Tropic of Cancer (1972) Poster

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6/10
Traditional Yellow goes Tropical Black...
Coventry1 March 2019
"Death in Haiti" is by no means a stellar or exceptional Giallo, but it's nevertheless a modest pioneer of some sort. Its release year was 1972, and that year is widely considered as the peak-performance for the Italian Giallo. In other words, up until 1972, and still even 2-3 years after, all Giallo writers and directors largely followed the proven success formula. It wasn't until after the mid-70s, when the popularly of these films started to decrease, that they began experimenting with filming locations outside of Italy or mixing typical Giallo plots with elements from other exploitation sub genres. Directors Giampaolo Lomi and Edoardo Mulgargia were among the first ones to take the authentically Italian concept abroad, evidently to Haiti in this case, and added the aspects of psychedelic drugs and traditional voodoo rituals. Who knows, maybe they just wanted to treat themselves to a tropic holiday destination, but at least they also grabbed the opportunity to make an enjoyable Giallo at the same time!

Co-writer Anthony Steffen, formerly a Spaghetti Western star, invented a nicely glamourous role for himself as the respected Doctor Williams; surgeon and businessman on the island of Haiti. He's always surrounded by rich, dubious and sleazy people because Williams also happens to have invented a powerful new drug. Grace, the beautiful blond wife of William's childhood buddy Fred can confirm the drug is quite efficient, because it causes her to hallucinate about dozens of naked black men and having sex with a voodoo priest! With drugs and money involved, it naturally doesn't take long before people are getting killed in various gruesome ways by an unseen assailant. The Haitian locations are beneficiary for the film, even though the obligatory tribal/voodoo dance rites are rather tedious and basically just form a cheap excuse to depict gratuitous nudity. Those gorgeous native Haitian girls obviously dance topless, or what else did you think? The genuine typical Giallo-whodunit plot is naturally the best thing about the film, and I must say there's a fair amount of mystery and suspense around the identity of the sadist killer. The extremely brutal murder taking place in an abattoir already makes "Death in Haiti" worth tracking down.
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5/10
Check this forgettable giallo only for Anita Strindberg's chiseled illecebrous face n sharp features.
Fella_shibby29 November 2019
I saw this for the first time recently. The poster looked cool n the review by Coventry regarding the gruesome kill made me see this boring giallo. The only redeeming factor is the hot babe Anita Strindberg, one of the first giallo queens. The babe had a unique chiseled face n sharp features n inspite of being very ectomorph (one can clearly see the breast bones rather than the cleavage), her face was really illecebrous. The film lacks suspense n tension n the weird naked dance n the dream sequence is laughable. The kills r forgettable except for the fatso's face.
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6/10
Totally crazy
BandSAboutMovies11 January 2021
Warning: Spoilers
Anita Strindberg is in Your Vice Is a Locked Room and Only I Have the Key, A Lizard in a Woman's Skin, The Case of the Scorpion's Tail, Who Saw Her Die?, The Two Faces of Fear, L'uomo Senza Memoria and Murder Obsession, but is never mentioned with the same devotion as Edwige Fenech or Barbara Bouchet. Well, she's great in this and in nearly everything else I've seen her in.

In this film, she plays Grace, the wife of Fred (Gabriele Tinti, Endgame) and their vacation has led them to Haiti and Dr. Williams (Anthony Steffen, who mostly is known for Italian westerns, but also appeared in The Night Evelyn Came Out of Her Grave, Evil Eye and An Angel for Satan), who has invented a new drug that can change the world. It's so astounding that everyone from drug cartels to drug companies - which are really close to one another, when you really think about it - will kill for its formula.

There's also a scene where the doctor takes our heroes to watch a voodoo ritual, all so this movie can have a bit of mondo* within it. Because it's an Italian film, that means we're about to watch a real bull really get killed and then lose its scrotum in gorgeous living color. The film then tops this with actual cows being slaughtered, so if you're upset by the side of Italian cinema that doesn't shy away from putting animal butchery right in your face, make a mark to avoid.

This movie leaves me with so many questions. What kind of doctor is Williams? He says he's a veterinarian, then he makes a magical anti-venom drug and oh yeah, he's also a meat packing inspector. And just what kind of wonder drug has he made? And did the filmmakers realize that the Tropic of Cancer is nowhere near Haiti?**

So yeah - most of the movie is spent wondering whether or not Grace is going to succumb to the lure of the native men***. And the best character in it is Peacock (Alfio Nicolosi, who was also in Goodbye Uncle Tom), who pretty much runs the island. Also, the murders in this go from high tech to voodoo-based death and faces getting melted right off, which is different for a giallo****.

And hey - that Piero Umiliani (Orgasmo, Baba Yaga) score is perfect!

It's not a great giallo, but it certainly is weird, and sometimes, that's good enough.

*One of the directors of this film, Giampaolo Lomi, was the production manager for perhaps one of the most notorious mondo films, Goodbye Uncle Tom. The other, Edoardo Mulargia, directed Escape from Hell, which was edited into the Linda Blair movie Savage Island. So with backgrounds like those, the scummy mondo nature of this film makes a bit more sense.

*Of course, we can assume that with the Henry Miller novel being such a big deal getting banned and causing controversy that the title itself seemed like a good idea to get curious folks into the theater. Better than Death In Haiti, Peacock's Place or Inferno Under the Hot Sun.

***The flower that poisons her takes her on an insane erotic fever dream that we all get to watch and the movie is better for this scene.

****There's just as much - if not more - male than female nudity, too.
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The giallo meets the "black sexploitation" film
lazarillo21 November 2007
This is a combination of an Italian giallo and "black sexploitation" film. The latter is not to be confused with American "blacksploitation" films since these films weren't trying to "exploit" a black urban audience but rather the myth of "primitive" black sexuality for the delectation of white audiences. The giallo locale here is shifted to "primitive" Haiti. The plot is almost a "McGuffin". It involves various grasping characters chasing after a new drug a friend (Gabriel Tinti) of the the two married, vacationing protagonists (Anita Strindberg and Anthony Stefens) has discovered. This drugs and voodoo plot is somewhat similar to the later Wes Craven movie "Serpent and the Rainbow", but this is nowhere near as good.

Atypical for this kind of "black sexploitation" this film doesn't have any real black female characters (other than the ones involved in the typical sub-"National Geographic" topless tribal dancing scenes). The interracial thrills are delivered primarily in couplings of black men and white women. The one featured prominently on the poster is a standing sex scene between Strindberg and a Haitain voodoo priest which is actually the climax of a bizarre dream sequence (right out of "Coffin Joe" movie)that is probably the most visually interesting sequence of the film if you can get by the casual racism. The other, more gratuitous, scenes involve the Haitian police chief and his white mistress, but since this particular character is surprisingly three-dimensional and "civilized", these scenes don't quite fit the usual mold either.

The problem isn't that this movie is especially exploitative or racist as these kind of films go, but that it is not particularly effective as a giallo either. Aside from the exotic locale, there is nothing very interesting here. Whatever her charms, Anita Strindberg was not a great actress, and it doesn't help that she's paired with a stiff like Steffens. Speaking of stiff though, the best performance is turned by Gabriel Tinti, the future "Mr. Laura Gemser", who's most famous for having an obligatory sex scene with that exploitation goddess in practically ever movie she ever made (whether he was otherwise in the movie or not). I'm sure all these actors had a nice Caribbean vacation, but the resulting movie is no great shakes I'm afraid.
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3/10
Very uneven giallo experience with unusual location
ernesti26 November 2013
Giallos are known to be a little incoherent at times without being a complete mess but this movie certainly is the latter. It's a real mess. Many scenes of the movie look spectacular, especially the outdoor shots in the Haitian streets with full of crowds. The movie's certainly got elements that could have made it into a much better film than it actually is. It's just too bad that the Italian sense for style doesn't always work and this time even the plot stank so bad that it should have been rewritten almost completely. In my opinion the main problem is that the film doesn't engage at all and the pacing is just lame. I didn't care much what would happen to the characters in it. It's a kind of a problem when i was supposed to sit down and keep myself watching the film for its entire length of one and half hour.

The dream sequence with Strindberg and the voodoo priest made me laugh really hard. It's really the moment that was supposed to be surreal and scary but ended up looking like a skit.

What really is disappointing is that how much better this film could have been. I can only recommend this film for giallo fans who don't care much if the film is good or bad.
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7/10
Unusual Giallo mixed up with Haitian voodoo rituals
rundbauchdodo3 June 2004
A scientist invents a hallucinatory drug. Interest of different dubious people in this new drug lead to betrayal and murder.

This rather underrated and lesser known Italian thriller certainly has its flaws, nonetheless it belongs to the most innovative films of its genre that was booming in the early 1970s. Thanks to its fresh ideas packed in a traditional Giallo plot, it really stands out of the bulk, even though 1972 is probably the most Giallo-intense year ever. The most remarkable moments include feverish dream sequences that are erotic and nightmarish at the same time. The dreams are induced by similarly feverish Haitian voodoo rituals that feature mondo-style animal killing (there is also a non-ritualistic animal killing shown in a slaughterhouse - traces of social comment, obviously).

The erotic moments are more frequent and sensual than in the average Giallo, and they are very well done (as already mentioned, especially the dreams). The body count is also above average, and in the second half, the movie boosts some murders as creative as they are brutal. It also delivers elements of the spy film genre - drugs can always be sold for big money. And the climax is not necessarily Giallo-typical.

The leading cast consists of genre regulars: Anthony Steffen plays the inventive scientist and Gabriele Tinti the "hero"; Anita Strindberg is Grace, the woman with the unnerving dreams. On the other hand, the two directors are barely known and none of them made another Giallo (Edoardo Mulargia shot a few Westerns and some Women-in-Prison stuff, but nothing really significant).

AL TROPICO DEL CANCRO is not a masterpiece, but it's a sleeper of the genre with enough original and surprising elements to make it highly recommendable to the fans of the genre.
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4/10
Unimpressive atypical giallo effort
kannibalcorpsegrinder21 November 2020
Arriving in Haiti for work, a doctor trying to keep the various figure from getting their hands on a miraculous drug being developed runs into a friend and his wife on vacation trying to save their marriage, and when they all start to become involved in the growing body-count must try to stay alive against the attackers.

This one turned out to be a rather pedestrian and underwhelming giallo. The main issue that holds it back is that hardly anything here is interesting with nothing being given a worthwhile status to them. The espionage story at the center of the film is a major obstacle with barely anything about the miraculous drug beyond lip-service denoting its hallucinogenic properties as this reputation is all that's given to this one. Basically given nothing to work with doesn't make it interesting nor does a stranger going around beating up random people trying to get information out of them intriguing as this just doesn't make for an interesting time, rather just gets confusing. On top of that, the married couple going around trying to repair their relationship is simply tedious as they go through the usual woes associated with this tope and just end up wasting time for the most part. It's also not that impressive if there's not much in the way of traditional genre action here. As the exploits of the style denoted a masked killer wandering around trying to kill someone off, this one barely has any of that occur as the focus appears to be on the doctor running around the island performing his duties or the married couple getting lost in the tourism side of the area while trying to be civil with one another until they run into him who saves the couple. This industrial espionage type of action comes across as being in the wrong film altogether as this grounds the film more realistically compared to the series of hallucinations and visions which have little connection to what's going on. All in all, these are what hold it back for the most part. There are a few slight positives to be had here. The biggest plus is that even though the hallucinations and visions feel out-of-place they're pretty impressive visually. Especially noteworthy is the big sequence often buying the fertility being statue as that's quite expressive and appealing which is quite fun. As well, there's also the intriguing amount of stalking scenes on display, which are rather fun as this one manages to bring in some excitement to this one. From the ambush in the hotel room to the stellar stalking of the henchmen looking for a secret payout in the factor which results in a nice surprising scene and the series of double-crosses and foot-chases which are featured here, there's quite a lot to enjoy here with some decent kills mixed in. Along with some fine nudity mixed in, this one offers up some decent points if not a whole lot overall.

Rated Unrated/R: Full Nudity, Violence, Language and violence-against-animals.
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7/10
Giallo in the sun.
punishmentpark14 September 2015
Warning: Spoilers
Black gloves: check. Mysterious killer: check. Lots of bloody killings: check. Beautiful female nudity: check. So, this might look a bit like a Giallo (Imdb prefers capital G), but the scenery is far from any European city where they usually take place. We are on Haiti, and surrounded by voodoo and rituals in a plot that focuses on the secret formula for a certain drug that might be profitable in Western society - reminiscent of Wes Craven's later 'The serpent and the rainbow', which has a way more effective plot with a true horror feel.

The plot just seems to go from one killing to the other, and any one character (except Anita Strindberg's character, really) could be the killer. In between, we are treated to various exuberant scenes of voodoo rituals and fairly creative kills. Gore is reasonably represented, and the photography is quite nice all the way through, with a few highlights, such as the fever dream and the voodoo rituals. The final scene, in which the mob turns violently on the exposed killer, is a pretty harsh, yet satisfactory ending.

A good 7 out of 10.
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6/10
there are one or two rather good scenes
christopher-underwood29 November 2023
There are a couple of moments, with a pair of dark trousers, that we could say was like a giallo but the rest of the time it is really rather confusing. There are one or two rather good scenes, as the film was made in Haiti, but it is all a bit of a mess. There are some odd people but the dubbing is even more odd which makes it seem really silly. We have to mention Gordon Felio the rather large man had done a couple of films especially with What's New Pussycat (1965), uncredited as the 'fat man'. Anthony Steffen is usually rather good and was in The Crimes of the Black Cat (1972) and The Night Evelyn Came out of the Grave (1971) otherwise he was in many great spaghetti westerns. Anita Strindberg can be good and certainly her best giallo was Your Vice is a Locked Room and Only Have the Key (1972). Of course she had her breasts enhanced and she usually bares them and also with a 'blacksploitation' moment in this one.
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8/10
An interesting film. Unique.
graham-harvey26 October 2020
This is a unique film. It is like a time portal into 1972 Haiti. Some reviewers will demonise it as racist etc but I found it to be quite neutral really. It had a gay character which was unique in 1972 & while he was stereotypical, he was basically accepted as another human with his strengths & weaknesses. It is quite sexually open for its time & seems to explore a lot of voodoo culture in a way that seemed more documented than acted. A sense of the climate of the tropics imbues the film and a regard for Haiti.
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10/10
Great giallo...starring spaghetti western legend Anthony steffen
joshjack-3568027 April 2020
The copy i have of this film is in really good shape....and the film itself is a treat..it's like a giallo film mixed with mondo style features (well...thats exactly what it is) but nonetheless...a very intriguing film. I loved it and i can't wait for somebody like arrow video or severin films to rerelease it on blu ray. I highly recommend it. Filmed in Haiti.
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