The Shanghai Thirteen (1984) Poster

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7/10
No plot, rubbish sets, all in all not bad!
Mandango28 November 2005
I have this on DVD from China, no dubbing, just the most hilarious subtitles I've seen, which bear no relevance to what the actors are saying whatsoever. I'm sure the person who wrote them did it on purpose, for their own amusement.

Anyway, the film itself: paper thin plot about some bad guys trying to kill someone and some good guys trying to stop them. Thats it. Cue the most over the top but entertaining fight scenes, extremely dodgy acting and sets made out of papier mache. This film actually had me in tears, laughing, some of it is so bad. However, the fight scenes are great and since this is what 90% of this film consists of, its worth watching. Especially as you have some famous actors like Ti Lung in it. One of those films you'll feel stupid for enjoying.
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5/10
Bad deal for a favored star of the era, Sheng Chiang
lotekguy-13 June 2022
Warning: Spoilers
In a slew of Shaw Brothers flicks from the 1970s, the most reliable source of comic relief and exceptional acrobatics - either serious or comedic, as needed - was Sheng Chiang. His puckish facial expressions and agility made him an unofficial precursor to Jackie Chan's screen persona.

I watched this mainly because he was in the cast. But he didn't get to deploy the chops that made him so popular in the previous decade. One good fight sequence; none of his winning personality; early exit. Not an example of what made him unique and memorable. What a waste.
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6/10
Rush job...?
poe42618 January 2012
Warning: Spoilers
I've come across only a couple of Chang Cheh movies that failed to live up to the standard(s) that he himself set. One of them was THE NINE DEMONS, in which Halloween yard display-quality effects were sometimes literally thrown at the camera from the dark (maybe I'm being a bit too harsh, here; I'll have to go back and track it down and check it out again to be sure- but my impression the first time I saw it was that it wasn't one of his better efforts- by a mile); SHANGHAI 13 is the other. The protection of a government whistle-blower is the ostensible reason for the mayhem here, but it's quite literally assembly-line action (though, to be fair, some of it's good), with many of the biggest names in martial arts movies (including a very heavy Chiang Seng) jumping into and out of frame so quick it's hard to keep track of who's doing the jumping. SHANGHAI 13 only proves that even the greatest martial arts movie maker of all time had his off days.
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SHANGHAI 13 is an all-star kung fu bash
BrianDanaCamp5 March 2001
SHANGHAI 13 is an all-star Hong Kong extravaganza about patriots vs. traitors in 1920s Shanghai. A patriot named Gau has to take an important document to Hong Kong past an army of killers out to stop him. Over a dozen of Hong Kong's top kung fu stars of the 1970s come into play as either traitors trying to kill Mr. Gau or patriots trying to protect him. Curiously, the Shanghai 13 of the title consists of both sides. Danny Lee plays a sniper. Veteran Shaw Bros. stars David Chiang and Ti Lung are good guys in separate scenes. Ti Lung (smoking a pipe!) fights an overweight Chen Sing. Two of the 5 Venoms are on hand: Lu Feng is a bad guy, while Chiang Sheng is a good guy. Chi Kuan Chun plays `the Leopard,' a bad guy. Leung Kar Yan (LEGEND OF A FIGHTER) leaves a bed with four babes to defend his home in one of the best fight scenes. Chen Kuan Tai pops up but doesn't fight. Jimmy Wang Yu is a safecracker wearing glasses and a black fedora in a non-fighting pre-credits sequence. There are lots of other fighting stars, but I don't know their names. One seems to be a young Andy Lau.

There's no real plot development, just a series of fight scenes. The fighting is well-staged, as we would expect from veteran director Chang Cheh, but the overall production is incredibly cheap-looking. This wasn't a Shaw Bros. production so they had to shoot it on location. Even though it takes place in the 1920s, everything is shot in modern hotels, offices and houses in Hong Kong. Their period costumes don't mesh well with the formica-heavy settings. The final two fights, however, occur on the docks and in a large warehouse.

The Ocean Shores tape offers a very good video transfer. The English dubbing, however, is awful. Even worse is the canned music score, with grating pseudo-jazz and pseudo-rock. You're better off turning down the sound and just watching the action.
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3/10
Let's you and me fight!
qatmom8 April 2006
Why even pretend to have a plot when you can fill up the frames with fights? Now, I have to admit to a liking of action movies, even the kind where people fly and magic is not out of the question. It's hard to get into that kind of movie, however, when it is completely unclear exactly who you should want to win all of these fights.

The visual impression is nightmarish, not period. The odd combinations of time periods portrayed (something for everyone! is it the 1930s? 1960s? 1970s?) makes the movie feel disorienting, the crowning touch being the (probably uncredited and unpermitted) Jerry Goldsmith music from the Man from U.N.C.L.E.

Stage blood flows everywhere, but when you aren't certain who you would like to see bleeding, the effect is more like watching a series of trailers rather than one movie.

Ti Lung with a pipe. Yes, that's really in there.

This one is probably only for the Chang Cheh/Ti Lung/David Chiang completists.
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8/10
Kung fu epic with an all star cast
Leofwine_draca28 April 2015
SHANGHAI 13 is something of a minor classic of the kung fu genre. It's highly entertaining because it retains the cast and director of many of the Shaw Brothers classics, relocating them to Taiwan for a cheap and cheerful effort that brings to mind the storyline of a more modern action flick, BODYGUARDS AND ASSASSINS.

The late, great director Chang Cheh ensues his film is chock-full of bloody action and indeed after a 20-minute opening set-up this is action all the way with one ferocious fight scene after another. The storyline is set in the 1930s and involves government collaboration with the evil Japanese; some patriots steal some important documents and must transport them to Hong Kong, but assassins are out in force. The rest of the storyline is essentially a running battle between good and bad.

Half of the fun comes from guessing which of the guest stars will be the good guys and which will be the villains. An extended set piece in a casino, where everybody is under suspicion, is a highlight. It's hard to pick a standout performer when there are so many good ones, but David Chiang is a reliable face and Ti Lung kicks memorable ass at the climax. Yes, all the budget might have been spent on hiring the actors leaving this looking cheap indeed, but that doesn't mean it's a bad film. On the contrary, I loved it.
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