Directed by
| George Kaczender | ||
Writing Credits
| Stephen Vizinczey | ... | (novel) |
| Paul Gottlieb | ... | (screenplay) |
| Barrie Wexler | ... | (narration: additional text) |
Cast (in credits order) verified as complete
Produced by
| Harold Greenberg | ... | executive producer |
| Claude Héroux | ... | producer (as Claude Heroux) |
| Robert Lantos | ... | producer |
| Howard Lipson | ... | associate producer (as Howard R. Lipson) |
| Stephen J. Roth | ... | executive producer |
Music by
| Tibor Polgár | ... | (as Tibor Polgar) (music composed by) |
Cinematography by
| Miklós Lente | ... | director of photography (as Miklos Lente) |
Editing by
| George Kaczender | ||
| Peter Wintonick | ||
Art Direction by
| Wolf Kroeger | ||
Set Decoration by
| Csaba András Kertész | ... | (as Csaba Kertesz) |
Costume Design by
| Olga Dimitrov | ||
Makeup Department
| David Beckett | ... | hair styles |
| Jocelyne Bellemare | ... | assistant makeup artist |
| Michèle Dion | ... | makeup artist |
| Jean-Max Guérin | ... | assistant hairdresser (as Jean Guérin) |
Production Management
| Wendy Grean | ... | unit manager |
| Roger Héroux | ... | production manager |
Second Unit Director or Assistant Director
| Charles Braive | ... | first assistant director |
| Daniel Hausmann | ... | second assistant director |
| Ariane Ochrymouych | ... | third assistant director |
Art Department
| Jean Bourret | ... | props assistant |
| Csaba András Kertész | ... | set dresser (as Csaba Kertesz) |
| Stéphane Reichel | ... | assistant art director (as Stephan Reichel) |
| Norman Simpson | ... | property master (as Normand Simpson) |
| Roméo Turcotte | ... | construction manager |
| Kathy Wadas | ... | property buyer |
Sound Department
| Henri Blondeau | ... | location sound |
| Joe Grimaldi | ... | re-recording mixer |
| Les Halman | ... | sound editor |
| Larry Lynn | ... | boom man |
| Ken Pagé | ... | post-sync effects (as Ken Page) |
| Peter Wintonick | ... | assistant sound editor |
Camera and Electrical Department
| John Berrie | ... | gaffer |
| Jean-Yves Bruel | ... | still photographer |
| Michel Paul Bélisle | ... | best boy lighting (as Michel-Paul Belisle) |
| Pierre Davreux | ... | grip |
| Attila Dory | ... | still photographer |
| Yves Drapeau | ... | first assistant camera |
| André Magny | ... | key grip |
| Yves Paquette | ... | electrician |
| Ernie Spiter | ... | camera loader (as Ernest Spiteri) |
| Mario Toledo | ... | still photographer |
Casting Department
| Howard Feuer | ... | casting: New York |
| Karen Hazzard | ... | casting: Toronto |
| Jeremy Ritzer | ... | casting: New York |
Costume and Wardrobe Department
| Renée April | ... | wardrobe staff (as René April) |
| Anne-Denise Carette | ... | wardrobe staff |
| Chrylla Hagen | ... | wardrobe staff |
| Jack Hay | ... | wardrobe staff |
| Peter Horne | ... | wardrobe staff |
| Ann Kewley | ... | assistant to costume designer |
| Sylvie Laurier | ... | wardrobe staff |
| Johanne Prégent | ... | dresser |
Editorial Department
| Jim Campabanal | ... | negative cutter (as Jim Campabadal) |
| Monika Dorfman | ... | assistant editor |
Location Management
| Wendy Grean | ... | location manager |
Music Department
| Moe Koffman | ... | orchestra coordinator |
| Tibor Polgár | ... | conductor (as Tibor Polgar) |
Script and Continuity Department
| Elaine Yarish | ... | script girl |
Additional Crew
| Manon Bougie-Boyer | ... | production accountant |
| Linda Browne | ... | production secretary |
| Carol Campbell | ... | production services |
| Alex Dukay | ... | production assistant |
| Gary Greenspoon | ... | production assistant |
| Allan Hitelman | ... | financial consultant |
| Robert Lantos | ... | presenter |
| Douglas Leopold | ... | unit publicist |
| Harriet Lipson-Coulombe | ... | publicity assistant |
| Jacques Pinard | ... | production assistant |
| Stephen J. Roth | ... | presenter |
| Rene Balcer | ... | production assistant (uncredited) |
