User Reviews

Someone is jabbing the life out of hookers in London and Scotland Yard are up to finding out who is responsible. It seems that Jack the Ripper has come back from the dead, but the police actually suspect hard drinking, limping, fat tiny Spaniard Paul Naschy for the murders.

Paul plays Pedro, a retired trapeze artist with a bum leg whose hooker wife is murdered early on by our douchebag killer, who also frames Pedro, who can't seem to go anywhere without dead hookers turning up.

A certain inspector is out to catch the killer, and has some suave mate whose wife he might be in love with. It's all like EastEnders only with murders and translated through a Spanish eye. It doesn't have the style of an Italian giallo (hence the accusations of it being drab and flat) but it does have a good pace and plenty of sauce.

It also has plenty of cheeseball moments, from when a hooker has a speech about how all men are bastards or the various moments when members of the British public try and avoid the camera that has no doubt appeared undeclared right in front of them! This film also has a fairly high body count so I'm a bit unclear on how it can be boring. Cheap looking, yes, but entertaining throughout.

Also, I went to London a few days ago, all jazzed to see Piccadilly Circus the way it appears in this film, and they've replaced it with a giant TV screen! What a let down.

A serial killer is on the loose in modern day London, committing a series of murders that echo the work of Jack the Ripper from the previous century. Scotland Yard is once again on the case and their no. 1 suspect is Peter Dockerman (Paul Naschy), a drunk former trapeze artist (!) whose wife was one of the earliest victims.

This Naschy vehicle is a real snoozer. A majority of the time is comprised of stuffy Brits talking up their theories over and over. This is the kind of movie where you will guess the killer 20 minutes in (a small cast and telling line of dialog helps out here) and then you wait the next hour as they try to mislead you. It also doesn't help that the TeleVista DVD appears to be a clothed version (although sharp-eyed viewers will note that a flashback by the killer features a quick snippet of nudity). The DVD is nice though in that it is widescreen. The crew did a few days of actual shooting in London as Naschy limps around various tourist spots. It is quite fun watch the polite Brits always duck out of the way real quick as the camera pans to them.

This had been shown on late-night Italian TV some years back and, later, I recall it being mentioned favorably online; hence, given its theme of an updated version of Jack The Ripper and the fact that it starred Euro-Cult icon Paul Naschy, I decided to check it out this time around. However, it turned out to be quite a mess: not so surprising when considering that the only other J.L. Madrid film I've watched was the similarly dispiriting THE HORRIBLE SEXY VAMPIRE (1970)!; as in that film, the women here are mainly on screen in order to disrobe and get butchered.

The plot provides three possible suspects of the serial killings: a crippled and bitter ex-trapeze artist (Naschy) whose wife is among the victims, a handsome schoolteacher of noble birth but who's actually impotent and, surprisingly, a police commissioner who just happens to be the latter's boyhood chum and is also secretly in love with his wife (Orchidea De Santis, whom I saw in the flesh and on screen – in Luciano Salce's equally obscure but infinitely superior political satire, COUP D'ETAT [1969] – at the 61st Venice Film Festival)!

The Swinging London locations are just about the only authentic element here: both the gore and the occasional action scene look extremely phony; another clear measure of the film's lack of budget is that Naschy's accident (which continues to haunt him) is hilariously depicted simply by having the actor throw himself in front of the camera and utter a couple of none-too-convincing groans!

JACK THE MANGLER ( 1971 ) starring Paul Naschy aka SEVEN CORPSES ( MURDERS ) FOR Scotland YARD This is a very hard to see film, but is worth the hunt for fans of Naschy and also giallo knock offs. It's a decent thriller with a mysterious Jack the Ripper wanna be who kills each victim with a distinctive blade, each from a different country. One by one, prostitutes are turning up dead and missing various body parts, a set of eyes here, a heart there. One of the early victims is Naschy's whore for hire wife, and he becomes a suspect in the early investigations, despite the fact that a younger, athletic man is the type sought, and Naschy has a gimpy leg from a high wire accident that ended his circus career. The local criminal element has it in for him as well, the murders bring the cops down on them and it's hurting business. The mystery of who the killer is and why he's so eager to carve up the local tarts is decent giallo fodder and satisfied me. Orchidea de Santis provides some hotness and Andres Resino ( the boyfriend in WEREWOLF SHADOW ) does OK as a friend of the cop running the investigation. The copy I watched is from VSoM and looks like a 3rd gen dub. It's in Italian with English subs that get the job done. Sadly, it's also the covered version of the film and not the nude version that was prepared for export. The film was dubbed into English had played the US in 1976, and this presumably was the uncovered variant, but it's whereabouts are unknown. A real shame as it's up there with a lot of the Italian giallos and without the nudity, it comes off as a bit tame considering it's subject matter. Here's hoping it turns up someday, it's on the list with a few others that really need their nude versions found so these films can be properly appreciated. The plot description that mentions Jack's a cannibal this time around is bogus BTW.

This Spanish Giallo contains suspense , thrills , chills , intrigue and plot twists . In this peculiar version of the famous story of the London serial killer set in contemporary time , here Jack the Ripper not only likes to kill prostitutes but also other beautiful women . Naschy movie with usual elements of the ¨Gialli¨ sub-genre : suspenseful intrigue , twisted killings executed by a brutal killer , violence , sadism , physical abuse , sensationalist murder pieces and nudism . Dealing with a series of murders are happening in London , these killings seem connected to a hunk gammy named Bruno Dorlani (Paul Naschy or Jacinto Molina). The frustrated and bitter ex-acrobat Bruno tries to exculpate himself by sending a letter to the police superintendent via his friend (Patricia Loran) , resulting in fateful consecuences . Meanwhile , the police commissioner , Inspector Henry Campbell (Renzo Marignano) and his agents are investigating the heinous crimes , helped by a handsome schoolteacher of noble birth called Winston Darby Christian (Andrés Resino) married to a beautiful wife (Orchidea De Santis) , all of them being drawn into a twisted criminal plot and hot on Bruno's heels as prime suspect , as they can bring down the killer to the justice .

This is the typical European co-production , a giallo style which copies usual ingredients with a number of suspect people , red herrings and grisly murders against unfortunate victims , being committed by an unknown assassin who executes macabre killings on the body his victims by slashing , cutting or hacking . This is a whodunit in which there are various suspicious people who , as usual , happen to be the protagonists , as the main question of the movie results to be to find out the following : who is the murderer ? .There're various candidates, it may be a wise , well-considered teacher (Andrés Resino) or his vindictive spouse (Orchidea De Santis) or a lame former trapeze artist (Paul Naschy or Jacinto Molina) whose wife is among the victims or even the commissioner Inspector Campbell (Renzo Marignano) himself . Lurid and gut-wrenching criminal drama made during the Francoist period in which abounded co-productions especially in horror and Spaghetti Western genres . As in Terror genre excelled Jacinto Molina who created his particular style where most of his raids would be perpetrated by the emblem of his own company in Spain , this actor, screenwriter and director Jacinto Molina - Paul Naschy , at times , collaborated with writer/filmmaker José Luis Madrid ; the result of whose collaboration are 'Jack the Ripper of London / Sette Cadaveri per Scotland Yard' (1971) and crimes of 'Petiot' (1972). Here Paul Naschy is an ex-circus artist who helps his friend a police inspector to discover who is the ominous murderer , resulting in himself to be the prime suspect . Filmmaker José Luis Madrid designs an average thriller , including some regularly staged murders plenty of startling visual content with blood similar to tomato and adding gore scenes , as well as brief nakedness, though in Spain it was submitted to limited censorship.

It contains atomspheric cinematography by cameraman Diego Úbeda , showing Swinging London locations from the Seventies , as well as some Madrid places , though a perfect remastering being extremely necessary because of the film copy is worn-out . Along with thrillling and intriguing musical score by Italian composer Piero Piccioni , an expert on Giallo soundtracks . The motion picture was regularly directed by José Luis Madrid. He was a craftsman who directed all kinds of genres. As he made Españoladas such as : ¨Lucecita¨ or ¨Strip-tease a la Inglesa¨ ; Spaghetti/Paella Westerns such as ¨The Ballad of Johnny Ringo¨ , ¨Seven Jackals¨, ¨The revenge of Clark Harrison¨ , ¨A Tomb for an outlaw¨; Eurospy movies such as : ¨Chineses and minishorts¨, ¨Ok Yetvtushenko¨ ; Crime movie such as ¨The Hyena¨ , and for the famous Spanish Werewolf , Paul Naschy , directed 2 movies : ¨Jack Ripper of London¨ and ¨Crimes of Petiot¨ and political/historical films such as : ¨Memorias del General Escobar¨ and ¨Command Txiquia¨ concerning the assassination of President Carrero Blanco . He also worked for the powerful German producer Arthur Brauner from Constantine Films with whom José Luis Madrid made a lot of uncredited films . Most of them were Krimis , a subgenre very popular in Germany . Throughout his long career he also showed a sense of opportunism with sensationalistic productions , such as : ¨The motorway Vampire¨ , about a vampire killer and ¨Last Tango in Madrid¨, there badly imitating ¨Bertolucci's Last tango in Paris¨. Rating : 5.5/10 . Average but passable Giallo .

The giallo was an Italian invention; however, there were several Spanish movies that are accepted entries in the genre. Seven Murders for Scotland Yard is a pretty typical example of this sub-genre of the sub-genre. It stars Iberian horror icon Paul Naschy in the lead role. In it he plays medical student turned acrobat who is the chief suspect in a series of prostitute murders in London. The killings recall the work of Jack the Ripper.

This is a pretty routine murder-mystery. It's hampered a bit by its low budget. It lacks the sense of style that most of its Italian counterparts had, so it comes across as somewhat more rough-edged. The murders themselves have pretty crude gore effects, while there is a distinct lack of nudity. The latter is clearly as a result of the Spanish origins, seeing as this was made in Franco's Spain and film nudity was a bit of a no-no – Spaniards like Jesus Franco had to make films in France and West Germany in order to ramp up the sex. The mystery itself isn't bad as such but the small cast means that there really aren't a lot of suspects to begin with. Still, it's certainly an entertaining enough flick, just don't go into it expecting too much.

1971's "7 Murders for Scotland Yard" (Jack el Destripador de Londres) appears to have been the first Paul Naschy vehicle in which the star moves away from the shadow of El Hombre Lobo, though it was shot on the same London locations as 5th entry "Dr. Jekyll and the Werewolf." This Spanish-Italian coproduction finds the beefy actor as downtrodden suspect in a series of baffling knifings that deliberately echo the brutality of 1887's Jack the Ripper, the culprit using incriminating notes and various body parts to taunt the admittedly hapless police. Naschy's Bruno is a former circus acrobat whose career ended after a fall, and our first on screen victim is his own wife, whose meager earnings as a prostitute allowed him to frequent Soho pubs for yet another beverage of choice. There are shades of Hitchcock with authorities fingering the wrong man, and the influence of Peter Lorre's 1931 "M" crops up when even the underworld frowns on such a dastardly killer making things more difficult for them. Alas, the whole thing simply plods along in perfunctory fashion, the killings staged identically with graphic closeups of the phallic blade conducting its penetrations with no nudity and very little blood shown, comparable more to German krimi than Italian Giallo, none of the female targets developed to any likable degree (only a small child escapes the mayhem). Like his 1973 film "The Blue Eyes of the Broken Doll," Naschy's surly protagonist may not be guilty but he's hardly innocent, leaving behind his share of corpses as he successfully evades the cops (the lack of suspects makes the killer's identity painfully easy). Director Jose Luis Madrid would collaborate with Naschy on two more obscure features, 1973's "The Crimes of Petiot" and 1977's "Comando Txikia: Muerte de un Presidente."

Following a rash of brutal murders, a Scotland Yard inspector attempting to solve the case finds that the evidence pointing to the legendary Jack the Ripper implicates a former trapeze artist as the main suspect and forces him to find the real killer to clear his name.

This one was quite the enjoyable Giallo effort. One of the film's better aspects is the fact that this one manages to tie into the historical connections and works itself into the modern setting. Despite knowing early on that the clues point to the mythical killer through the style of knifings and the connection with the blades found at the crime scenes, the inherent inability to see past that and focus on the one character for the vast majority of the running time with a series of improbable tactics to try to place him at the foot of the killings as there's no real reason why he should be placed squarely in the blame for the incidents which all ties together into the workings of the genre. That also extends rather nicely into the film's stalking scenes which are quite fun and enjoyably in the giallo vein, from the opening shock murder of the prostitute thinking she's with a client only to pull a knife unexpectedly, a later stalking of a woman in her flat who is completely unaware of the killer approaching her room and then taking her out makes for a chilling sequence and the great attacks in the school gym and a woman alone in her apartment all come off much creepier than they should which really enhances the stalking action in here. The manner in which he gets implicated, being found the morning after a night with a dead prostitute and her blood on him which forces a daring escape into the night that keeps him having to dodge the police after him, and along with a solid brawl with a gang of youths attempting to bring him to justice also giving this one some solid action alongside the stalking. That leads into the film's other great aspect in the finale which is the highly enjoyable brawl in the killers' lair as there's plenty of hand-to-hand brawling that makes for a truly enjoyable time and gives this a strong finish. Still, even with these great elements there's some minor troubling factors. The biggest issue with this one is the rather stilted and one-note investigation that carries on throughout here which renders a vast majority of what's going on really bland to get through. The insistence on the circus performer as the killer is inherently ludicrous as the physical feats performed renders his career-threatening injury the perfect scapegoat to place him beyond the scope of investigation as a simple search realizes that quite easily. It's so weak in fact that there's even the mention of this in the final showdown when they make mention of the fact that the case is rather mysterious in how it lead to the killer and they just gloss over it. The other flaw is the rather troubling lack of sleaze and violence here, as the attacks leading into the revelation about them being prostitutes leaves this with little to no nudity and utterly cheap-looking gore effects that ruin any illusion of realism by showing a knife actively carving up animal meat due to the consistency and color that's far beyond what human skin looks like. These do drag it down, but otherwise it was quite fun.

Rated Unrated/R: Violence, Language, Brief Nudity and mild sex scenes.

Most people perhaps don't know this, but back in the 1970s, the Spanish horror monument Paul Naschy occasionally did more than just put on his furry werewolf coat and depict Waldemar Daninsky in the legendary and long-running "Hombre Lobo" series! Some of this non- wolf man movies rank among the absolute greatest things he ever did, in fact, like for example "The Hunchback of the Morgue", "Inquisition" and "The Hanging Woman". In that same decade, Naschy also starred in three very worthwhile Spanish variations of the Italian giallo: "Blue Eyes of the Broken Doll", "A Dragonfly for Each Corpse" and this "7 Murders for Scotland Yard"; in which a vicious serial killer copycats the modus operandi of Jack the Ripper in contemporary London. The most entertaining thing about Paul Naschy movies – and this goes for practically ALL Paul Naschy movies – is that he clearly worships himself and seemingly always insists to portray an invincible hero! Even though Nashy was relatively short-sized and rather chubby, the most ravishing women always fall head over heels in love with him and he always beat his opponents in bare-knuckle fights even though they are much fitter. In this particular movie, we are even supposed to believe that Naschy's character – Pedro – was a former trapeze artist in a circus. I can guarantee that it's quite a hilarious sight to see him in his bright purple tights…

"7 Murders for Scotland Yard" is a fun and undemanding giallo that delivers the goods in terms of sleaze, bloodshed and grotesque plot twists. The whodunit-aspect is rather weak, since there are only three primary suspects in the murder investigation and, since it's fairly obvious straight from the beginning that someone is blatantly trying to frame Naschy's character, there are actually just two… More than 80 years after Jack the Ripper terrorized London, someone is once again targeting prostitutes and removing their organs with utmost surgical accuracy. Pedro, the former circus artist who now drinks too much and stumbles around on a handicapped leg, becomes Inspector Campbell's main suspect when also his girlfriend's lifeless corpse gets discovered. While the corpses keep piling up, and Pedro tries to look for the killer on his own, Inspector Campbell is busy blabbering with his best friend Winston. The murders are quite grim and explicit, and after a while Jack the Ripper doesn't restrict himself to prostitutes and even slashes an extremely young and cherubic school girl. What else is there to say about "7 Murders for Scotland Yard"? Well, perhaps that whoever invented this alternative title clearly cannot count properly, as there are far more murders being committed than seven. The biggest shortcomings of Spanish gialli in comparison to their Italian counterparts are undoubtedly the lack of style, the shortage of imaginative camera-work and the absence of a memorable soundtrack. José Luis Madrid's direction is anonymous and flat, but there's enough action and the connection with Jack the Ripper is original.

7 Murders For Scotland Yard? There might have been… to be honest, I wasn't keeping a tally of the killings; instead, I was counting down the minutes to the end of this dreadfully dull Spanish giallo starring Iberian horror icon Paul Naschy as Pedro, an ex-trapeze artist (sh'yeah right!) with a manky leg who is suspected of committing a series of grisly London murders in which the young female victims have their organs surgically removed, Jack the Ripper style.

With way too much in the way of boring police procedure, repetitive killings that deliver minimal (and unconvincing) gore, and very little of the style to be found in many Italian giallos, about the only thing that the film really has to offer fans of '70s Euro horror are a few reasonably attractive women in various states of undress (although there's no actual nudity, quite the rarity for this kind of film) and some authentic location work (that said, the scene where Naschy has a knife fight with three men clearly wasn't shot in London—we don't have crickets chirping loudly in the evenings).

3.5 out of 10, generously rounded up to 4 for the hilarious scene in which a victim's severed head is delivered to a police inspector, and then casually passed around the station so that everyone can take a look.

OMG could this movie be any slower?

Plus, I'm not sure what century its set in.

It starts in modern day London!

Then there's the first murder in a bedroom that looks Victorian with an old knife!

I'm confused.

This is really one of the worst movies I have seen in a long time.

The plot

In this version of the famous story of the London serial killer, Jack not only likes to kill prostitutes but he is a cannibal as well.

Seven Murders for Scotland Yard is pretty much your standard Giallo fare, and that is no bad thing! The plot revolves around a vicious psychopath who goes around brutally slaying prostitutes. You would expect a film with this sort of plot to be a completely brutal and sleazy affair, but Seven Murders for Scotland Yard is surprising in that aspect as while there are murders aplenty, there's no real nudity, and the murders themselves have been heavily edited, so we don't get to see much more than a bit of blood. This is unfortunate as Seven Murders for Scotland could have done with these appealing elements to compliment the plot, but even so; it has to be said that this isn't a bad film on the whole, and it's certainly one of the better Spanish Giallo's. As mentioned, the plot focuses on the murdering of prostitutes, and as the title suggests, Scotland Yard are soon on the case. The main suspects in the murders is a Peter Dockerman, whose girlfriend was killed along with the prostitutes, but Commissioner Henry Campbell of Scotland Yard doesn't believe Dockerman to be the one they're looking for.

It's clear just looking at this film that it didn't benefit from a large budget, and indeed the locations do all look very cheap. Of course, the fact that my copy isn't exactly brilliant doesn't help, but it is obvious that director José Luis Madrid was merely cashing in on the popular formula of the day. Like a lot of seventies Spanish horror films, this one stars Paul Naschy. Naschy has given some good performances in the past; but this isn't one of his better ones. In fact, none of the performances in this film really inspire anything from the audience and it doesn't seem like anyone is really putting any effort in. The plot is fairly standard stuff too, though it never completely dries up as there's always another murder just around the corner. The identity of the murderer becomes obvious early on in the film, and the twist I was expecting never came. The ending itself is decent enough, however, as we finally get to see the killer's lair and the climatic struggle is decent despite the fact that you wont really care who comes out victorious. Overall, Seven Murders for Scotland Yard is a decent enough Giallo, but there are many, many better ones out there!

After being injured in circus acrobat Peter Dockerman(Paul Naschy)spends his nights drinking heavily and fighting in some obscure bars.When his wife is murdered Peter becomes the chief suspect in a series of Jack The Ripper style butcherings.Cops are trying to track down Peter and he tries to solve the case himself."Seven Murders for Scotland Yard" is a pretty watchable Spanish giallo with plenty of bloody stabbings.The killings are mean and misogynistic but not very graphic.The cinematography is quite good and there are some suspenseful stalking scenes.Unfortunately the direction is pretty bland and the gore scenes look amateurish.Still if you enjoyed "Blue Eyes of a Broken Doll" give this one a look too.7 Jack the Rippers out of 10.