Code Red has been going “code blue” of late, releasing the likes of Nail Gun Massacre and Just Before Dawn on Blu-ray. We now know of seven more forthcoming Blu horror titles from the 70s, 80s, and 90s they have in the works to further empty your wallets in the coming year.
We haven’t come across any official word from Code Red regarding these newest offerings so it may be that Blu-ray.com let the proverbial cat out of the bag by listing these titles for future release the other day. In any event, here are the details:
First up, for the first time ever, a director’s cut of Jim “Forced Entry” Sotos’ 1983 chiller Sweet Sixteen, starring the all-star cast of Aleisha Shirley, Don Stroud, Bo Hopkins, Dana Kimmell, Patrick Macnee, Susan Strasberg, Larry Storch, Henry Wilcoxon, and Michael Pataki.
Sweet Sixteen (1983) - When Melissa Morgan (Aleisha Shirley), a gorgeous big city girl,...
We haven’t come across any official word from Code Red regarding these newest offerings so it may be that Blu-ray.com let the proverbial cat out of the bag by listing these titles for future release the other day. In any event, here are the details:
First up, for the first time ever, a director’s cut of Jim “Forced Entry” Sotos’ 1983 chiller Sweet Sixteen, starring the all-star cast of Aleisha Shirley, Don Stroud, Bo Hopkins, Dana Kimmell, Patrick Macnee, Susan Strasberg, Larry Storch, Henry Wilcoxon, and Michael Pataki.
Sweet Sixteen (1983) - When Melissa Morgan (Aleisha Shirley), a gorgeous big city girl,...
- 11/5/2013
- by Foywonder
- DreadCentral.com
Andy Milligan, the Staten Island-based filmmaker best known for a string of micro-budget horror and sexploitation films made in the 1960’s and 70’s, was certainly one of the oddest characters in the New York ‘Grindhouse’ movie industry. Infamous for his sadistic nature towards his actors and the sadistic kink in his gay lifestyle, Milligan is legendary for the inept, technically primitive movies he made. Michael Weldon once wrote in his Psychotronic magazine that “If you’re an Andy Milligan fan, there’s no hope for you” and Tim Lucas wrote in Video Watchdog that “To reach an appreciation of (Milligan’s) work, it may first be necessary to develop a loathing toward traditional forms of cinema”. It’s true that Milligan’s films are unbelievably atrocious on so many levels yet they’re not without their threadbare charms and interesting scripts. Milligan was a one-man film crew who wrote, directed,...
- 7/22/2009
- by Tom
- WeAreMovieGeeks.com
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