17-year-old Lena (Christine Lindberg) is prone to flights of fancy, most of which involve her being sexually abused or killed. Torn between two lovers, boyfriend Jan and hedonistic pig Helge (who is blackmailing her with naked photos), Lena decides to run away, but after a few days on the road, during which she imagines herself raped, murdered and killed in a car crash, she returns home to confront her problems, all of which might only be inside her head anyway.
The subtitles for my copy of Exponerad lagged a couple of minutes behind the film, meaning that I found matters really hard to follow—not that I care that much, because the story was dreadfully dull from what I could gather and isn't what drew me to the film in the first place. No, I sought this one out for the same reason that I imagine most men do: the presence of beautiful exploitation sexpot Lindberg, who being a liberal-minded Swede in the early 70s, frequently disrobes and indulges in soft-core hanky-panky for the pleasure of the viewer.
Apart from the regular nudity from the star, there isn't much else to recommend about Exponerad: Lena's violent daydreams are fairly jarring I suppose, and certainly make the viewer wonder what the hell is going, as does a trip to the cinema in which we are treated to several minutes of a Johnny Weismuller Tarzan classic, but everything pales in comparison to the other Lindberg films I have seen so far (my other Lindberg viewings being revenge flick Thriller: A Cruel picture and pinku Journey To Japan).
Without Christina, this would probably only be a 3/10 tops; with her, It's got to be worth a 5.
The subtitles for my copy of Exponerad lagged a couple of minutes behind the film, meaning that I found matters really hard to follow—not that I care that much, because the story was dreadfully dull from what I could gather and isn't what drew me to the film in the first place. No, I sought this one out for the same reason that I imagine most men do: the presence of beautiful exploitation sexpot Lindberg, who being a liberal-minded Swede in the early 70s, frequently disrobes and indulges in soft-core hanky-panky for the pleasure of the viewer.
Apart from the regular nudity from the star, there isn't much else to recommend about Exponerad: Lena's violent daydreams are fairly jarring I suppose, and certainly make the viewer wonder what the hell is going, as does a trip to the cinema in which we are treated to several minutes of a Johnny Weismuller Tarzan classic, but everything pales in comparison to the other Lindberg films I have seen so far (my other Lindberg viewings being revenge flick Thriller: A Cruel picture and pinku Journey To Japan).
Without Christina, this would probably only be a 3/10 tops; with her, It's got to be worth a 5.