Gemini Affair (1975) Poster

(1975)

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Some "celebrity skin", but otherwise disappointing
lazarillo4 March 2009
Matt Cimber is one of the most underrated low-budget 1970's exploitation directors, responsible for such minor classics as "The Witch Who Came from the Sea". This film is kind of a disappointment, however. First off, it's very talk-y and stage-y, relying on a lot of theatrical-style acting, which is almost never a good thing in a movie, even with great dialogue and very talented performers. To make things worse, however, the two main performers are definitely not very talented. Marta Kristen (from the 1960's "Lost in Space" TV show) comes to LA to visit a friend (Kathy Kersh). Both of them are trying to make it in Hollywood, but they both learn that it's not such a nice place to be. They eventually decide to lead town, but not, of course, before having a steamy lesbian sex scene!

I know some may want to see this just to see "Will Robinson's" older sister engaging in full-frontal lesbian sex. Well, it occurs about 55 minutes in--use chapter-skip/fast-forward etc. and save yourself from having to watch the rest of the movie. I initially thought Marta Kristen was playing both roles, partly because the two actresses intentionally look a lot alike (thus the title), but also because it was hard to believe two different actresses could both be this bad. Kristen, at least was a lot better in "Lost in Space" so perhaps, Cimber deserves some of the blame. But then he got a great performance out of another TV actress, Millie Perkins, in "Witch". It's unfortunate also that his regular character actor, George "Buck" Flowers, who was so great in "Witch" only has a small part here as a cabdriver.

If you're just looking for "celebrity skin", you probably won't be too disappointed with this, but if you're a Matt Cimber fan (or you're more interested in thespians than lesbians), you almost certainly will be.
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2/10
Marta, you didn't need to do this.
gcanfield-297279 February 2020
Why would a beautiful woman like Marta Kristen be reduced to doing this kind of sleazy junk? I had no problem with her being nude, but why with another woman?! Marta was above this kind of thing. She was so much sexier on Lost in Space.
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7/10
Lost In....Judy Robinson.
morrison-dylan-fan21 January 2014
Warning: Spoilers
Talking to a friend recently about a TV show called Lost In Space,I started to remember a worn-down Sci-Fi TV annual that I used to read when growing up,which along with featuring still photos from producer Irwin Allen's catalogue of TV program,also contained an interview with Lost In Space actress Marta Kristen,where she talked about having recently made a film with Jayne Mansfield's husband.

The plot:

Being given the opportunity to audition for movie roles in Hollywood,thanks to a casting director giving her $500 and a free plane ticket,budding actress Julie decides that along with auditing for roles,she will also meet up with an old friend called Jessica, (who has now become very successful)and live in her villa.

Reciving a warm greeting from Jessica, (and a less then warm greeting from the maid) Julie is shocked to discover that her close friend has become a call-girl for powerful Hollywood producers,due to Jessica believing the that is the only way that she has been able to get a break in the business.Clinging on to her dreams of Hollywood glamour,Julie soon begins to fear that her only chance to gain fame,might be to "transform" into Jessica.

View on the film:

For the first half of the movie,director Matt Climber sets Julie's entry to Hollywood against a brightly lit,glamours world,where everything that she and Jessica need is in the villa,and the days are so calm and relaxing that neither of them have to get out of bed.As Julie's superstar dream starts to fade away,Climber covers the movie in a deep blue darkness,which despite making the films steamy-sounding (and infamous) lesbian sequence a bit too tough to make out,also perfectly reflects the down beat mood that Julie finds herself in.

Placing most of the movie in Jessica's villa,the screenplay by Harry Houdydu takes a strong stage approach to the story,which along with allowing for the gold Hollywood glamour to get mercilessly torn apart,also allows Houdydu to build a gradual intensity in Julie and Jessica's relationship.

Joined by a terrific Kathy Kersh, (in what is up to now her final role)as the decayed Hollywood glamour girl Jessica,Marta Kristen gives an excellent performance as Julie,with Kristen showing Julie's Hollywood dreams fade away from her face,and also powerfully reveal that Julie has got herself caught up in a relationship,that is far more complicated than simply being lost in space.
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Cliched Hollywood non-success story
lor_14 February 2023
My review was written in October 1984 after watching the movie on Unicorn video cassette.

"Gemini Affair -A Diary" is emblematic of a recent phenomenon, unreleased films finally surfacing for the home video market. Shot in 1973, pic is a mildly interesting but woefully underproduced drama about young women "making it" in Hollywood and is reviewed here for the record.

Marta Kristen and Kathy Kersh, both good-looking blondes stuck in a near-sex film format which would probably get a soft X rating if submitted, topline as two girls from Indiana now in Los Angeles. Jessica (Kersh) has become a high-priced callgirl, while newly arrived Julie (Kristen) is an aspiring actress in town for her first screen test. Both have a warring relationship with the housekeeper (played by vet character actress Anne Seymour), taking care of a lavish mansion where Jessica lives as a "kept woman".

Producer-director Matt Cimber, moe famous for his star vehicles for late wife Jayne Mansifeld, Pia Zadora and latterly Laurene Landon, errs in rooting almost the entire film at the mansion, giving a claustrophobic (read cheap) effect. The heroines talk about casting sessions and going out for tricks, but nothing is staged. After Julie unsuccessfully tries out prostitution, there is a rather tamely handled lesbian subplot between the two women, leading to an open ending implying each person has to find and be herself.

Gauche and smutty dialog (credited to a writer with the phony-sounding name of "Harry Houdydu") has Kersh swearing enough to qualify for Brian DePalma's recent "Scarface" remake. Acting and technical credits are okay, with "Gemini" containing one outstanding sequence in its latter half when Marta Kristen recalls an erotic incident of years ago, shot outside in one continuous take. This scene works in the same way as Bibi Andersson's erotic monologue in Ingmar Bergman's classic "Persona", and is almost strong enough to justify one's perusal of this minor failure.
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