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Cast verified as complete
Dan Monahan | ... |
Pee Wee
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Mark Herrier | ... |
Billy
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Wyatt Knight | ... |
Tommy
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Roger Wilson | ... |
Mickey
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Cyril O'Reilly | ... |
Tim
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Tony Ganios | ... |
Meat
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Kaki Hunter | ... |
Wendy
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Kim Cattrall | ... |
Honeywell
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Nancy Parsons | ... |
Balbricker
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Scott Colomby | ... |
Brian Schwartz
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Boyd Gaines | ... |
Coach Brackett
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Doug McGrath | ... |
Coach Warren
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Susan Clark | ... |
Cherry Forever
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Art Hindle | ... |
Ted Jarvis
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Wayne Maunder | ... |
Cavanaugh
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Alex Karras | ... |
Sheriff Wallace
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Chuck Mitchell | ... |
Porky
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Eric Christmas | ... |
Mr. Carter
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Bill Hindman | ... |
Coach Goodenough
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John Henry Redwood | ... |
Conklin
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Jack Mulcahy | ... |
Frank
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Rod Ball | ... |
Steve
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Julian Byrd | ... |
Cop no. 1
(as Julian Bird)
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Bill Fuller | ... |
Cop no. 2
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Will Knickerbocker | ... |
Bartender
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Bill Wohrman | ... |
Ted's Partner
(as Bill Worman)
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Roger Womack | ... |
Bouncer no. 2
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Gary Maas | ... |
Deputy no. 2
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Ilse Earl | ... |
Mrs. Morris
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Jill Whitlow | ... |
Mindy
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Pat Finn-Lee | ... |
Stripper
(as Pat Lee)
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Terry Guthrie | ... |
Miss Walker
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Joanne Marsic | ... |
Waitress
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Peter Conrad | ... |
Mule Train Driver
(as Pete Conrad)
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Butch Raymond | ... |
Deputy no. 1
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Cash Baron | ... |
Bouncer no. 1
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Cash Spadard | ... |
Bouncer no. 3
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Lisa O'Reilly | ... |
Ginny
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Allene Simmons | ... |
Jackie
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Kathryn Gonshak | ... |
Girl in Shower
(as Cathy Garpershak)
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Jon Cecka | ... |
Markin Highpockets
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Don Daynard | ... |
Radio Announcer
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Rest of cast listed alphabetically: | |||
Max Wasa | ... |
Cheerleader (uncredited)
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Carl Zittrer | ... |
Piano Player at Porky's (uncredited)
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Directed by
Bob Clark |
Written by
Bob Clark | ... | (written by) |
Produced by
Don Carmody | ... | producer |
Bob Clark | ... | producer |
Gary Goch | ... | associate producer |
Harold Greenberg | ... | executive producer |
Arnold Kopelson | ... | executive producer |
Melvin Simon | ... | executive producer |
Music by
Paul Zaza | ||
Carl Zittrer |
Cinematography by
Reginald H. Morris | ... | director of photography |
Editing by
Stan Cole |
Editorial Department
Chantal Bowen | ... | second assistant editor |
Richard Cadger | ... | assistant editor (as Richard A. Cadger) |
Thomas Metzger | ... | color timer (uncredited) |
Casting By
Jane Feinberg | ||
Mike Fenton |
Production Design by
Reuben Freed |
Set Decoration by
Mark S. Freeborn | ... | (as Mark Freeborn) |
Paul Harding | ||
Tom Coll | ... | (uncredited) |
Costume Design by
Mary E. McLeod | ... | (as Mary McLeod) |
Larry S. Wells | ... | (as Larry Wells) |
Makeup Department
J.B. | ... | hair designer |
Aunt Linda | ... | makeup assistant |
Valli O'Reilly | ... | makeup artist (as Aunt Valli) |
Tom Sobeck | ... | hair stylist |
Production Management
Martin L. Gillen | ... | production manager |
John McAulay | ... | post-production supervisor |
Josette Perrotta | ... | unit manager |
Second Unit Director or Assistant Director
Don Brough | ... | second assistant director (as Donald R. Brough) |
Ken Goch | ... | first assistant director |
Alan Goluboff | ... | third assistant director |
Art Department
John Balling | ... | charge scenic |
Barry W. Brolly | ... | art department coordinator (as Barry Brolly) |
J. Tracy Budd | ... | property master |
David Orin Charles | ... | assistant set decorator (as David Charles) |
Harold Collins | ... | construction coordinator |
Dan Davis | ... | second assistant art director (as Daniel R. Davis) |
Robert James | ... | assistant props |
Barbara Tranter | ... | assistant art director |
William Kellow | ... | construction propmaker: standby carpenter (uncredited) |
Sound Department
Martin Ashbee | ... | dialogue editor (as Martin Ashby) |
Steven Cole | ... | assistant sound editor |
David Evans | ... | sound effects editor |
Austin Grimaldi | ... | re-recording mixer |
Joe Grimaldi | ... | re-recording mixer |
Rod Haykin | ... | location sound mixer (as Rodney Haykin) |
Ann Heeley-Ray | ... | dialogue editor |
Kenneth Heeley-Ray | ... | post-production sound editor (as Ken Heeley-Ray) / sound supervisor (as Ken Heeley-Ray) |
Brenda Hewitt | ... | assistant sound editor |
Andy Malcolm | ... | sound effects editor (as Andrew Malcolm) |
Omero Pataracchia | ... | boom man |
Dino Pigat | ... | re-recording mixer |
Kevin Ward | ... | sound effects editor |
Barry Wilson | ... | cableman |
Christopher Greenwood | ... | post sound mix (uncredited) |
Don White | ... | foley recording mixer (uncredited) |
Special Effects by
Martin Malivoire | ... | special effects |
David Neil Trifunovich | ... | special effects man (as Neil Trifunovich) |
Walter Woloszczuk | ... | special effects assistant (as Walter Woloszcsuk) |
Stunts
Courtney Brown | ... | stunt player |
Alex Edlin | ... | stunt player |
Gary Maas | ... | stunt player |
Dwayne McLean | ... | stunt coordinator |
Chuck Mitchell | ... | stunt player |
Betty Raymond | ... | stunt player |
Butch Raymond | ... | stunt player |
Peter Tors | ... | stunt player |
Roger Womack | ... | stunt player |
Camera and Electrical Department
Michael Beer | ... | electrician |
Paul Bolton | ... | best boy (as Paul D. Bolton) |
Ron Chegwidden | ... | electrician |
Ted Churchill | ... | steadicam operator |
Jose Cue | ... | grip |
Craig DiBona | ... | panaglide operator (as Craig E. DiBona) |
Kenneth Dunning | ... | electrician |
Thomas Elmore | ... | gaffer (as Thomas V. Elmore) |
Wayne Goodchild | ... | assistant key grip |
Jonathan Hackett | ... | key grip |
Roy Irvine | ... | grip |
Kevin Jewison | ... | second assistant camera |
Perry A. Jones | ... | grip (as Perry Jones) |
Gordon Langevin | ... | first assistant camera |
Gene Moffat | ... | generator operator (as Eugene Moffatt) |
Patti Morein | ... | third assistant camera |
Harald Ortenburger | ... | camera operator |
Jack Rowand | ... | still photographer |
Egon Stephan Jr. | ... | second assistant camera (uncredited) |
Casting Department
Valorie Massalas | ... | casting associate (uncredited) |
Dee Miller | ... | location casting (uncredited) |
Costume and Wardrobe Department
Erla Lank | ... | wardrobe mistress |
Harold Richter | ... | wardrobe assistant |
Esther Robinson | ... | wardrobe assistant (as Esther O. Robinson) |
Music Department
Gerry Young | ... | music consultant (as Gerry A. Young) |
Frank Morrone | ... | music recordist (uncredited) |
Script and Continuity Department
Blanche McDermaid | ... | continuity |
Transportation Department
Fran Kandaras | ... | vehicle coordinator |
Sam Segal | ... | transportation captain |
Additional Crew
Victoria Barney | ... | executive assistant |
Harriet Birnholz | ... | production office coordinator |
Robert Birnholz | ... | production assistant |
Brad Blackwood | ... | craft service |
Orin Borsten | ... | unit publicist |
Réjane Boudreau | ... | production accountant |
Jim Connell | ... | production assistant |
Céline Daignault | ... | assistant bookkeeper |
Rob Goodridge | ... | film intern: Florida State |
Joel Greenberg | ... | production assistant |
Stephen Greenberg | ... | production executive |
Dawn Hudson | ... | bookkeeper |
Sandra Kolber | ... | creative liaison: Astral Film Productions |
Elton MacPherson | ... | representative: Simon Distribution Inc. |
Cindy Morton | ... | assistant to producers (as Cindy Morton Rossy) |
Eddy Rosenberg | ... | production executive |
Roger Swaybill | ... | advisor |
Jay Tobias | ... | film intern: Florida State |
Andrew Waxman | ... | production assistant |
Joseph Bearman | ... | production assistant (uncredited) |
Thanks
Mary Lee Lander | ... | the producers wish to thank for their cooperation: Metro Dade County Florida Office of Film and Television Co-ordination |
Production Companies
Distributors
- Astral Films (1981) (Canada) (theatrical)
- 20th Century Fox (1982) (West Germany) (theatrical)
- 20th Century Fox (1982) (Italy) (theatrical)
- City-Euro-Centra (C.E.C.) (1982) (Netherlands) (theatrical)
- Roadshow Films (1982) (Australia) (theatrical)
- Twentieth Century Fox (1982) (United States) (theatrical)
- CBS/Fox (1982) (United States) (VHS)
- 20th Century Fox Argentina (1983) (Argentina) (theatrical)
- Twentieth Century Fox Film Company (1982) (United Kingdom) (theatrical)
- Twentieth Century Fox (1982) (West Germany) (theatrical)
- Twentieth Century-Fox (1983) (Mexico) (theatrical)
- CBS/Fox Home Video (1983) (Australia) (VHS)
- CBS/Fox (1983) (United States) (VHS)
- Home Box Office (HBO) (1983) (United States) (tv) (pay television)
- Vídeo Mercury Films (1983) (Spain)
- Twentieth Century Fox (1982) (Italy) (theatrical)
- Abril Vídeo (1984) (Brazil) (VHS)
- CBS/Fox Video (1984) (Belgium) (VHS)
- CBS/Fox (1984) (West Germany) (VHS)
- CBS Electronics (1985) (Greece) (VHS)
- CBS/Fox (1986) (Argentina) (VHS)
- CBS/Fox Video Far East (1988) (Japan) (VHS)
- Nippon AVC (1988) (Japan) (VHS)
- USA Network (1988) (United States) (tv) (broadcast premiere)
- USA Network (1991) (United States) (tv)
- Fox Video (1992) (United States) (VHS)
- Astral Video (1992) (Canada) (VHS)
- 20th Century Fox Home Entertainment (1997) (United States) (VHS)
- 20th Century Fox Home Entertainment (2000) (United States) (DVD)
- 20th Century Fox Home Entertainment (2001) (Brazil) (DVD)
- 20th Century Fox Home Entertainment (2001) (Germany) (DVD)
- 20th Century Fox Home Entertainment (2001) (United Kingdom) (DVD)
- Maple Pictures (2006) (Canada) (DVD)
- 20th Century Fox Home Entertainment (2012) (United States) (Blu-ray)
- TVA Films (2012) (Canada) (DVD)
- Arrow Films (2014) (United Kingdom) (Blu-ray) (DVD)
- Incendo Media (2020) (Canada) (video) (Amazon Prime)
Special Effects
Other Companies
- Casting Directors (additional casting)
- Location Catering of the South (food services)
- Bellevue Pathé Québec (laboratory)
- Pathé Sound and Post Production Center (sound facilities)
- Panavision (camera equipment: lenses and Panaflex® camera)
- Ciné-Titres (titles and opticals)
- Film Docteur du Québec inc. (titles and opticals)
- Film Opticals of Canada (titles and opticals)
- Metro Dade Office of Film, Television & Print (the producers wish to thank for their cooperation)
- Evinrude Motors (the producers wish to thank for their cooperation)
- Acolite Sign Company (the producers wish to thank for their cooperation: Porky's sign)
- TelecomPioneers (the producers wish to thank for their cooperation)
- Fort Lauderdale & South Florida Region of the Antique Automobile Club of America (the producers wish to thank for their cooperation)
- Mercury Club of South Florida (the producers wish to thank for their cooperation)
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under the jurisdiction of)
Storyline
Plot Summary |
In 1954, a group of teenage male students of Florida's Angel Beach High School are determined to lose their virginity. They embark on games of sexual innuendo with female classmates whose activities Billy, Tommy, and Pee Wee witness via their secret surveillance. Pee Wee is the most desperate, which gets him into one predicament after another, besides constantly being the butt of pranks. Good guy Tim deals with his learned racism that surfaces with the arrival of new student Brian Schwartz, who is Jewish. Meanwhile, new Boys' Phys Ed coach Roy Brackett is attracted to cheerleading coach Miss Lynn Honeywell, who is attracted to him but doesn't want to go all the way. Coach Brackett's goal is to find out why Coach Warren has nicknamed Miss Honeywell "Lassie." All these goings-on offend the sensibilities of the Girls' Phys Ed coach, Miss Beulah Balbricker, who takes it upon herself to maintain the moral standards of the school. When the boys' mission stalls, Mickey, whose brother Ted is the local sheriff, suggests that they go to Porky's, a bar and unofficial brothel in neighboring Wallacetown in the middle of the Everglades, to lose their virginity. Porky's is owned by the violent Porky, whose actions are supported by his sheriff brother. The boys' experience at Porky's leads to a feud between the boys and Porky and his posse, the boys' collective anger fueled by Mickey. They will learn that they may not be able to beat Porky with their fists, but they might be able to do so with a little ingenuity, which may hurt Porky more in the long run. Written by Huggo |
Plot Keywords | |
Taglines | Get It At Porky's [Australia Video] See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
Also Known As |
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Sound Mix | |
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Box Office
Budget | $2,500,000 (estimated) |
Cumulative Worldwide Gross | $14,438,585 |
Did You Know?
Trivia | Writer/director Bob Clark gathered material for the movie over a 15 year period. The story is composite of incidents collected from the males of his generation along with some of his own personal memories from growing up in high school. See more » |
Goofs | According to the guys, Cherry Forever and John Conklin were married. There is no way one could believe an interracial couple would even be living together, much less married, in Florida in the 1950s, even though South Florida is less "southern" than the rest of the state. Furthermore, cohabitation between an interracial couple (married or not) was illegal in Florida until 1964. See more » |
Movie Connections | Featured in Porky's/El Salvador: Another Vietnam/Das Boot/Deathtrap/Richard Pryor: Live On The Sunset Strip (1982). See more » |
Soundtracks | Mockingbird See more » |
Crazy Credits | As the end credits roll, an additional scene is shown featuring Pee-wee and Wendy on a school bus. Also, Balbricker returns one final time in her never-ending quest to punish the boys. See more » |
Quotes |
Balbricker:
[1:07:15]
Now, Mr. Carter. I know this is completely unorthodox. But I think this is the only way to find that boy. Now that penis had a mole on it - I'd recognize that penis anywhere. In spite of the juvenile snickers of some, this is a serious matter. That seducer and despoiler must be stopped; he's extremely dangerous. And, Mr. Carter, I'm certain that everyone in this room knows who that is. He's a contemptible little pervert who... Mr. Carter: [abrupt] Miss Balbricker! Balbricker: Well, I'm sorry, but I've got him now, and I'm not going to let him slip through my fingers again [a murmur of mirth rises from several occupants] Balbricker: . Now, all I'm asking is that you give me five boys for a few minutes. The coaches can be present - Tommy Turner and any four boys you see fit to choose and we... and we... can put a stop to this menace. And it is a menace. [pause] Balbricker: [irritably] Well, what are you gonna do about it? [Carter hums and hars] Mr. Carter: Err [finally speaks] Mr. Carter: Five young boys in the nude, a police line-up so that you can identify his tallywhacker. [sighs] Mr. Carter: Please, please can we call it a "tallywhacker"? Penis is so ppp... penis is so personal. Balbricker: We can put hoods over their heads to avoid embarrassment [Carter repeats "Hoods" in disbelief] Balbricker: . Now listen: we have got to do it, as distasteful as it is. I know it's him. That [pause] Balbricker: tallywhacker had a mole on it. And that mole is the key to it. Mr. Carter: Miss Balbricker, do you realize the difficulty of your request? Now, I would be very happy to, uh, to apprehend the young man myself. But can you imagine what the board of education would say if you were granted a line-up in order to examine their private pa... aaa... their... yaha... [composes himself] Mr. Carter: their private parts [now firmly] Mr. Carter: for an incriminating mole? Balbricker: But Mr. Carter. Coach Brakett: [stops stifling his giggling and speaks up] Mr. Carter, I think I have a way out of this. We, uh, call the police, and we have 'em send over one of their sketch artists. [Carter rolls his eyes] Coach Brakett: And Miss Balbricker can give a description. We can put up "Wanted" posters all over school... "Have you seen this prick? [Carter struggles not to grin] Coach Brakett: Report immediately to Beulah Balbricker. Do not attempt to apprehend this prick, as it is armed and dangerous. [falls off his chair] Coach Brakett: It was last seen hanging out in the girls' locker room at Angel Beach High School." [everyone including Carter falls about laughing in hysterics as an enraged Balbricker storms out in a fury] See more » |