Directed by
Don Taylor |
Writing Credits (in alphabetical order)
Bob Shanks |
Cast (in credits order)
Produced by
Andrew Gottlieb | ... | supervising producer |
Ann Zane Shanks | ... | producer (as Ann Shanks) |
Bob Shanks | ... | producer |
Music by
Peter Matz |
Cinematography by
Gerald Perry Finnerman | ||
Ronald M. Lautore |
Editing by
Tom Stevens |
Casting By
Barbara Claman | ||
Marc Schwartz |
Production Design by
Gary Weist |
Art Direction by
Albert Heschong |
Set Decoration by
Ernie Bishop |
Makeup Department
Lola 'Skip' McNalley | ... | hair stylist |
John Norin | ... | makeup artist (as John M. Norin) |
Production Management
Cosmas P. Bolger | ... | post-production manager |
Donald C. Klune | ... | unit production manager |
George Manasse | ... | unit production manager: New York |
Bernard Oseransky | ... | executive in charge of production |
Second Unit Director or Assistant Director
Henry Bronchtein | ... | second assistant director: New York |
Andy House | ... | second assistant director (as Anderson G. House) |
Jerram A. Swartz | ... | first assistant director |
Art Department
Guy Bushman | ... | property master |
Sound Department
Andrew Gilmore | ... | sound mixer |
Sam Horta | ... | sound editor |
Peter Ilardi | ... | sound mixer: New York |
Camera and Electrical Department
Red Cripps Jr. | ... | key grip |
Robert A. Petzoldt | ... | gaffer (as Bob Petzold Jr.) |
Tom Prate | ... | key grip / key grip: New York |
Casting Department
Donald Paul Pemrick | ... | casting assistant |
Costume and Wardrobe Department
Teena Heusser | ... | costumer: women |
Larry Lefler | ... | costumer: men |
Location Management
Bruce Lawhead | ... | location manager |
Music Department
Robert Drasnin | ... | music supervisor |
Robert Takagi | ... | music editor |
Script and Continuity Department
Marcia 'Mavis' Girard | ... | script supervisor |
Additional Crew
Paul A. Levin | ... | assistant to producers |