Striptease (1977) Poster

(II) (1977)

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Worth seeking out for fans of its stars
van_goethem22 April 2004
In this movie, Terence Stamp plays a film director who has scored a tremendous hit with his first film. But after that early success he finds himself depressed and lacking in ideas for a new project. Since the film was made during a low point in his own career, it is possible to imagine that Mr.Stamp found some resonance in the character he plays to himself and his own career. Certainly, fans can amuse themselves by spotting (presumably, unintentional) self-references in the dialogue to movie-making and the state of mind of those who make them. Corinne Clery, in one of her earliest roles, does a fine job playing an out of work actress who sparks Stamp's imagination.

It's a long way from being a masterpiece but it will maintain the interest of its stars' fans if not of a wider audience.
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1/10
Euro Drivel
saint_brett21 February 2023
Warning: Spoilers
Wow, look at the analog quality of this Betamax production.

This graveyard ships the viewer back to a time when 'Petticoat Junction' was in its prime.

The start of the movie looks like it was filmed on a test bomb site location.

There's been some sort of shark attack, like on Amity Island, as everyone mulls around searching for clues but there is no evidence as the shark gobbled it all up.

A coked-up hottie then preforms a striptease that goes way too short and literally teases the viewer into a false sense of investment.

Terrible, quick-fire, edits then sees Bruce Lee driving around in a Fire Bird looking for shark attack victims.

Two naked sea creatures crawl out of the ocean to music rejected from the movie 'Combat Shock.'

Another naked frolic at the strip club sees the same doped-up actress rolling around on the floor like a busted hoover performing the same, unstable, routine.

Jive music rejected from 'Grease' twangs away as either Lance Henriksen, or Ralph Fiennes, walks around stalking the sea creature stripper from earlier.

The quality of this DVD is like a 30's movie converted to color.

How the hell this crap escaped from its time capsule is a mystery.

Christ, what is it with every conversation in this movie? They're analyzing every detail. They'll write a whole chapter based on opening a can of baked beans.

You know, if you want, you can up the stakes in this bore fest and pretend that the lead male actor is Ezra Cobb from 'Deranged.'

This is boring.

This garbage comes under the title 'Insanity!' by that horrible distribution company "Substance" in a 3-pack DVD release. It's actually titled 'Striptease' according to elsewhere.

Why is this trash on a horror DVD with two other 1/10 movies?

Instead of watching this rubbish I could be in bed and dreaming about zombies, or the land of the dead.

All I watch every night is garbage or trash. No wonder I flunked high school back in the day.

Bruce Lee keeps driving around in this souped-up, fandango, whiz banger searching for more shark attack victims.

Harrods department store music sets the tone to introduce a new love interest for Ezra Cobb, who's two-timing on the swinger's scene.

Why is this striptease sea creature unloading on the viewer all her petty squabbles? She's in need of a therapist not an uncaring ear.

I don't care if you're gonna nosedive off that leaning tower of Pisa.

Not content with two women draped off each elbow, Ezra Cobb goes out in search of Spanish lady boys. He scores three of them which now qualifies him as a playboy.

Inspector Gadget makes a cameo, only to confuse the non-existent plot, and drives around with Bruce Lee in search of lady boys or shark attack victims?

If this movie were a rocket launch, it'd never leave the grounds of Florida.

Wow, look at these two gooses making fools of themselves as they dance around like constrained robots. "Pay us more money and we'll dance better for the movie! If not, we'll continue to look like fools." As it is they're doing the C3-PO shuffle. And they're grown adults to boot. Gracing my TV with offensive body gestures of Goofy proportions, will ya!

Ezra Cobb punches out Inspector Gadget.

That left cross warrants one point, I guess.

That's what you get for dancing on my TV and making fools of yourselves and embarrassing me in the process.

If you wish to watch a bunch of high society Euro's taking drama class acting to the extreme then 'Insanity!' AKA 'Striptease' is your ticket. Line on up and let rich snobs rub their exclusive lives in your face. They even have their own private boat, chicken, and caviar on board. How's that for the rich end of town? Chicken on a boat? Speaking of chicken, Colonel Sanders bobs up and refuses to reveal the secret herbs and spices with Bruce Lee.

Is this crap gonna finish any time soon?

The strip teasing sea creature puts on a private show for Colonel Sanders and it looks like he's gonna go into shock.

Is that Grace Jones watching on?

Colonel Sanders has got his clammy hands all over his own daughter now. He then hits on the strip teasing sea creature and tries to purchase her whole like an item for sale.

Another lazy striptease scene?

Not only am I running out of patience with this movie but I'm also running out of paper space to write the rest of my review.

Colonel Sanders shoots some bystander with a hunting rifle for jollies.

This life sentence won't end.

About time! Punishing music from a 70's science show is used in the build-up to the strip show creature's death as Ezra Cobb drives her to both madness, and suicide. From what I can gather Grace Jones tells her some home truths, that hit too hard close to the mark, so she flies off the handle, says some things, then drives off as Ezra Cobb stalks her some more and pushes her over a cliff and back into the ocean where she came from.

The movie ends with Ezra Cobb being escorted out of the country to a destination unknown.

Thank Christ that's over.

Amen.

Why do I own this movie?
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8/10
A Rare Lost Gem...
Falconeer20 May 2022
This lushly filmed melodrama is somewhat of a lost movie; unless you can find the ancient VHS tape from the elusive "Mogul" label, you simply will not be able to experience this beautiful and intelligently written film, featuring an impressive cast. Corrine Clery once again ignites the screen with that stunning body of hers, as prominently featured here as it was in "The Story of O" from two years prior. "Insanity!" however, is a more serious production, and it is actually not an "exploitation" film, despite the enormous amount of nudity on display.. Clery plays Anna, a successful actress who walks away from her career while she is at the top of her game. She is hiding from the world, and working as a glamorous exotic dancer in a local nightclub in the Canary Islands. One night she is spotted by Alan, played by the always excellent Terrance Stamp, who becomes fascinated with the beautiful Anna when he catches her sexy nightclub act. Alan recognizes Anna from her films, and feels like there is a story there, and as a washed up film director himself, she could be the inspiration he needs to launch a career comeback. Filmed as a kind of "movie within a movie," Alan invites Anna to live with him, and she begins to share her story of a tragic romance that came to a life altering end, that caused her to retreat from the world. We see Anna's story in flashbacks; Anna in Paris, with her young love, a relationship that goes bad when Anna experiences a miscarriage after her lover winds up in prison. It's all very melodramatic, with scenes of the Eiffel Tower and romantic walks through the streets of Paris, highlighted by the beautiful Francis Lai score..Of course when Paul's wife (the stunning Pilar Velazquez) arrives home from a trip, in her blue Ferrari, and finds a nude Corrine Clery shacking up in HER house, with HER man, whom she is supporting financially, she is not at all pleased. In the end, she calls upon "Daddy" to the Canary Islands to take care of the situation. Daddy turns out to be the one and only Fernando Rey, in one of his typical "dirty old rich man" portrayals, (Luis Bunuel's "Tristana") who pulls up in his Rolls Royce, with his teenage girlfriend on his arm, ready to take Anna out of the picture, leaving the playing field open for his spoiled bitch daughter. Anna turns down his offer of wealth and a place in elite society, in one of the most powerful scenes in the movie..she basically calls him a slimy pig! At the heart of the story is one man's search for the humanity that he has lost with his youth, a humanity that can only be regained through his connection with the young, and still idealistic Anna.. How this gem has not been rediscovered and restored for a bluray release, is a mystery, as it has so much going for it, such as the dream cast of cult film favorites, the abundant nudity, and beautiful Francis Lai score, and the stunning location photography. Until that time comes, that old VHS tape from Mogul can be had, for around 100 bucks...
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Better than the Demi Moore movie (but don't necessarily consider that a recommendation)
lazarillo2 March 2009
This 1970's French/UK flick shares its title with a later Demi Moore film. It's not really any better, but it's far less annoying than the later film. A jaded film director (Terence Stamp) is "re-inspired" after he catches the act of a beautiful stripper (Corrine Clery), who was once a successful actress, but left the profession for personal reasons. He ends up casting her in a new project, but their not-so-platonic personal relationship creates friction between him and his fiancée (Pilar Velazques)and also her wealthy father, who is one of his producers.

This movie has a couple things going for it. Terence Stamp is always at least as good as, and usually much better than, the films he appears in. This is no exception. Then there's Corrine Clery (pant! drool! slobber!) who, just as she did in her first film "The Story of O", spends half her screen time either stripping or stripped (for better or worse though, she doesn't get tied up and/or whipped here like in the earlier movie). Clery would actually turn out to be a pretty decent actress, later appearing in the excellent Italian film "Hitch-Hike" and as a Bond girl (albeit in "Moonraker", one of the lesser Bond films). She's certainly not bad here (and far, far less irritating than Demi Moore).

Unfortunately, with the exception of Fellini's "8 and 1/2" and Truffaut's "Day for Night", these reflexive films about the lives of filmmakers are never very good. And the end of this one is ridiculously, even laughably, melodramatic. It's better than the Demi Moore movie "Striptease", but don't necessarily take that a recommendation.
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