

Three big targets to hit - and they missed all three. The comedy is feeble - are we really supposed to find the fact that the generalissimo is a teensy bit camp funny? The serial framing device is so clumsily and laboriously done that any humour in it evaporates before it gets going. The whole point about the Saturday serials was that there was a cliffhanger at the end of each episode*, a point that seems to have been totally missed by the writers. The only one of their targets they came close to hitting was the parody/homage of the Spaghetti Western genre - but as that was a genre that was always happily sending itself up it's a very easy target to hit. Give anyone a week in Almeria with a few unshaven actors in cowboy costumes and they could have come up with this stuff.

Avoid.

*Apart from the last one naturally.
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2/10
This blonde is bland.
BA_Harrison28 April 2017
Director Matt Cimber kicks off Yellow Hair and the Fortress of Gold in the style of a Saturday morning serial adventure, introducing the viewer to his characters (to the cheers of an appreciative audience) before plonking the viewer in the middle of an ongoing story. It's a lively way to start proceedings, but that's where the fun ends, the exploits of half-breed Yellow Hair (statuesque blonde Laurene Landon) and lovable rogue The Pecos Kid (Ken Roberson) proving stupefyingly tedious despite plenty of noisy action—shooting, explosions, fights and chases, including the obligatory classic stagecoach stunt that sees our heroes falling between the horses.

One can't fault Cimber for trying, I suppose, but his terrible script, lacklustre direction and unengaging characters make for a virtually joyless experience. The shambolic plot meanders aimlessly throughout, there's way too much boring conversation, the comedy is exceptionally weak, and star Landon displays little in the way of acting ability. About the only aspect I enjoyed was the occasional spot of mean spirited violence: a commanchero is thrown off his horse over the edge of a cliff, another is slowly lynched, and one poor guy has his head dipped in molten gold before being decapitated.

In the tradition of the serials it seeks to emulate, the film ends on a cliffhanger, suggesting that a sequel was planned: thankfully, it never materialised.
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6/10
US/Spanish co-production with adventures , noisy scenes , spectacular fights and being filmed in Almeria
ma-cortes20 January 2013
Simple and plain Chorizo Western with breathtaking outdoors filmed in Almeria , Spain . This is an amusing Gazpacho Matinée Western plenty adventure , gold-lust clichés , and action-packed especially in its final part ; ending in an abrupt, ironic denouement . Paella Western with a fiery female lead , Laurene Landon , taking on multiple adventures and fierce battles . Gorgeous blonde mestizo Yellow Hair (Laurene Landon of All the marbles , Hundra, Maniac cop) and her sympathetic ,courageous sidekick Pecos Kid (Ken Robertson , also producer) are after a lot of gold in Aztec temple . This delightful action/adventure romp deals with a half-breed called Yellow Hair , a valiant warrior who was adopted in a tribe of fierce Comanches , but her origin is unknown . The brave duo have run-ins with an army of Mexican soldiers commanded by an effeminate general (Luis Lorenzo) , a gang of dastardly outlaws led by Flores (Aldo Sambrell), a mean saloon owner named Tortuga (easygoing Ramiro Oliveros) and a deadly tribe of Aztec warriors led by a fearsome Aztec chieftain named Shayowteewah (John Ghaffari) while searching the countryside for said gold treasure . Thrilling and stirring movie full of imagination and fantasy that introduces us a brave heroine , female counterpart to Jeronimo . Yellow Hair is superior to any male, woman of beauty ,a warrior of strength ,a hunter of man . Yellow Hair finds her mother (Claudia Gravy) slain and takes a vow of lethal vendetta until one day she meets her match .

This exciting film packs noisy action , adventure and rip-roaring fights . Dumb images , unintentionally hilarious and lots of amusement and entertainment . Made on a fairly middling scale with passable set design , glimmer photography and acceptable musical score . The film is a crossover from ¨Spaghetti Western genre¨ , ¨Raiders of the lost ark¨ (Spielberg) , ¨Against a crooked spy¨ (Earl Bellamy) and ¨MacKenna's gold¨ (J.L.Thompson) with fantastic inspiration in the rare Indians and the spectacular outdoors . This entertaining picture contains frenetic action , struggles and moving action scenes , including blood and beheading . The film is full of freaks and bemusing situations ; it is quite entertaining because being a laborious and intriguing adventure tale with some unintentional humor . The picture was made at the same time to ¨Hundra¨ sharing similar technician and artistic team . Sympathetic performance by Laurene Landon as Yellow Hair , a valiant woman who has been raised to despise the influence of men , she the finest warrior of her people . Agreeable support cast full of Spanish actors such as Ramiro Oliveros, Luis Lorenzo and Spaghetti usual as Eduardo Fajardo , Daniel Martin and Frank Braña . Colorful and evocative cinematography by John Cabrera as the film gets sensational landscapes wonderfully shot . Very derivative special effects , acceptable production design and matte paintings . The picture was shot in Texas Hollywood-Fort Bravo , Almeria, Spain and ¨Condor¨ fortress , where was filmed several Spaghetti as ¨ Blind man, Massacre at Fort Holman¨, ¨A man called Noon¨ , ¨El Condor¨ and ¨Conan the Barbarian¨ .

The motion picture was middlingly directed by Matt Cimber . He has directed all kind of genres , in the mid 70s did three immensely enjoyable blaxploitation pictures : The Black Six (1973), Lady Cocoa (1975) and the terrifically trashy The Candy Tangerine Man (1975) . Matt made a rare foray into the horror genre with the disturbing psychological shocker The Witch Who Came from the Sea (1976). His next work was based on a Mario Puzo story, a World War II drama A Time to die(1982) starring Rex Harrison and Rod Taylor. Later that year Matt teamed up with Pia Zadora for two films: the underrated Butterfly (1982 ) ,Orson Welles last film, and the fun Fake-out (1982). The following year Matt joined forces with actress Laurene Landon for Hundra (1983) and Yellow Hair & the Pecos Kid (1984) . The film will appeal to adventure buffs with enough action to make it worth looking in on . In other words, it seem likely Spaghetti Western enthusiasts and juvenile viewers will be delighted because thrills , action and adventures are regularly presented and edited to offer the enough impact. Rating : 6 ; it's an old-fashioned B film on an acceptable scale and basically enjoyable because of it.
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8/10
A hugely enjoyable Western action/adventure romp
Woodyanders19 September 2011
Warning: Spoilers
Fiery blonde half-breed Yellow Hair (a winningly sassy and vibrant performance by the lovely Laurene Landon) and her easygoing cowpoke partner the Pecos Kid (a likable turn by Ken Roberson) are after a fortune in Mayan gold. The courageous duo have run-ins with an army of Mexican soldiers, a gang of dastardly bandits, and a lethal tribe of cunning Aztec warriors while searching the countryside for said gold. Director Matt Cimber, who also co-wrote the genial and eventful script with John Kershaw, relates the fun story at a steady pace, creates and sustains an engaging lighthearted tone, stages the thrilling action set pieces with gusto and competence, pays affectionate homage to the old-fashioned Western serials of yore, and further spruces things up with an amusing line in sharp cheeky humor. Moreover, the game cast have a field day with the breezy material: John Gharrari as fearsome Aztec chieftain Shayowteewah, Luis Lorento as the slimy and effeminate Colonel Torres, Aldo Sambrell as vicious mute bandit gang leader Flores, Claudia Gravy as Yellow Hair's wise Indian mother Grey Cloud, Ramiro Oliveros as mean saloon owner Tortuga, and Suzannah Woodside as brash saloon tart Rainbow. Appealing leads Landon and Roberson display a very nice and natural on-screen chemistry. John Cabrera's cinematography makes nifty use of wipes and strenuous slow motion. Franco Piersanti's spirited score hits the stirring spot. An extremely entertaining movie.
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6/10
Slightly odd western/adventure hybrid from Crown International
Red-Barracuda5 June 2017
With a title like Yellow Hair and the Fortress of Gold, you would be forgiven for thinking you were in for a sword-and-sandal actions flick, especially given the popularity of that revived sub-genre in the mid 80's. But surprisingly this one turns out to be a hybrid of the western and adventure genres, so you have to at least acknowledge that it is at the very least coming from a slightly different direction to most. Its director Matt Cimber had made a film the previous year for Crown International Pictures called Hundra, which was a feminist fantasy adventure of sorts. The star of that one, Laurene Landon, returns here in the role of the title character Yellow Hair. She and her brother, the Pecos Kid, are whites who were raised by Apaches. They take on a tribe of mysterious Mayans and an army of Mexicans in their quest for gold.

I thought it was really interesting that this one opens in a theatre with the audience anticipating the feature we are about to watch. All the main characters are introduced with their names on screen, after that we crack on into the action, with the film-within-a-film thing returning at the end with a cliff hanger which shows scenes from next week's instalment (scenes that obviously were never returned to). I guess this could be considered under the bracket of the Paella western given its Spanish origins and filming location. It also stars a few familiar faces from Italian/Spanish westerns, including Aldo Sambrell who appeared in every instalment of Sergio Leone's 'Dollars Trilogy', needless to say in this one like those he plays another bad tattie, in this case a mute henchman. But I think what stood out most to me about this one was the whole story thread about the lost civilisation, who lived underground and carried out weird and sinister rituals – this stuff I guess must have been inspired by Indiana Jones and the Temple of Doom, although both movies were admittedly released the same year so it may just be a coincidence. Whatever the case, I thought this one had enough oddness about it to give it pass marks. Don't expect anything great but you will at least get something slightly different.
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6/10
No match for "Hundra", but not bad
gridoon20248 November 2012
Warning: Spoilers
In 1983, director Matt Cimber and gorgeous star Laurene Landon made one of the better low-budget female-driven action flicks of the 1980s, "Hundra". The following year, the same team tried again to do much of the same, but lightning did not strike twice. "Yellow Hair" has an imaginative start (kids sitting down in a theater to watch the movie we're about to watch, hollering and commenting on the credits), a promising introduction for the title character (beating a male Indian with some of the wrestling moves Landon learned from "All The Marbles", including a fantastic dropkick!), a likable male sidekick for Yellow Hair, and some great stunts. But the film drags at times, with scenes going on longer than they should (a prime example is Kid shooting snakes for about 5 minutes), and the aforementioned fight scene with Yellow Hair is her ONLY fight scene in the entire movie, aside from a punch and a kick here and there. That's why "Hundra" was better - it gave Landon more opportunities to fight. **1/2 out of 4.
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6/10
What a Nice Surprise!
cwhaskell9 January 2012
There are some reviews on this site that give Yellow Hair one star. That's uncalled for as this is not a bad movie. It's no Seven Samurai, but let's be honest with our expectations on a movie called 'Yellow Hair and the Fortress of Gold'. This movie doesn't deliver Oscars, but it does deliver a funny script with plenty of gun-play and Spaghetti Western caricatures of good and bad guys (or gals!).

It promotes itself as a 'Lost Ark' style adventure movie, and that is more than a little misleading, as this could have just as easily been a Corbucci or Tessari film. I would let that go, however, and just enjoy a goofy throwback with a high entertainment value.

Rating: 26/40
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